The Goldbergs

Barry decides to challenge Beverly's assertion in his chemistry class, intent on proving her wrong. He launches a string of increasingly elaborate experiments, each one designed to outshine her claim, and the resulting blunders provide plenty of comic fodder as his confidence wavers. Meanwhile, Adam finds himself uncertain about how to handle his budding friendship with Emmy. He turns to Erica for practical advice, hoping her perspective will help him balance his loyalty to old friends with his new feelings, and their exchange is played for laughs throughout the episode in a lighthearted style. The episode stars Wendi McLendon‑Covey and Jeff Garlin.

Beverly learns that the holiday pageant includes only a single Hanukkah number. Realising the limited opportunity, she decides that the one song must be flawless. She turns to Erica, explaining the situation and urging her to craft the ideal piece. Beverly convinces Erica that the composition should capture the spirit of the festival and stand out as the sole representation. Erica agrees to take on the task, understanding the importance of delivering a perfect Hanukkah melody. Together they focus on creating a song that will fulfil the pageant’s sole Hanukkah slot. The single Hanukkah song must be perfect, and Erica is tasked with writing it. Beverly’s insistence ensures that Erica understands the importance of the composition.

Barry decides to challenge Beverly's assertion in his chemistry class, intent on proving her wrong. He launches a string of increasingly elaborate experiments, each one designed to outshine her claim, and the resulting blunders provide plenty of comic fodder as his confidence wavers. Meanwhile, Adam finds himself uncertain about how to handle his budding friendship with Emmy. He turns to Erica for practical advice, hoping her perspective will help him balance his loyalty to old friends with his new feelings, and their exchange is played for laughs throughout the episode in a lighthearted style. The episode stars Wendi McLendon‑Covey and Jeff Garlin.

Murray receives a formal honour, being named among the region's most successful businessmen, a testament to his standing in the local business community. The ceremony highlights his contributions to local commerce and acknowledges his role in driving economic growth. Beverly, hoping to give her husband a constructive outlet, suggests a new hobby; however, her attempt to help backfires, leaving him more frustrated than before. Her well‑intentioned plan, meant to spark enthusiasm, instead results in a comical mishap that undermines the intended benefit. When Barry runs into a difficult situation, Erica intervenes, offering the assistance he needs to get out of it. Her timely intervention not only resolves the immediate crisis but also reinforces the supportive dynamic among the group.

The programme is a comedic TV movie that leaves Barry visibly unnerved, his startled reactions driving much of the humour. Wendi McLendon‑Covey and Jeff Garlin headline the cast, delivering light‑hearted performances that anchor the story. The quirky premise unfolds in an ordinary family environment, heightening the absurdity of Barry’s distress. Meanwhile, Erica and Adam seize Mother’s Day as an opportunity, using the gifts they receive as leverage to fulfil their own objectives. Their scheming introduces a mischievous layer to the plot, keeping the tone playful while they're juggling personal ambitions. The resulting antics generate a series of comic situations that drive the episode forward.

Murray receives a formal honour, being named among the region's most successful businessmen, a testament to his standing in the local business community. The ceremony highlights his contributions to local commerce and acknowledges his role in driving economic growth. Beverly, hoping to give her husband a constructive outlet, suggests a new hobby; however, her attempt to help backfires, leaving him more frustrated than before. Her well‑intentioned plan, meant to spark enthusiasm, instead results in a comical mishap that undermines the intended benefit. When Barry runs into a difficult situation, Erica intervenes, offering the assistance he needs to get out of it. Her timely intervention not only resolves the immediate crisis but also reinforces the supportive dynamic among the group.

The series is a sitcom that centres on an American household living in the modest borough of Jenkintown, Pennsylvania, during the 1980s. It captures the everyday rhythm of family life against the backdrop of that decade, using humour to highlight the quirks of suburban existence. The backdrop of Jenkintown provides a quintessentially Pennsylvanian flavour, while the 1980s period supplies a nostalgic visual palette that informs the humour. Leading the cast are Wendi McLendon‑Covey and Sean Giambrone, who portray the principal members of the family. Their performances drive the comedic situations that arise as the characters navigate the challenges and idiosyncrasies of the era. Together, McLendon‑Covey and Giambrone deliver a lively dynamic that underpins the family’s interactions throughout the series.

