The Simpsons

Lisa decides to channel her creative drive into a documentary that offers an unflinching look at life within her own family. The film records everyday moments – from quiet breakfasts to heated arguments – and presents personal interactions with raw honesty and intimacy. By focusing on the ordinary yet revealing aspects of her relatives' lives, she creates a work that feels both personal and universally relatable. When the documentary is screened at the Sundance Film Festival, its revealing nature catches the attention of audiences and industry insiders alike. Lisa quickly finds she's celebrated as a success, with her film earning notable recognition and opening doors for further opportunities within the festival circuit.

In the episode, Homer is devastated when his mother passes away, haunted by the realisation that he never managed to tell her how deeply he loved her. Overcome with regret, he becomes determined to honour her last wishes, setting out on a personal mission to make things right. He reflects on the moments they shared, recalling childhood memories that now feel bittersweet. Each step he takes is driven by the desire to prove his love, even if it's too late. The story is narrated with the distinctive voice of Glenn Close, whose resonant timbre underscores the gravity of his undertaking and adds a solemn yet hopeful tone.

Bart manages to rescue a frail, sickly calf, nursing it back to health with a great deal of care. Once the animal recovers, he decides to present it to a local farm girl, thinking the gesture is simply a friendly token. Unfortunately, the girl's father interprets the offering as a formal marriage proposal, leading to an uncomfortable misunderstanding. He quickly realises his error when the father, expecting a formal answer, presses for details about the union, leaving Bart flustered. The episode is narrated throughout by Zooey Deschanel, whose distinctive voice lends a gentle, witty tone that contrasts with the awkward situation.

Bart manages to rescue a frail, sickly calf, nursing it back to health with a great deal of care. Once the animal recovers, he decides to present it to a local farm girl, thinking the gesture is simply a friendly token. Unfortunately, the girl's father interprets the offering as a formal marriage proposal, leading to an uncomfortable misunderstanding. He quickly realises his error when the father, expecting a formal answer, presses for details about the union, leaving Bart flustered. The episode is narrated throughout by Zooey Deschanel, whose distinctive voice lends a gentle, witty tone that contrasts with the awkward situation.

Lisa takes on the role of Krusty's new assistant, but she quickly proves herself more capable than her boss. Her sharp insight and natural charisma soon eclipse Krusty's own performance, prompting the producers to offer her a dedicated television programme of her own. Audiences respond positively to her energetic segments, confirming that she's stepped out of Krusty's shadow. At the same time, Homer and Bart discover a shared interest in coin collecting. The pair throw themselves into the hobby, and the activity brings them closer together, giving them a new way to spend time with each other. Their collection quickly grows, and they've spent evenings researching the history behind each piece.

Lisa decides to channel her creative drive into a documentary that offers an unflinching look at life within her own family. The film records everyday moments – from quiet breakfasts to heated arguments – and presents personal interactions with raw honesty and intimacy. By focusing on the ordinary yet revealing aspects of her relatives' lives, she creates a work that feels both personal and universally relatable. When the documentary is screened at the Sundance Film Festival, its revealing nature catches the attention of audiences and industry insiders alike. Lisa quickly finds she's celebrated as a success, with her film earning notable recognition and opening doors for further opportunities within the festival circuit.

Lisa decides to channel her creative drive into a documentary that offers an unflinching look at life within her own family. The film records everyday moments – from quiet breakfasts to heated arguments – and presents personal interactions with raw honesty and intimacy. By focusing on the ordinary yet revealing aspects of her relatives' lives, she creates a work that feels both personal and universally relatable. When the documentary is screened at the Sundance Film Festival, its revealing nature catches the attention of audiences and industry insiders alike. Lisa quickly finds she's celebrated as a success, with her film earning notable recognition and opening doors for further opportunities within the festival circuit.

In the episode, Homer is devastated when his mother passes away, haunted by the realisation that he never managed to tell her how deeply he loved her. Overcome with regret, he becomes determined to honour her last wishes, setting out on a personal mission to make things right. He reflects on the moments they shared, recalling childhood memories that now feel bittersweet. Each step he takes is driven by the desire to prove his love, even if it's too late. The story is narrated with the distinctive voice of Glenn Close, whose resonant timbre underscores the gravity of his undertaking and adds a solemn yet hopeful tone.

In the episode, Homer is devastated when his mother passes away, haunted by the realisation that he never managed to tell her how deeply he loved her. Overcome with regret, he becomes determined to honour her last wishes, setting out on a personal mission to make things right. He reflects on the moments they shared, recalling childhood memories that now feel bittersweet. Each step he takes is driven by the desire to prove his love, even if it's too late. The story is narrated with the distinctive voice of Glenn Close, whose resonant timbre underscores the gravity of his undertaking and adds a solemn yet hopeful tone.

Lisa takes on the role of Krusty's new assistant, but she quickly proves herself more capable than her boss. Her sharp insight and natural charisma soon eclipse Krusty's own performance, prompting the producers to offer her a dedicated television programme of her own. Audiences respond positively to her energetic segments, confirming that she's stepped out of Krusty's shadow. At the same time, Homer and Bart discover a shared interest in coin collecting. The pair throw themselves into the hobby, and the activity brings them closer together, giving them a new way to spend time with each other. Their collection quickly grows, and they've spent evenings researching the history behind each piece.

Lisa takes on the role of Krusty's new assistant, but she quickly proves herself more capable than her boss. Her sharp insight and natural charisma soon eclipse Krusty's own performance, prompting the producers to offer her a dedicated television programme of her own. Audiences respond positively to her energetic segments, confirming that she's stepped out of Krusty's shadow. At the same time, Homer and Bart discover a shared interest in coin collecting. The pair throw themselves into the hobby, and the activity brings them closer together, giving them a new way to spend time with each other. Their collection quickly grows, and they've spent evenings researching the history behind each piece.

In this episode, Homer and Marge find themselves trying to persuade a social worker that they lead ordinary, respectable lives. Their efforts to appear conventional are constantly undermined as they scramble to hide the fact that Homer is secretly married to a flamboyant showgirl. The arrival of the showgirl throws their carefully rehearsed façade into chaos, exposing the bigamous marriage and threatening the couple's attempt to convince the social worker of their normalcy. They devise various excuses, tidy up their home, and rehearse polite conversation, all while the social worker watches closely. Meanwhile, the showgirl's glamorous presence and unexpected visits keep pulling the spotlight onto their secret, forcing Homer to juggle two lives.