The programme is a comedic TV movie that leaves Barry visibly unnerved, his startled reactions driving much of the humour. Wendi McLendon‑Covey and Jeff Garlin headline the cast, delivering light‑hearted performances that anchor the story. The quirky premise unfolds in an ordinary family environment, heightening the absurdity of Barry’s distress. Meanwhile, Erica and Adam seize Mother’s Day as an opportunity, using the gifts they receive as leverage to fulfil their own objectives. Their scheming introduces a mischievous layer to the plot, keeping the tone playful while they're juggling personal ambitions. The resulting antics generate a series of comic situations that drive the episode forward.

During Adam’s birthday sleepover, he and his friends spend the night drinking a batch of home‑brewed beer they’ve made themselves. The relaxed gathering turns into a small challenge when Murray, another guest, approaches Barry and Erica with a tempting proposition: if they can compose what he deems the greatest song ever written, he’ll reward them by purchasing a brand‑new CD player for the pair. The offer adds a playful competitive edge to the evening, as the youngsters consider the task while the night continues with their homemade brew and birthday celebrations, amid laughter and chatter that echo through the house.

When Beverly realises that Adam is struggling and has actually failed his Spanish course, her first instinct is to point the finger at his teacher, assuming the instruction is at fault. Determined to fix the situation, she promptly organises additional tutoring for him, hoping the extra help will turn his grades around. She even confronts the teacher, convinced the curriculum is to blame, and insists that a private tutor could bridge the gap. Yet, despite her well‑meaning intervention, the extra tuition doesn’t produce the expected improvement; the tutor struggles to connect with Adam, his confidence dwindles further, and Beverly is left to realise that her quick fix has only deepened his difficulties.

During Adam’s birthday sleepover, he and his friends spend the night drinking a batch of home‑brewed beer they’ve made themselves. The relaxed gathering turns into a small challenge when Murray, another guest, approaches Barry and Erica with a tempting proposition: if they can compose what he deems the greatest song ever written, he’ll reward them by purchasing a brand‑new CD player for the pair. The offer adds a playful competitive edge to the evening, as the youngsters consider the task while the night continues with their homemade brew and birthday celebrations, amid laughter and chatter that echo through the house.

When Beverly realises that Adam is struggling and has actually failed his Spanish course, her first instinct is to point the finger at his teacher, assuming the instruction is at fault. Determined to fix the situation, she promptly organises additional tutoring for him, hoping the extra help will turn his grades around. She even confronts the teacher, convinced the curriculum is to blame, and insists that a private tutor could bridge the gap. Yet, despite her well‑meaning intervention, the extra tuition doesn’t produce the expected improvement; the tutor struggles to connect with Adam, his confidence dwindles further, and Beverly is left to realise that her quick fix has only deepened his difficulties.

In this instalment, Adam and Barry stumble across a fresh piece of information about Murray, which subtly shifts how they view his character and prompts a series of witty exchanges. Simultaneously, Erica's college application turns up an unexpected twist that catches Beverly off‑guard, leading to a string of humorous misunderstandings. The comedy hinges on the sharp interplay between the two leads, with Wendi McLendon‑Covey delivering her trademark dead‑pan delivery and Jeff Garlin providing his characteristic dry humour. Their chemistry drives the episode's light‑hearted atmosphere, ensuring the plot stays breezy and amusing throughout. Overall, the episode maintains a playful rhythm that keeps viewers engaged.

In this episode, Adam decides to try out for the tennis squad simply because he wants to keep close to a friend, so he throws himself into the sport despite his limited experience. Meanwhile, Beverly steps in to support Erica, guiding her through the low moments that follow a breakup and offering a steady, caring presence. Adam’s attempts are often awkward, underscoring his determination to stay connected, while Beverly’s encouragement provides Erica with humour and reassurance. The storyline balances these two threads with a light‑hearted, comedic tone, weaving the personal challenges together and delivering laughs alongside moments of genuine support. The programme features Wendi McLendon‑Covey in a prominent role.