In this episode, Homer and Marge find themselves trying to persuade a social worker that they lead ordinary, respectable lives. Their efforts to appear conventional are constantly undermined as they scramble to hide the fact that Homer is secretly married to a flamboyant showgirl. The arrival of the showgirl throws their carefully rehearsed façade into chaos, exposing the bigamous marriage and threatening the couple's attempt to convince the social worker of their normalcy. They devise various excuses, tidy up their home, and rehearse polite conversation, all while the social worker watches closely. Meanwhile, the showgirl's glamorous presence and unexpected visits keep pulling the spotlight onto their secret, forcing Homer to juggle two lives.

After a recent survey labels Springfield as the world’s fattest town, Marge decides she can’t stand by while the town’s reputation worsens. The shocking designation spurs her to take direct action against the local sugar company, which she believes is a key factor in the community’s weight problem. Determined to make a difference, she sets out to challenge the corporation’s influence and encourage healthier habits among the residents. The episode also includes a guest voice role performed by Ben Stiller, whose contribution adds a distinctive touch to the narrative. His cameo brings a fresh dynamic, complementing Marge’s crusade and enriching the overall tone of the show.

After a recent survey labels Springfield as the world’s fattest town, Marge decides she can’t stand by while the town’s reputation worsens. The shocking designation spurs her to take direct action against the local sugar company, which she believes is a key factor in the community’s weight problem. Determined to make a difference, she sets out to challenge the corporation’s influence and encourage healthier habits among the residents. The episode also includes a guest voice role performed by Ben Stiller, whose contribution adds a distinctive touch to the narrative. His cameo brings a fresh dynamic, complementing Marge’s crusade and enriching the overall tone of the show.

Lisa takes on the role of Krusty's new assistant, but she quickly proves herself more capable than her boss. Her sharp insight and natural charisma soon eclipse Krusty's own performance, prompting the producers to offer her a dedicated television programme of her own. Audiences respond positively to her energetic segments, confirming that she's stepped out of Krusty's shadow. At the same time, Homer and Bart discover a shared interest in coin collecting. The pair throw themselves into the hobby, and the activity brings them closer together, giving them a new way to spend time with each other. Their collection quickly grows, and they've spent evenings researching the history behind each piece.

In this episode, Homer and Marge find themselves trying to persuade a social worker that they lead ordinary, respectable lives. Their efforts to appear conventional are constantly undermined as they scramble to hide the fact that Homer is secretly married to a flamboyant showgirl. The arrival of the showgirl throws their carefully rehearsed façade into chaos, exposing the bigamous marriage and threatening the couple's attempt to convince the social worker of their normalcy. They devise various excuses, tidy up their home, and rehearse polite conversation, all while the social worker watches closely. Meanwhile, the showgirl's glamorous presence and unexpected visits keep pulling the spotlight onto their secret, forcing Homer to juggle two lives.

In this episode, Homer's ex‑wife Marge's old flame returns with a striking proposal. He tells Homer that he'll pay a million dollars if he's willing to let him spend a weekend with Marge, just so he can imagine how his life might have turned out if they'd never broken up. He claims the sum would cover any expenses and that the weekend would be entirely private, ensuring no one else interferes. The offer is simple: the cash in exchange for a brief holiday together, giving the former boyfriend a chance to glimpse an alternate reality. Homer must decide whether the money is worth the intrusion into Marge's life and the curiosity about what could have been.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

In this episode, Homer averts a catastrophic nuclear incident in Springfield, rescuing the town from a potential meltdown. His quick thinking earns him the status of a local hero, and the community showers him with praise and accolades. However, the constant commendations soon wear him down, and he finds himself growing weary of the endless congratulations. Adding a special touch, the episode features a guest‑voice performance by former basketball star ‘Magic’ Johnson, who lends his distinctive tone to one of the characters. The storyline balances Homer's moment of triumph with his subsequent fatigue over the adulation he receives. By the end, Homer reflects on the price of fame and wonders whether heroism is worth the relentless applause.

In this episode, Homer's ex‑wife Marge's old flame returns with a striking proposal. He tells Homer that he'll pay a million dollars if he's willing to let him spend a weekend with Marge, just so he can imagine how his life might have turned out if they'd never broken up. He claims the sum would cover any expenses and that the weekend would be entirely private, ensuring no one else interferes. The offer is simple: the cash in exchange for a brief holiday together, giving the former boyfriend a chance to glimpse an alternate reality. Homer must decide whether the money is worth the intrusion into Marge's life and the curiosity about what could have been.

With his jaw wired shut, Homer finds himself unable to speak, forcing him into an unexpected period of silence. During this time he begins to notice the advantages of simply listening, realising how much he had previously missed by constantly talking. It’s an experience that opens his eyes to the value of paying attention to those around him. Marge, however, struggles to accept this sudden change, finding it difficult to adjust to Homer's unusually quiet behaviour. She’s unaccustomed to his typical chatter and wrestles with the challenge of relating to a version of him that remains silent, which proves unsettling for her.

After a recent survey labels Springfield as the world’s fattest town, Marge decides she can’t stand by while the town’s reputation worsens. The shocking designation spurs her to take direct action against the local sugar company, which she believes is a key factor in the community’s weight problem. Determined to make a difference, she sets out to challenge the corporation’s influence and encourage healthier habits among the residents. The episode also includes a guest voice role performed by Ben Stiller, whose contribution adds a distinctive touch to the narrative. His cameo brings a fresh dynamic, complementing Marge’s crusade and enriching the overall tone of the show.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

In this episode, Krusty the Clown is abruptly disowned by his own father, a move that leaves his friends Lisa and Bart Simpson both shocked and distressed. Unwilling to let the family feud fester, the two children immediately set about trying to smooth things over, they're determined to persuade the two obstinate men to put aside their differences. Their efforts to broker a reconciliation form the core of the story, which is further highlighted by the distinctive voice performance of Jackie Mason. Mason's contribution lends a familiar tone to the proceedings, reinforcing the emotional stakes of the family drama. The episode remains a poignant look at loyalty and forgiveness.

In an effort to demonstrate his affection for his daughter, Homer decides to purchase a pony for Lisa. The gesture, meant as a token of his love, quickly turns into a financial burden, as the costs of feeding, stabling and caring for the animal prove steep. To cover these expenses, Homer’s compelled to take on extra work, returning to his part‑time position at the Kwik‑E‑Mart. Balancing his regular duties with the new responsibilities, he struggles to keep up with the pony’s upkeep while still trying to maintain his usual daily life, and the strain it puts on his family life.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

In this episode, Homer's ex‑wife Marge's old flame returns with a striking proposal. He tells Homer that he'll pay a million dollars if he's willing to let him spend a weekend with Marge, just so he can imagine how his life might have turned out if they'd never broken up. He claims the sum would cover any expenses and that the weekend would be entirely private, ensuring no one else interferes. The offer is simple: the cash in exchange for a brief holiday together, giving the former boyfriend a chance to glimpse an alternate reality. Homer must decide whether the money is worth the intrusion into Marge's life and the curiosity about what could have been.

In this episode, Homer averts a catastrophic nuclear incident in Springfield, rescuing the town from a potential meltdown. His quick thinking earns him the status of a local hero, and the community showers him with praise and accolades. However, the constant commendations soon wear him down, and he finds himself growing weary of the endless congratulations. Adding a special touch, the episode features a guest‑voice performance by former basketball star ‘Magic’ Johnson, who lends his distinctive tone to one of the characters. The storyline balances Homer's moment of triumph with his subsequent fatigue over the adulation he receives. By the end, Homer reflects on the price of fame and wonders whether heroism is worth the relentless applause.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

Following a disappointing result on a test administered by the National Fatherhood Institute, Homer’s overcome with shame and embarrassment. The failure gnaws at his pride, prompting him to seek a way to redeem himself. He's resolved to make amends by turning his attention to Bart’s latest project – building a go‑kart. He's determined to prove his worth as a dad, so Homer throws himself into the task, offering guidance, labour and encouragement as the two work together on the makeshift vehicle. In doing so, he hopes the hands‑on effort will restore his confidence and demonstrate his commitment to fatherhood, and to rebuild the bond with his son.

With his jaw wired shut, Homer finds himself unable to speak, forcing him into an unexpected period of silence. During this time he begins to notice the advantages of simply listening, realising how much he had previously missed by constantly talking. It’s an experience that opens his eyes to the value of paying attention to those around him. Marge, however, struggles to accept this sudden change, finding it difficult to adjust to Homer's unusually quiet behaviour. She’s unaccustomed to his typical chatter and wrestles with the challenge of relating to a version of him that remains silent, which proves unsettling for her.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

In this episode, Krusty the Clown is abruptly disowned by his own father, a move that leaves his friends Lisa and Bart Simpson both shocked and distressed. Unwilling to let the family feud fester, the two children immediately set about trying to smooth things over, they're determined to persuade the two obstinate men to put aside their differences. Their efforts to broker a reconciliation form the core of the story, which is further highlighted by the distinctive voice performance of Jackie Mason. Mason's contribution lends a familiar tone to the proceedings, reinforcing the emotional stakes of the family drama. The episode remains a poignant look at loyalty and forgiveness.

Moe, ever eager to turn his failing pub around, decides to appropriate Homer's freshly imagined cocktail recipe. He markets the drink as his own, and the novelty draws a wave of patrons, giving the once‑languishing establishment a short‑lived boost. The scheme is meant as a quick fix for the bar’s flagging fortunes, but the triumph is short‑lived at home: the Simpson family, aware of Homer's contribution, takes umbrage at Moe's theft, and the tension it creates overshadows the brief commercial success. While the new concoction momentarily steadies the tavern, the Simpsons' displeasure shows how the act of borrowing the idea does not go down well in the household.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

In an effort to demonstrate his affection for his daughter, Homer decides to purchase a pony for Lisa. The gesture, meant as a token of his love, quickly turns into a financial burden, as the costs of feeding, stabling and caring for the animal prove steep. To cover these expenses, Homer’s compelled to take on extra work, returning to his part‑time position at the Kwik‑E‑Mart. Balancing his regular duties with the new responsibilities, he struggles to keep up with the pony’s upkeep while still trying to maintain his usual daily life, and the strain it puts on his family life.

Following a disappointing result on a test administered by the National Fatherhood Institute, Homer’s overcome with shame and embarrassment. The failure gnaws at his pride, prompting him to seek a way to redeem himself. He's resolved to make amends by turning his attention to Bart’s latest project – building a go‑kart. He's determined to prove his worth as a dad, so Homer throws himself into the task, offering guidance, labour and encouragement as the two work together on the makeshift vehicle. In doing so, he hopes the hands‑on effort will restore his confidence and demonstrate his commitment to fatherhood, and to rebuild the bond with his son.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

Moe, ever eager to turn his failing pub around, decides to appropriate Homer's freshly imagined cocktail recipe. He markets the drink as his own, and the novelty draws a wave of patrons, giving the once‑languishing establishment a short‑lived boost. The scheme is meant as a quick fix for the bar’s flagging fortunes, but the triumph is short‑lived at home: the Simpson family, aware of Homer's contribution, takes umbrage at Moe's theft, and the tension it creates overshadows the brief commercial success. While the new concoction momentarily steadies the tavern, the Simpsons' displeasure shows how the act of borrowing the idea does not go down well in the household.

In the Rosebud programme’s latest episode, the ever‑scheming Mr Burns declares his intention to recover the treasured teddy bear that Maggie now has in her care. His determination drives the short narrative, as he sets out to retrieve the plush toy he holds dear. He insists that the bear, a symbol of his softer side, must be returned, and he pursues Maggie with his characteristic blend of persistence and humour. Adding a musical twist, the episode is voiced by the Ramones, whose distinctive delivery underpins the quirky confrontation between the two characters. The Ramones’ vocal style lends a punk‑infused backdrop, heightening the absurdity of the chase while keeping the dialogue brisk and lively.

The episode opens with Homer striking a bargain with the Devil, trading his soul for a single doughnut. It's a deal that quickly spirals into chaos as Homer realises the true cost of his craving. Desperate for the sugary treat, he ignores the warning signs, only to discover the Devil waiting with a grin, ready to collect his due. At the same time, a gremlin bursts onto Otto’s school bus just as Bart heads to class, sending the vehicle into chaos and leaving Otto scrambling while Bart watches in disbelief. The night ends with the Simpsons confronting a vampiric Mr Burns, joining forces in a desperate bid to stop his blood‑thirsty reign.

Marge teams up with her newly‑met, rebellious friend Ruth for what they intend to be a simple girls’ night out. Their evening, however, quickly turns chaotic when they find themselves the target of a high‑speed chase. Both Chief Wiggum and Homer take up the pursuit, hot on their trail as they try to escape. The duo’s plan for a relaxed night is swiftly replaced by frantic evasion, with the police chief and Homer determined to catch up to them. In the end, the night that began as a carefree outing devolves into a frantic sprint through the streets. They scramble, hoping to lose their pursuers before the night ends.