In this instalment, Adam and Barry stumble across a fresh piece of information about Murray, which subtly shifts how they view his character and prompts a series of witty exchanges. Simultaneously, Erica's college application turns up an unexpected twist that catches Beverly off‑guard, leading to a string of humorous misunderstandings. The comedy hinges on the sharp interplay between the two leads, with Wendi McLendon‑Covey delivering her trademark dead‑pan delivery and Jeff Garlin providing his characteristic dry humour. Their chemistry drives the episode's light‑hearted atmosphere, ensuring the plot stays breezy and amusing throughout. Overall, the episode maintains a playful rhythm that keeps viewers engaged.

In this episode, Adam decides to try out for the tennis squad simply because he wants to keep close to a friend, so he throws himself into the sport despite his limited experience. Meanwhile, Beverly steps in to support Erica, guiding her through the low moments that follow a breakup and offering a steady, caring presence. Adam’s attempts are often awkward, underscoring his determination to stay connected, while Beverly’s encouragement provides Erica with humour and reassurance. The storyline balances these two threads with a light‑hearted, comedic tone, weaving the personal challenges together and delivering laughs alongside moments of genuine support. The programme features Wendi McLendon‑Covey in a prominent role.

Erica and Barry are fretting over how they’ll look in the forthcoming school yearbook, a premise that drives the episode’s light‑hearted comedy. The story centres on their nervous speculation about the snapshots that will capture them for posterity, with the humour arising from their exaggerated worries and the situations they imagine. The episode showcases the comic talents of Wendi McLendon‑Covey and Jeff Garlin, whose performances bring the characters’ anxieties to life with a playful, self‑deprecating edge. Throughout, the duo’s banter and the occasional mishap keep the tone breezy, turning a simple school‑yard concern into an entertaining slice of teenage life.

The episode centres on two parallel endeavours. Beverly and Murray pitch in to help Erica get settled in her new college dormitory, handling the boxes, arranging her belongings and making sure she feels comfortable in the unfamiliar setting. At the same time, Adam takes on the mission of tracking down the perfect girlfriend for Barry, scouting potential candidates and weighing up who might be the best fit. Both storylines highlight the characters’ willingness to support their friends, with Beverly and Murray focusing on Erica’s move and Adam concentrating on Barry’s love life. The narrative weaves these efforts together, showing how the group’s dynamics shift as they each tackle their respective tasks.

Erica and Barry are fretting over how they’ll look in the forthcoming school yearbook, a premise that drives the episode’s light‑hearted comedy. The story centres on their nervous speculation about the snapshots that will capture them for posterity, with the humour arising from their exaggerated worries and the situations they imagine. The episode showcases the comic talents of Wendi McLendon‑Covey and Jeff Garlin, whose performances bring the characters’ anxieties to life with a playful, self‑deprecating edge. Throughout, the duo’s banter and the occasional mishap keep the tone breezy, turning a simple school‑yard concern into an entertaining slice of teenage life.

The episode centres on two parallel endeavours. Beverly and Murray pitch in to help Erica get settled in her new college dormitory, handling the boxes, arranging her belongings and making sure she feels comfortable in the unfamiliar setting. At the same time, Adam takes on the mission of tracking down the perfect girlfriend for Barry, scouting potential candidates and weighing up who might be the best fit. Both storylines highlight the characters’ willingness to support their friends, with Beverly and Murray focusing on Erica’s move and Adam concentrating on Barry’s love life. The narrative weaves these efforts together, showing how the group’s dynamics shift as they each tackle their respective tasks.

The series is a sitcom that centres on an American household living in the modest borough of Jenkintown, Pennsylvania, during the 1980s. It captures the everyday rhythm of family life against the backdrop of that decade, using humour to highlight the quirks of suburban existence. The backdrop of Jenkintown provides a quintessentially Pennsylvanian flavour, while the 1980s period supplies a nostalgic visual palette that informs the humour. Leading the cast are Wendi McLendon‑Covey and Sean Giambrone, who portray the principal members of the family. Their performances drive the comedic situations that arise as the characters navigate the challenges and idiosyncrasies of the era. Together, McLendon‑Covey and Giambrone deliver a lively dynamic that underpins the family’s interactions throughout the series.

When the 1984 presidential election rolls around, Erica comes to the realisation that Beverly consistently backs the candidate Murray supports. This discovery highlights a pattern in Beverly's voting habits that mirrors Murray's political leanings. Erica's curiosity about Beverly's choices even prompts her to compare the two contenders, and Murray's endorsement becomes a frequent topic of their conversations. At the same time, Barry is busy trying to secure a spot on a sports‑oriented game show, rehearsing his sports trivia in the hope that the producers will notice his enthusiasm and give him a chance to appear on the programme. Both storylines run parallel, with Erica's political insight and Barry's ambition for television exposure providing the episode's main threads.

Murray appears keen when Adam tells him he's keen to try a new activity at school, showing initial support for his friend's plan. However, his enthusiasm quickly turns to doubt the moment he realises the chosen pursuit is fencing, a sport that seems to fall outside his expectations. The revelation dampens Murray's earlier optimism, leaving him uncertain about the idea. Beverly, on the other hand, decides to give matchmaking a go, stepping into the role of a matchmaker and attempting to pair people together. She approaches the task with a light‑hearted attitude, hoping to bring others together through her own brand of romantic meddling.

When the 1984 presidential election rolls around, Erica comes to the realisation that Beverly consistently backs the candidate Murray supports. This discovery highlights a pattern in Beverly's voting habits that mirrors Murray's political leanings. Erica's curiosity about Beverly's choices even prompts her to compare the two contenders, and Murray's endorsement becomes a frequent topic of their conversations. At the same time, Barry is busy trying to secure a spot on a sports‑oriented game show, rehearsing his sports trivia in the hope that the producers will notice his enthusiasm and give him a chance to appear on the programme. Both storylines run parallel, with Erica's political insight and Barry's ambition for television exposure providing the episode's main threads.

Murray appears keen when Adam tells him he's keen to try a new activity at school, showing initial support for his friend's plan. However, his enthusiasm quickly turns to doubt the moment he realises the chosen pursuit is fencing, a sport that seems to fall outside his expectations. The revelation dampens Murray's earlier optimism, leaving him uncertain about the idea. Beverly, on the other hand, decides to give matchmaking a go, stepping into the role of a matchmaker and attempting to pair people together. She approaches the task with a light‑hearted attitude, hoping to bring others together through her own brand of romantic meddling.

Erica and Barry both land jobs at the novelty retailer Spencer’s Gifts, taking on a range of duties from stocking shelves to helping customers. Their new positions catch Murray’s eye, and he promptly urges Adam to join the staff as well, insisting that a job at the shop would be beneficial. Beverly, however, is unwavering in her belief that Adam’s energies belong to film‑making; she argues that a retail role would distract him from his artistic ambitions. The episode follows the characters as they juggle these conflicting expectations, highlighting the tension between the practical need for work and the desire to pursue a creative path.

In the episode, Adam sets out to launch a career in acting, only to discover that the talent agent he approaches pigeon‑holes him as someone who can only play the stereotypical nerd. Undeterred, his friend Beverly decides to take matters into her own hands, dedicating herself to reshaping his image so he can be seen as a teen heartthrob instead. She works tirelessly, using whatever means she believes will help reshape his public image, hoping to convince casting directors that he can fill the role of a charismatic teen idol. Her determination drives the episode, turning the simple premise into a clash between typecasting and ambition.

Erica and Barry both land jobs at the novelty retailer Spencer’s Gifts, taking on a range of duties from stocking shelves to helping customers. Their new positions catch Murray’s eye, and he promptly urges Adam to join the staff as well, insisting that a job at the shop would be beneficial. Beverly, however, is unwavering in her belief that Adam’s energies belong to film‑making; she argues that a retail role would distract him from his artistic ambitions. The episode follows the characters as they juggle these conflicting expectations, highlighting the tension between the practical need for work and the desire to pursue a creative path.