In the Rosebud programme’s latest episode, the ever‑scheming Mr Burns declares his intention to recover the treasured teddy bear that Maggie now has in her care. His determination drives the short narrative, as he sets out to retrieve the plush toy he holds dear. He insists that the bear, a symbol of his softer side, must be returned, and he pursues Maggie with his characteristic blend of persistence and humour. Adding a musical twist, the episode is voiced by the Ramones, whose distinctive delivery underpins the quirky confrontation between the two characters. The Ramones’ vocal style lends a punk‑infused backdrop, heightening the absurdity of the chase while keeping the dialogue brisk and lively.

In this episode, Homer and Marge decide to purchase a self‑help video that promises to enhance their everyday lives. Seeking personal improvement, they invest in the instructional tape, hoping its guidance will bring about positive change. The programme is notable for featuring the distinctive vocal contributions of James Brown and Albert Brooks, whose voices narrate the material. Both characters are hoping the combination of the video’s self‑development focus and the recognizable voices will help them achieve the better lifestyle they desire. Their hope is that the combination of practical tips and the recognizable voices will make the guidance feel both trustworthy and engaging. They're anticipating the video will spark a noticeable shift in their daily routines.

The episode opens with Homer striking a bargain with the Devil, trading his soul for a single doughnut. It's a deal that quickly spirals into chaos as Homer realises the true cost of his craving. Desperate for the sugary treat, he ignores the warning signs, only to discover the Devil waiting with a grin, ready to collect his due. At the same time, a gremlin bursts onto Otto’s school bus just as Bart heads to class, sending the vehicle into chaos and leaving Otto scrambling while Bart watches in disbelief. The night ends with the Simpsons confronting a vampiric Mr Burns, joining forces in a desperate bid to stop his blood‑thirsty reign.

The Last Man Expanding is the title of an episode programme. It’s listed simply as an episode under the name The Last Man Expanding, and no additional details are supplied. The entry identifies the work solely by its title and categorises it as an episode. This programme, called The Last Man Expanding, is presented as an episode in the source material. No information about cast, director, or production year is included, and the description remains limited to its designation as an episode. In short, the only data provided is the title The Last Man Expanding and its classification as an episode programme.

Marge teams up with her newly‑met, rebellious friend Ruth for what they intend to be a simple girls’ night out. Their evening, however, quickly turns chaotic when they find themselves the target of a high‑speed chase. Both Chief Wiggum and Homer take up the pursuit, hot on their trail as they try to escape. The duo’s plan for a relaxed night is swiftly replaced by frantic evasion, with the police chief and Homer determined to catch up to them. In the end, the night that began as a carefree outing devolves into a frantic sprint through the streets. They scramble, hoping to lose their pursuers before the night ends.

"P.S. I Hate You" is an episode programme. The title alone identifies the work, with no further details provided.

In this episode, Homer and Marge decide to purchase a self‑help video that promises to enhance their everyday lives. Seeking personal improvement, they invest in the instructional tape, hoping its guidance will bring about positive change. The programme is notable for featuring the distinctive vocal contributions of James Brown and Albert Brooks, whose voices narrate the material. Both characters are hoping the combination of the video’s self‑development focus and the recognizable voices will help them achieve the better lifestyle they desire. Their hope is that the combination of practical tips and the recognizable voices will make the guidance feel both trustworthy and engaging. They're anticipating the video will spark a noticeable shift in their daily routines.

The Last Man Expanding is the title of an episode programme. It’s listed simply as an episode under the name The Last Man Expanding, and no additional details are supplied. The entry identifies the work solely by its title and categorises it as an episode. This programme, called The Last Man Expanding, is presented as an episode in the source material. No information about cast, director, or production year is included, and the description remains limited to its designation as an episode. In short, the only data provided is the title The Last Man Expanding and its classification as an episode programme.

"P.S. I Hate You" is an episode programme. The title alone identifies the work, with no further details provided.

In this episode, Homer and Marge find themselves trying to persuade a social worker that they lead ordinary, respectable lives. Their efforts to appear conventional are constantly undermined as they scramble to hide the fact that Homer is secretly married to a flamboyant showgirl. The arrival of the showgirl throws their carefully rehearsed façade into chaos, exposing the bigamous marriage and threatening the couple's attempt to convince the social worker of their normalcy. They devise various excuses, tidy up their home, and rehearse polite conversation, all while the social worker watches closely. Meanwhile, the showgirl's glamorous presence and unexpected visits keep pulling the spotlight onto their secret, forcing Homer to juggle two lives.

In this episode, Homer and Marge find themselves trying to persuade a social worker that they lead ordinary, respectable lives. Their efforts to appear conventional are constantly undermined as they scramble to hide the fact that Homer is secretly married to a flamboyant showgirl. The arrival of the showgirl throws their carefully rehearsed façade into chaos, exposing the bigamous marriage and threatening the couple's attempt to convince the social worker of their normalcy. They devise various excuses, tidy up their home, and rehearse polite conversation, all while the social worker watches closely. Meanwhile, the showgirl's glamorous presence and unexpected visits keep pulling the spotlight onto their secret, forcing Homer to juggle two lives.

After a recent survey labels Springfield as the world’s fattest town, Marge decides she can’t stand by while the town’s reputation worsens. The shocking designation spurs her to take direct action against the local sugar company, which she believes is a key factor in the community’s weight problem. Determined to make a difference, she sets out to challenge the corporation’s influence and encourage healthier habits among the residents. The episode also includes a guest voice role performed by Ben Stiller, whose contribution adds a distinctive touch to the narrative. His cameo brings a fresh dynamic, complementing Marge’s crusade and enriching the overall tone of the show.

After a recent survey labels Springfield as the world’s fattest town, Marge decides she can’t stand by while the town’s reputation worsens. The shocking designation spurs her to take direct action against the local sugar company, which she believes is a key factor in the community’s weight problem. Determined to make a difference, she sets out to challenge the corporation’s influence and encourage healthier habits among the residents. The episode also includes a guest voice role performed by Ben Stiller, whose contribution adds a distinctive touch to the narrative. His cameo brings a fresh dynamic, complementing Marge’s crusade and enriching the overall tone of the show.