In the episode, Adam sets out to launch a career in acting, only to discover that the talent agent he approaches pigeon‑holes him as someone who can only play the stereotypical nerd. Undeterred, his friend Beverly decides to take matters into her own hands, dedicating herself to reshaping his image so he can be seen as a teen heartthrob instead. She works tirelessly, using whatever means she believes will help reshape his public image, hoping to convince casting directors that he can fill the role of a charismatic teen idol. Her determination drives the episode, turning the simple premise into a clash between typecasting and ambition.

Adam has been given a school assignment centred on the Second World War, and he must find a way to complete it. He needs to research the conflict, organise his findings, and produce a report that satisfies his teachers' expectations. He spends evenings in the library, poring over books and archival material, hoping to piece together a coherent narrative. At the same time, Erica finds herself unable to cope with the cooking and laundry duties required at college. Overwhelmed by these chores, she decides to return home, where she confronts Beverly about the situation. She realises that the domestic responsibilities are interfering with her studies, prompting her to seek support from her family.

In this episode, Geoff and Erica're trying to keep their romance alive despite being apart, and the distance creates a series of misunderstandings and emotional ups and downs that test their commitment. Their attempts to bridge the gap are constantly challenged by the physical separation, leaving both of them feeling uncertain and yearning for more stability. At the same time, Beverly becomes involved after learning that Coach Mellor isn't on good terms with his brother, Coach Nick. Recognising the tension between the two coaches, she steps in, hoping to smooth over the friction and perhaps bring some resolution to the family dispute.

Adam has been given a school assignment centred on the Second World War, and he must find a way to complete it. He needs to research the conflict, organise his findings, and produce a report that satisfies his teachers' expectations. He spends evenings in the library, poring over books and archival material, hoping to piece together a coherent narrative. At the same time, Erica finds herself unable to cope with the cooking and laundry duties required at college. Overwhelmed by these chores, she decides to return home, where she confronts Beverly about the situation. She realises that the domestic responsibilities are interfering with her studies, prompting her to seek support from her family.

In this episode, Geoff and Erica're trying to keep their romance alive despite being apart, and the distance creates a series of misunderstandings and emotional ups and downs that test their commitment. Their attempts to bridge the gap are constantly challenged by the physical separation, leaving both of them feeling uncertain and yearning for more stability. At the same time, Beverly becomes involved after learning that Coach Mellor isn't on good terms with his brother, Coach Nick. Recognising the tension between the two coaches, she steps in, hoping to smooth over the friction and perhaps bring some resolution to the family dispute.

In this comedic episode, Beverly takes it upon herself to arrange a date for her father, Pops, hoping the chosen woman will satisfy his exacting standards. The storyline follows Beverly’s well‑meaning scheme as she introduces Pops to a potential partner who seems to tick all the boxes he’s set. The humour stems from the clash between Pops’s high expectations and the reality of the encounter. The programme features performances by Wendi McLendon‑Covey and Jeff Garlin, whose chemistry adds a lively edge to the situation. Overall, the episode blends light‑hearted matchmaking with witty banter, delivering a charming slice of family comedy.

In this episode of Dance Party USA, Adam experiments with gambling during school hours, only to discover that his reckless betting costs him his cherished toys. His disappointment is palpable as he watches his favourite playthings disappear, prompting a moment of reflection on the risks of such behaviour. Meanwhile, Erica harbours ambitions of showcasing her dancing talent on a televised dance competition, but her plans unravel, leaving her aspirations unfulfilled. She rehearses, hoping the televised stage will recognise her skill, yet the opportunity slips away, leaving her to reassess her approach to achieving fame. Both storylines highlight the characters' attempts to pursue personal goals, only to face unexpected setbacks that force them to confront consequences of their choices.

Adam and Beverly produce a music video to highlight Erica's talent, hoping it will boost her Julliard application. They plan the concept, film the performance, and edit the final cut, enlisting a few friends for lighting and sound while rehearsing multiple takes to capture Erica at her most expressive. Meanwhile, Murray discovers the true meaning of friendship when he spends time with Bill, Lainey's father, and the two form a bond that teaches him what it really means to be a supportive friend. Through their conversations, Bill shares his own experiences and offers advice, prompting Murray to reflect on his own behaviour and realise the importance of loyalty and empathy.