In this episode, Homer and Marge find themselves trying to persuade a social worker that they lead ordinary, respectable lives. Their efforts to appear conventional are constantly undermined as they scramble to hide the fact that Homer is secretly married to a flamboyant showgirl. The arrival of the showgirl throws their carefully rehearsed façade into chaos, exposing the bigamous marriage and threatening the couple's attempt to convince the social worker of their normalcy. They devise various excuses, tidy up their home, and rehearse polite conversation, all while the social worker watches closely. Meanwhile, the showgirl's glamorous presence and unexpected visits keep pulling the spotlight onto their secret, forcing Homer to juggle two lives.

In this episode, Homer's ex‑wife Marge's old flame returns with a striking proposal. He tells Homer that he'll pay a million dollars if he's willing to let him spend a weekend with Marge, just so he can imagine how his life might have turned out if they'd never broken up. He claims the sum would cover any expenses and that the weekend would be entirely private, ensuring no one else interferes. The offer is simple: the cash in exchange for a brief holiday together, giving the former boyfriend a chance to glimpse an alternate reality. Homer must decide whether the money is worth the intrusion into Marge's life and the curiosity about what could have been.

In this episode, Homer's ex‑wife Marge's old flame returns with a striking proposal. He tells Homer that he'll pay a million dollars if he's willing to let him spend a weekend with Marge, just so he can imagine how his life might have turned out if they'd never broken up. He claims the sum would cover any expenses and that the weekend would be entirely private, ensuring no one else interferes. The offer is simple: the cash in exchange for a brief holiday together, giving the former boyfriend a chance to glimpse an alternate reality. Homer must decide whether the money is worth the intrusion into Marge's life and the curiosity about what could have been.

After a recent survey labels Springfield as the world’s fattest town, Marge decides she can’t stand by while the town’s reputation worsens. The shocking designation spurs her to take direct action against the local sugar company, which she believes is a key factor in the community’s weight problem. Determined to make a difference, she sets out to challenge the corporation’s influence and encourage healthier habits among the residents. The episode also includes a guest voice role performed by Ben Stiller, whose contribution adds a distinctive touch to the narrative. His cameo brings a fresh dynamic, complementing Marge’s crusade and enriching the overall tone of the show.

With his jaw wired shut, Homer finds himself unable to speak, forcing him into an unexpected period of silence. During this time he begins to notice the advantages of simply listening, realising how much he had previously missed by constantly talking. It’s an experience that opens his eyes to the value of paying attention to those around him. Marge, however, struggles to accept this sudden change, finding it difficult to adjust to Homer's unusually quiet behaviour. She’s unaccustomed to his typical chatter and wrestles with the challenge of relating to a version of him that remains silent, which proves unsettling for her.

With his jaw wired shut, Homer finds himself unable to speak, forcing him into an unexpected period of silence. During this time he begins to notice the advantages of simply listening, realising how much he had previously missed by constantly talking. It’s an experience that opens his eyes to the value of paying attention to those around him. Marge, however, struggles to accept this sudden change, finding it difficult to adjust to Homer's unusually quiet behaviour. She’s unaccustomed to his typical chatter and wrestles with the challenge of relating to a version of him that remains silent, which proves unsettling for her.

In this episode, Homer's ex‑wife Marge's old flame returns with a striking proposal. He tells Homer that he'll pay a million dollars if he's willing to let him spend a weekend with Marge, just so he can imagine how his life might have turned out if they'd never broken up. He claims the sum would cover any expenses and that the weekend would be entirely private, ensuring no one else interferes. The offer is simple: the cash in exchange for a brief holiday together, giving the former boyfriend a chance to glimpse an alternate reality. Homer must decide whether the money is worth the intrusion into Marge's life and the curiosity about what could have been.

With his jaw wired shut, Homer finds himself unable to speak, forcing him into an unexpected period of silence. During this time he begins to notice the advantages of simply listening, realising how much he had previously missed by constantly talking. It’s an experience that opens his eyes to the value of paying attention to those around him. Marge, however, struggles to accept this sudden change, finding it difficult to adjust to Homer's unusually quiet behaviour. She’s unaccustomed to his typical chatter and wrestles with the challenge of relating to a version of him that remains silent, which proves unsettling for her.

Principal Seymour Skinner and his colleague Edna Krabappel publicly announce that they are engaged, sparking excitement among their friends at Springfield Elementary. However, as the wedding day draws nearer, both of them start to feel a sudden wave of apprehension and doubt, questioning whether they’re truly ready for marriage. Unable to shake their unease, the pair decide to seek counsel from the town’s most seasoned couple, Homer and Marge Simpson. Hoping the Simpsons’ long‑standing relationship can provide practical guidance, Skinner and Krabappel turn to them for advice on how to navigate their lingering uncertainties and move forward with confidence.

In this episode, Marge and Homer manage to slip away for what they call a second honeymoon, hoping to enjoy some much‑needed alone time. However, their children, Bart and Lisa, are not about to let the couple have any privacy. Determined to thwart their parents’ plans, the siblings set out to keep a close watch and interfere whenever possible, ensuring that the romantic getaway never goes uninterrupted. The whole situation turns into a tug‑of‑war between the parents’ desire for a quiet escape and the youngsters’ resolve to stay involved. They do everything they can to keep the moment private, yet Bart and Lisa seem to anticipate each step, turning the holiday into a comic cat‑and‑mouse chase.

Principal Seymour Skinner and his colleague Edna Krabappel publicly announce that they are engaged, sparking excitement among their friends at Springfield Elementary. However, as the wedding day draws nearer, both of them start to feel a sudden wave of apprehension and doubt, questioning whether they’re truly ready for marriage. Unable to shake their unease, the pair decide to seek counsel from the town’s most seasoned couple, Homer and Marge Simpson. Hoping the Simpsons’ long‑standing relationship can provide practical guidance, Skinner and Krabappel turn to them for advice on how to navigate their lingering uncertainties and move forward with confidence.

In this episode, Marge and Homer manage to slip away for what they call a second honeymoon, hoping to enjoy some much‑needed alone time. However, their children, Bart and Lisa, are not about to let the couple have any privacy. Determined to thwart their parents’ plans, the siblings set out to keep a close watch and interfere whenever possible, ensuring that the romantic getaway never goes uninterrupted. The whole situation turns into a tug‑of‑war between the parents’ desire for a quiet escape and the youngsters’ resolve to stay involved. They do everything they can to keep the moment private, yet Bart and Lisa seem to anticipate each step, turning the holiday into a comic cat‑and‑mouse chase.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

In this episode, Homer averts a catastrophic nuclear incident in Springfield, rescuing the town from a potential meltdown. His quick thinking earns him the status of a local hero, and the community showers him with praise and accolades. However, the constant commendations soon wear him down, and he finds himself growing weary of the endless congratulations. Adding a special touch, the episode features a guest‑voice performance by former basketball star ‘Magic’ Johnson, who lends his distinctive tone to one of the characters. The storyline balances Homer's moment of triumph with his subsequent fatigue over the adulation he receives. By the end, Homer reflects on the price of fame and wonders whether heroism is worth the relentless applause.