In this episode of Dance Party USA, Adam experiments with gambling during school hours, only to discover that his reckless betting costs him his cherished toys. His disappointment is palpable as he watches his favourite playthings disappear, prompting a moment of reflection on the risks of such behaviour. Meanwhile, Erica harbours ambitions of showcasing her dancing talent on a televised dance competition, but her plans unravel, leaving her aspirations unfulfilled. She rehearses, hoping the televised stage will recognise her skill, yet the opportunity slips away, leaving her to reassess her approach to achieving fame. Both storylines highlight the characters' attempts to pursue personal goals, only to face unexpected setbacks that force them to confront consequences of their choices.

Adam and Beverly produce a music video to highlight Erica's talent, hoping it will boost her Julliard application. They plan the concept, film the performance, and edit the final cut, enlisting a few friends for lighting and sound while rehearsing multiple takes to capture Erica at her most expressive. Meanwhile, Murray discovers the true meaning of friendship when he spends time with Bill, Lainey's father, and the two form a bond that teaches him what it really means to be a supportive friend. Through their conversations, Bill shares his own experiences and offers advice, prompting Murray to reflect on his own behaviour and realise the importance of loyalty and empathy.

Adam and his namesake, the other Adam Goldberg, finally decide to resolve their long‑running feud by arranging a karate match. Rather than jump straight into the bout, they're seeking a little preparation. Barry and Adam therefore turn to Uncle Marvin, asking him to teach them some martial‑arts techniques. They're hoping that a few sessions with Marvin will give them the confidence and skill needed to face each other in the upcoming duel. The request sets the stage for a brief period of training properly, and the training is intended to sharpen their techniques before the two Adams meet on the mat to settle their rivalry once and for all.

Barry has begun looking into the leading medical schools, weighing his options for the future. He spends time researching programmes, campus reputations and entry requirements, hoping to find the best fit. Meanwhile, Lainey announces that she’s been awarded a scholarship to attend art college, a surprise that shifts the family’s focus. She expresses excitement about the opportunity, while the rest of the household adjusts to the news. In the same breath, Erica and Adam voice their suspicion that Murray seems to prefer the family dog over them, leaving them feeling a bit neglected. They comment on how often Murray spends time with the pet, interpreting it as a sign that the dog receives more affection than they do.

Adam and his namesake, the other Adam Goldberg, finally decide to resolve their long‑running feud by arranging a karate match. Rather than jump straight into the bout, they're seeking a little preparation. Barry and Adam therefore turn to Uncle Marvin, asking him to teach them some martial‑arts techniques. They're hoping that a few sessions with Marvin will give them the confidence and skill needed to face each other in the upcoming duel. The request sets the stage for a brief period of training properly, and the training is intended to sharpen their techniques before the two Adams meet on the mat to settle their rivalry once and for all.

Barry has begun looking into the leading medical schools, weighing his options for the future. He spends time researching programmes, campus reputations and entry requirements, hoping to find the best fit. Meanwhile, Lainey announces that she’s been awarded a scholarship to attend art college, a surprise that shifts the family’s focus. She expresses excitement about the opportunity, while the rest of the household adjusts to the news. In the same breath, Erica and Adam voice their suspicion that Murray seems to prefer the family dog over them, leaving them feeling a bit neglected. They comment on how often Murray spends time with the pet, interpreting it as a sign that the dog receives more affection than they do.

Beverly, believing further education will help, decides to enrol in night school, committing to attend classes after dark. Her choice shows a willingness to juggle study alongside existing commitments. Meanwhile, Barry embarks on a personal makeover, overhauling his wardrobe and grooming in an effort to reinvent his look. His undertaking signals a desire for change and a fresh start. At the same time, Erica finds it hard to balance her social life with the demands of her coursework. She tries to allocate time for friends while keeping up with assignments, but the competing pressures leave her feeling stretched thin. The episode follows each of them as they navigate these challenges.

Adam and Jackie end up at odds when they can’t agree on the Halloween costumes they want to wear. Their disagreement over which outfit is best quickly turns into a full‑blown fall out, leaving both of them frustrated as each insists on his or her own idea for the night, as they argue over the theme and style of the costumes. Meanwhile, Lainey drops in on Erica while she’s at college, spending time together on campus. At the same time, Barry is set on reconciling with Erica; he makes a clear effort to win her back, hoping his approach will persuade her to give their relationship another chance.