When Milhouse's parents go through a divorce, Homer becomes alarmed. Fearing that his own marriage might follow a similar path, he resorts to extreme measures in an attempt to keep his relationship intact. The episode follows his frantic attempts to intervene, driven by the belief that his family's stability hinges on preventing a repeat of Milhouse's situation. By taking such drastic action, Homer hopes to safeguard his marriage from a similar breakdown. He worries that the strain he sees could spill over into his own home, and he becomes convinced that only bold steps will avert the danger. Throughout the storyline, his actions underscore a fear of loss and a willingness to intervene wherever he thinks a warning sign appears.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

In this episode, Homer averts a catastrophic nuclear incident in Springfield, rescuing the town from a potential meltdown. His quick thinking earns him the status of a local hero, and the community showers him with praise and accolades. However, the constant commendations soon wear him down, and he finds himself growing weary of the endless congratulations. Adding a special touch, the episode features a guest‑voice performance by former basketball star ‘Magic’ Johnson, who lends his distinctive tone to one of the characters. The storyline balances Homer's moment of triumph with his subsequent fatigue over the adulation he receives. By the end, Homer reflects on the price of fame and wonders whether heroism is worth the relentless applause.

Lisa finds herself unexpectedly drawn to Nelson, the school bully, and gradually develops a crush on him despite his intimidating reputation. Her feelings lead her to notice him more often, and she's starting to view the once‑feared classmate in a different light, all while navigating typical school life. At the same time, Homer sets his sights on getting rich and enlists an automatic dialling device – the kind telemarketing companies rely on – to boost his earnings. He believes the machine will generate countless calls, turning his modest scheme into a lucrative venture, and he's throwing himself into the plan with typical enthusiasm.

Marge, convinced she’s expecting again, heads to the doctor’s surgery for a check‑up. Her certainty about a new pregnancy means she spends the morning at the clinic, leaving Homer at home. While Marge is away, Homer finds himself alone with his thoughts, turning over the many peaks and troughs that have defined their marriage. He reflects on the good times and the rough patches, the moments of joy and the periods of strain that have coloured their years together. In this quiet interlude, his mind drifts back through the shared experiences that have shaped their relationship. He realises how those memories continue to influence their present.

When Milhouse's parents go through a divorce, Homer becomes alarmed. Fearing that his own marriage might follow a similar path, he resorts to extreme measures in an attempt to keep his relationship intact. The episode follows his frantic attempts to intervene, driven by the belief that his family's stability hinges on preventing a repeat of Milhouse's situation. By taking such drastic action, Homer hopes to safeguard his marriage from a similar breakdown. He worries that the strain he sees could spill over into his own home, and he becomes convinced that only bold steps will avert the danger. Throughout the storyline, his actions underscore a fear of loss and a willingness to intervene wherever he thinks a warning sign appears.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

The episode follows Homer and Marge as they seek professional help, booking a session with a marriage counsellor to address the strain in their relationship. After the counselling, they've agreed to a trial separation, choosing to live apart for a short period. During this break, Homer meets a pharmacist and starts dating her, experiencing a brief fling while the couple are apart. The counsellor, a professional therapist, guides them through discussions about their marital issues. The pharmacist, introduced during Homer's separation, becomes his new romantic interest. The programme also features a guest voice cameo by Lena Dunham, who adds a distinct vocal performance.

Homer realises he possesses a natural talent for cutting and arranging hair, which leads him to open his own salon. News of his skill travels fast, and the modest premises quickly become the neighbourhood’s favourite spot, attracting a steady flow of clients who line up for his services. As the business flourishes, Homer starts to feel the ability is more of a burden than a blessing. The job obliges him to listen to an endless stream of personal troubles, complaints and local gossip from his patrons, and the constant chatter begins to wear him down. Eventually he wonders whether he can keep the salon open without being overwhelmed by the endless personal drama.

Lisa finds herself unexpectedly drawn to Nelson, the school bully, and gradually develops a crush on him despite his intimidating reputation. Her feelings lead her to notice him more often, and she's starting to view the once‑feared classmate in a different light, all while navigating typical school life. At the same time, Homer sets his sights on getting rich and enlists an automatic dialling device – the kind telemarketing companies rely on – to boost his earnings. He believes the machine will generate countless calls, turning his modest scheme into a lucrative venture, and he's throwing himself into the plan with typical enthusiasm.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

Marge, convinced she’s expecting again, heads to the doctor’s surgery for a check‑up. Her certainty about a new pregnancy means she spends the morning at the clinic, leaving Homer at home. While Marge is away, Homer finds himself alone with his thoughts, turning over the many peaks and troughs that have defined their marriage. He reflects on the good times and the rough patches, the moments of joy and the periods of strain that have coloured their years together. In this quiet interlude, his mind drifts back through the shared experiences that have shaped their relationship. He realises how those memories continue to influence their present.

The episode follows Homer and Marge as they seek professional help, booking a session with a marriage counsellor to address the strain in their relationship. After the counselling, they've agreed to a trial separation, choosing to live apart for a short period. During this break, Homer meets a pharmacist and starts dating her, experiencing a brief fling while the couple are apart. The counsellor, a professional therapist, guides them through discussions about their marital issues. The pharmacist, introduced during Homer's separation, becomes his new romantic interest. The programme also features a guest voice cameo by Lena Dunham, who adds a distinct vocal performance.

Homer realises he possesses a natural talent for cutting and arranging hair, which leads him to open his own salon. News of his skill travels fast, and the modest premises quickly become the neighbourhood’s favourite spot, attracting a steady flow of clients who line up for his services. As the business flourishes, Homer starts to feel the ability is more of a burden than a blessing. The job obliges him to listen to an endless stream of personal troubles, complaints and local gossip from his patrons, and the constant chatter begins to wear him down. Eventually he wonders whether he can keep the salon open without being overwhelmed by the endless personal drama.

In this episode of Simple Simpson, Homer adopts a secret identity, donning a mask and meting out his own brand of justice by hurling pies at anyone he deems a wrongdoer. His unconventional crusade doesn’t stay hidden for long; Mr Burns eventually uncovers Homer’s covert activities. The storyline is voiced by Nichelle Nichols, adding a distinctive touch to the narrative.

Homer shares a memory of his first romance, describing a girl he kissed while at summer camp. He narrates the incident, recalling the setting and his feelings. Marge initially reacts with surprise, but soon recognises that the girl was actually herself. She then offers her own version of the story, recounting the same events from her perspective. He speaks nostalgically, recalling the thrill of a first kiss and the camp’s innocence. The story underscores his youthful optimism and the lasting impression of that brief moment. Marge’s shock turns to quiet realisation, leading her to revisit her own summer memories. In her retelling she highlights the same scenes, showing how she viewed the kiss then.

In this episode of Simple Simpson, Homer adopts a secret identity, donning a mask and meting out his own brand of justice by hurling pies at anyone he deems a wrongdoer. His unconventional crusade doesn’t stay hidden for long; Mr Burns eventually uncovers Homer’s covert activities. The storyline is voiced by Nichelle Nichols, adding a distinctive touch to the narrative.

Homer shares a memory of his first romance, describing a girl he kissed while at summer camp. He narrates the incident, recalling the setting and his feelings. Marge initially reacts with surprise, but soon recognises that the girl was actually herself. She then offers her own version of the story, recounting the same events from her perspective. He speaks nostalgically, recalling the thrill of a first kiss and the camp’s innocence. The story underscores his youthful optimism and the lasting impression of that brief moment. Marge’s shock turns to quiet realisation, leading her to revisit her own summer memories. In her retelling she highlights the same scenes, showing how she viewed the kiss then.

In this episode, Krusty the Clown is abruptly disowned by his own father, a move that leaves his friends Lisa and Bart Simpson both shocked and distressed. Unwilling to let the family feud fester, the two children immediately set about trying to smooth things over, they're determined to persuade the two obstinate men to put aside their differences. Their efforts to broker a reconciliation form the core of the story, which is further highlighted by the distinctive voice performance of Jackie Mason. Mason's contribution lends a familiar tone to the proceedings, reinforcing the emotional stakes of the family drama. The episode remains a poignant look at loyalty and forgiveness.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

The episode opens with a powerful hurricane tearing through Springfield, leaving Ned Flanders' modest home reduced to a wreck of splintered timber and shattered windows. Determined to help their neighbour, the townsfolk quickly organise a collective effort, each offering a hand in the rebuilding process. Despite their enthusiasm, the work is carried out with little skill, resulting in shoddy construction that fails to restore the house to a safe condition. As the substandard repairs become evident, the stress overwhelms Ned, and he eventually suffers a nervous breakdown. The story tracks the well‑intentioned but incompetent community aid and its damaging effect on Ned's mental state.

In this episode, Krusty the Clown is abruptly disowned by his own father, a move that leaves his friends Lisa and Bart Simpson both shocked and distressed. Unwilling to let the family feud fester, the two children immediately set about trying to smooth things over, they're determined to persuade the two obstinate men to put aside their differences. Their efforts to broker a reconciliation form the core of the story, which is further highlighted by the distinctive voice performance of Jackie Mason. Mason's contribution lends a familiar tone to the proceedings, reinforcing the emotional stakes of the family drama. The episode remains a poignant look at loyalty and forgiveness.

The programme is an animated comedy that follows the everyday misadventures of the Simpson family – Homer, Marge, Bart, Lisa and baby Maggie – alongside the myriad other inhabitants of Springfield, an archetypal American town. Each episode presents a series of light‑hearted, often absurd situations that the characters find themselves in, highlighting their distinct personalities while painting a broader picture of life in this quintessential community. The show’s humour stems from the interactions between the family members and the colourful cast of neighbours, friends and occasional strangers who populate the streets, cafés and workplaces of Springfield. Supporting characters regularly appear, representing the town’s diverse social fabric and adding depth to the comedic scenarios.

After consuming far too much fiery cuisine, Homer Simpson's in a vivid hallucinatory state. The intense heat triggers a series of surreal visions that lead him to contemplate the notion of a perfect partner. Throughout the episode, these drug‑free, spice‑induced dreams push him to search for his true soulmate, believing the experience holds the key to lasting love. Adding a distinctive touch, the show includes a guest vocal appearance by the legendary Johnny Cash, whose voice underscores the bizarre journey. The narrative follows Homer's quest as he navigates the strange, colour‑filled landscape of his imagination, hoping the revelations will point him toward the one he truly belongs with.

The episode opens with a powerful hurricane tearing through Springfield, leaving Ned Flanders' modest home reduced to a wreck of splintered timber and shattered windows. Determined to help their neighbour, the townsfolk quickly organise a collective effort, each offering a hand in the rebuilding process. Despite their enthusiasm, the work is carried out with little skill, resulting in shoddy construction that fails to restore the house to a safe condition. As the substandard repairs become evident, the stress overwhelms Ned, and he eventually suffers a nervous breakdown. The story tracks the well‑intentioned but incompetent community aid and its damaging effect on Ned's mental state.

After consuming far too much fiery cuisine, Homer Simpson's in a vivid hallucinatory state. The intense heat triggers a series of surreal visions that lead him to contemplate the notion of a perfect partner. Throughout the episode, these drug‑free, spice‑induced dreams push him to search for his true soulmate, believing the experience holds the key to lasting love. Adding a distinctive touch, the show includes a guest vocal appearance by the legendary Johnny Cash, whose voice underscores the bizarre journey. The narrative follows Homer's quest as he navigates the strange, colour‑filled landscape of his imagination, hoping the revelations will point him toward the one he truly belongs with.

After stumbling upon a lone roadside shack, Homer purchases a grill from a shadowy stranger, and the purchase instantly catapults him to the status of Springfield’s barbecue king. His sudden mastery of grilling spreads through the town, earning him a reputation that catches the eye of a television chef. The chef, intrigued by Homer’s rapid rise, issues a formal challenge, setting the stage for a high‑stakes cook‑off. The episode follows Homer’s reaction to the challenge, his preparation, and the looming showdown that pits his newfound grill skills against professional culinary expertise. As the town’s residents watch eagerly, tension builds, and everyone wonders who will prevail.

After stumbling upon a lone roadside shack, Homer purchases a grill from a shadowy stranger, and the purchase instantly catapults him to the status of Springfield’s barbecue king. His sudden mastery of grilling spreads through the town, earning him a reputation that catches the eye of a television chef. The chef, intrigued by Homer’s rapid rise, issues a formal challenge, setting the stage for a high‑stakes cook‑off. The episode follows Homer’s reaction to the challenge, his preparation, and the looming showdown that pits his newfound grill skills against professional culinary expertise. As the town’s residents watch eagerly, tension builds, and everyone wonders who will prevail.