Beverly, believing further education will help, decides to enrol in night school, committing to attend classes after dark. Her choice shows a willingness to juggle study alongside existing commitments. Meanwhile, Barry embarks on a personal makeover, overhauling his wardrobe and grooming in an effort to reinvent his look. His undertaking signals a desire for change and a fresh start. At the same time, Erica finds it hard to balance her social life with the demands of her coursework. She tries to allocate time for friends while keeping up with assignments, but the competing pressures leave her feeling stretched thin. The episode follows each of them as they navigate these challenges.

Adam and Jackie end up at odds when they can’t agree on the Halloween costumes they want to wear. Their disagreement over which outfit is best quickly turns into a full‑blown fall out, leaving both of them frustrated as each insists on his or her own idea for the night, as they argue over the theme and style of the costumes. Meanwhile, Lainey drops in on Erica while she’s at college, spending time together on campus. At the same time, Barry is set on reconciling with Erica; he makes a clear effort to win her back, hoping his approach will persuade her to give their relationship another chance.

Murray is at a loss for words when Erica is offered a spot at a summer arts academy, and he struggles to let his pride show. He's pondering how best to express his happiness, worrying that his usual enthusiasm might come across as over‑the‑top, yet he's wanting her to feel his genuine support. At the same time, Barry takes on the duties of the school's new sports mascot, stepping into a role that demands energy and school spirit. He embraces the position, ready to rally the crowd and represent the team, marking his first appearance in that capacity and to boost morale among his peers.

Lainey, together with her friends Erica and Barry, are busy organising a massive party that takes its cue from the classic film Risky Business. The three of them have settled on Lainey's own home as the venue, hoping to recreate the movie's iconic atmosphere for their guests. With Lainey's father away on business, the trio sees the perfect opportunity to pull the celebration off without any parental interference. Their plan hinges on timing carefully the event while the house is empty, ensuring they can let loose quietly and fully embrace the daring spirit of the film that inspired them completely.

Murray is at a loss for words when Erica is offered a spot at a summer arts academy, and he struggles to let his pride show. He's pondering how best to express his happiness, worrying that his usual enthusiasm might come across as over‑the‑top, yet he's wanting her to feel his genuine support. At the same time, Barry takes on the duties of the school's new sports mascot, stepping into a role that demands energy and school spirit. He embraces the position, ready to rally the crowd and represent the team, marking his first appearance in that capacity and to boost morale among his peers.

Lainey, together with her friends Erica and Barry, are busy organising a massive party that takes its cue from the classic film Risky Business. The three of them have settled on Lainey's own home as the venue, hoping to recreate the movie's iconic atmosphere for their guests. With Lainey's father away on business, the trio sees the perfect opportunity to pull the celebration off without any parental interference. Their plan hinges on timing carefully the event while the house is empty, ensuring they can let loose quietly and fully embrace the daring spirit of the film that inspired them completely.

On the night of their high school prom, Barry is determined to pull off a series of elaborate romantic gestures for Lainey, hoping the evening will be unforgettable for the two of them. Barry invests a great deal of effort into his scheme, hoping each gesture will win Lainey over and make the night truly special. Meanwhile, Erica and Geoff both set their sights on attending the dance together, but their attempts quickly go off the rails, and the night doesn't unfold the way they expected. Their hopes of sharing the evening together are repeatedly undermined by miscommunication and unforeseen hiccups, leaving both of them frustrated.

In this episode of The Dynamic Duo, Adam and Pops spend the programme arguing over the latest Batman movie, each offering their own take on the film’s merits and shortcomings. Meanwhile, Erica heads off to a college interview, adding a parallel storyline to the comedic chaos. Their contrasting pursuits—cinematic debate and academic ambition—drive the humour throughout the half‑hour. The comedy is anchored by performances from Wendi McLendon‑Covey and Hayley Orrantia, who bring their characters to life with sharp timing and a playful rapport. The banter between the two men swings from earnest critique to playful ribbing, highlighting the episode’s light‑hearted pop‑culture commentary. Erica’s nervous anticipation at the interview offers a counterpoint, underscoring the show’s mix of humour and everyday stakes.

On the night of their high school prom, Barry is determined to pull off a series of elaborate romantic gestures for Lainey, hoping the evening will be unforgettable for the two of them. Barry invests a great deal of effort into his scheme, hoping each gesture will win Lainey over and make the night truly special. Meanwhile, Erica and Geoff both set their sights on attending the dance together, but their attempts quickly go off the rails, and the night doesn't unfold the way they expected. Their hopes of sharing the evening together are repeatedly undermined by miscommunication and unforeseen hiccups, leaving both of them frustrated.

In this episode of The Dynamic Duo, Adam and Pops spend the programme arguing over the latest Batman movie, each offering their own take on the film’s merits and shortcomings. Meanwhile, Erica heads off to a college interview, adding a parallel storyline to the comedic chaos. Their contrasting pursuits—cinematic debate and academic ambition—drive the humour throughout the half‑hour. The comedy is anchored by performances from Wendi McLendon‑Covey and Hayley Orrantia, who bring their characters to life with sharp timing and a playful rapport. The banter between the two men swings from earnest critique to playful ribbing, highlighting the episode’s light‑hearted pop‑culture commentary. Erica’s nervous anticipation at the interview offers a counterpoint, underscoring the show’s mix of humour and everyday stakes.

Murray's furniture shop is under pressure as a rival sets up nearby, threatening his customer base. Determined to counter the competition, Adam offers to produce a television commercial for his father's business. He hopes the advert will raise the shop's profile, showcase its range, and draw shoppers back inside. The spot is designed to highlight the quality of the pieces and the service Murray prides himself on. At the same time, Barry spends his school days trying to win the affection of a girl, but his attempts repeatedly fall short. Despite his various efforts to impress her, each gesture is rejected, leaving his courtship attempts unsuccessful. His disappointment is evident, and he ultimately accepts that his feelings won’t be reciprocated.

Marvin spends the episode urging Barry and his friends to hand over their cash, pressing them to invest their money with him and making the case that his scheme will be worthwhile. He keeps returning to the idea, trying to win their confidence and convince the group that putting their funds under his control is a smart move. At the same time, Beverly is busy organising a Thanksgiving potluck, sending out invitations for a shared dinner that will host around fifty people. She asks each invitee to bring a dish, turning the celebration into a communal feast where everyone contributes to the spread.

Murray's furniture shop is under pressure as a rival sets up nearby, threatening his customer base. Determined to counter the competition, Adam offers to produce a television commercial for his father's business. He hopes the advert will raise the shop's profile, showcase its range, and draw shoppers back inside. The spot is designed to highlight the quality of the pieces and the service Murray prides himself on. At the same time, Barry spends his school days trying to win the affection of a girl, but his attempts repeatedly fall short. Despite his various efforts to impress her, each gesture is rejected, leaving his courtship attempts unsuccessful. His disappointment is evident, and he ultimately accepts that his feelings won’t be reciprocated.

Marvin spends the episode urging Barry and his friends to hand over their cash, pressing them to invest their money with him and making the case that his scheme will be worthwhile. He keeps returning to the idea, trying to win their confidence and convince the group that putting their funds under his control is a smart move. At the same time, Beverly is busy organising a Thanksgiving potluck, sending out invitations for a shared dinner that will host around fifty people. She asks each invitee to bring a dish, turning the celebration into a communal feast where everyone contributes to the spread.

Adam chooses to ditch Pops in favour of joining a handful of new acquaintances for an evening of trick‑or‑treating. As the night unfolds, he soon discovers that the group’s intentions are far from ordinary, leaving him genuinely shocked by what they have planned. The episode unfolds as a comedy, with Jeff Garlin leading the cast. Throughout, the humour arises from Adam’s unexpected predicament and the surprising scheme of his new companions, delivering a light‑hearted yet surprising twist on a typical Halloween outing. The story pits Adam’s loyalty to Pops against his intrigue with the new group, underscoring the absurdity. Garlin’s comedic timing anchors the quirky twist.