In this episode, the Simpson family finds themselves being shipped off to the infamous Alcatraz prison after a series of blunders. It all begins when Bart, in a moment of careless humour, unintentionally flashes the American flag, an act that quickly draws the authorities’ ire. Meanwhile, Marge, appearing on a live national broadcast, accidentally remarks that the residents of Springfield harbour a dislike for America, further inflaming the situation. The combined mishaps leave the whole household facing exile to the island penitentiary, setting the stage for their unlikely incarceration. They're escorted under guard, bewildered by how quickly their innocent mistakes have led to such a severe punishment, and must adjust to life behind the notorious walls.

When rumours surface that Mr Burns has died, the local press goes into overdrive, splashing headlines and chasing every angle of the story. In the meantime, the townspeople take the chance to air their unvarnished opinions of the late businessman, ranging from grudging respect to outright disdain. Their candid comments flood social media and community bulletin boards, turning the supposed tragedy into a full‑blown media storm. The uproar, however, proves brief, as Mr Burns soon turns up alive, instantly quelling the speculation and putting an end to the wave of honest reactions that had swept through the town. Reporters are left scrambling for a fresh angle as the story flips on it’s head.

In this episode, the Simpson family finds themselves being shipped off to the infamous Alcatraz prison after a series of blunders. It all begins when Bart, in a moment of careless humour, unintentionally flashes the American flag, an act that quickly draws the authorities’ ire. Meanwhile, Marge, appearing on a live national broadcast, accidentally remarks that the residents of Springfield harbour a dislike for America, further inflaming the situation. The combined mishaps leave the whole household facing exile to the island penitentiary, setting the stage for their unlikely incarceration. They're escorted under guard, bewildered by how quickly their innocent mistakes have led to such a severe punishment, and must adjust to life behind the notorious walls.

When rumours surface that Mr Burns has died, the local press goes into overdrive, splashing headlines and chasing every angle of the story. In the meantime, the townspeople take the chance to air their unvarnished opinions of the late businessman, ranging from grudging respect to outright disdain. Their candid comments flood social media and community bulletin boards, turning the supposed tragedy into a full‑blown media storm. The uproar, however, proves brief, as Mr Burns soon turns up alive, instantly quelling the speculation and putting an end to the wave of honest reactions that had swept through the town. Reporters are left scrambling for a fresh angle as the story flips on it’s head.

In an effort to demonstrate his affection for his daughter, Homer decides to purchase a pony for Lisa. The gesture, meant as a token of his love, quickly turns into a financial burden, as the costs of feeding, stabling and caring for the animal prove steep. To cover these expenses, Homer’s compelled to take on extra work, returning to his part‑time position at the Kwik‑E‑Mart. Balancing his regular duties with the new responsibilities, he struggles to keep up with the pony’s upkeep while still trying to maintain his usual daily life, and the strain it puts on his family life.

In the Springfield Files episode, FBI agents Fox Mulder and Dana Scully are summoned to Springfield after Homer Simpson insists he has encountered an extraterrestrial. The pair probe Homer's claim, with Mulder hopeful of a genuine alien presence and Scully's demanding tangible proof and scientific explanation. The characters are voiced by David Duchovny as Mulder, Gillian Anderson as Scully, and Leonard Nimoy, whose distinctive narration guides the viewer through the mystery, balancing humour with the classic investigative tone of the X‑Files franchise. Their familiar vocal performances lend authenticity to the crossover, while Nimoy's commentary adds an extra layer of intrigue to the agents' search for evidence.

In an effort to demonstrate his affection for his daughter, Homer decides to purchase a pony for Lisa. The gesture, meant as a token of his love, quickly turns into a financial burden, as the costs of feeding, stabling and caring for the animal prove steep. To cover these expenses, Homer’s compelled to take on extra work, returning to his part‑time position at the Kwik‑E‑Mart. Balancing his regular duties with the new responsibilities, he struggles to keep up with the pony’s upkeep while still trying to maintain his usual daily life, and the strain it puts on his family life.

After being forced out of the ladies’ investment club she belongs to, Marge decides to take matters into her own hands. She sets up a small enterprise selling hot pretzels on the street, hoping the venture will give her a fresh start. To get the business off the ground, she enlists the aid of Fat Tony, the neighbourhood mob boss, who offers a helping hand. With his backing, Marge hopes the pretzel stall will prove successful and restore her confidence. The episode follows her attempts to run the new operation while navigating the unexpected complications that arise from working with a criminal figure.

In the Springfield Files episode, FBI agents Fox Mulder and Dana Scully are summoned to Springfield after Homer Simpson insists he has encountered an extraterrestrial. The pair probe Homer's claim, with Mulder hopeful of a genuine alien presence and Scully's demanding tangible proof and scientific explanation. The characters are voiced by David Duchovny as Mulder, Gillian Anderson as Scully, and Leonard Nimoy, whose distinctive narration guides the viewer through the mystery, balancing humour with the classic investigative tone of the X‑Files franchise. Their familiar vocal performances lend authenticity to the crossover, while Nimoy's commentary adds an extra layer of intrigue to the agents' search for evidence.

In this episode, Bart ingeniously employs a radio transmitter to concoct a false report, persuading the townsfolk of Springfield that a youngster has fallen into a disused, long‑abandoned well. The fabricated broadcast triggers widespread concern throughout the community, as residents scramble to organise a rescue based entirely on Bart’s deception. The community’s frantic response includes hurried phone calls, the formation of search parties, and a palpable sense of urgency. The storyline is complemented by a special guest appearance, with Sting providing a distinctive voice contribution that adds an extra layer of interest to the production. His vocal cameo is the only additional casting detail mentioned for this particular segment.

In this episode, Milhouse becomes smitten with a new girl at school, and he promptly devotes virtually all of his free time to her. His sudden preoccupation means he stops hanging out with Bart, leaving his best mate feeling sidelined. Determined not to lose his friend, Bart starts devising a plan to win Milhouse back into his circle. He concocts a scheme aimed at reminding Milhouse of their usual antics and coaxing him away from the new romance, hoping the two will return to their usual partnership. Bart feels a pang of jealousy as his pal's attention drifts, and he can't stand watching their friendship fade. He thinks up various tricks, hoping the new girl won't completely eclipse their bond.

After being forced out of the ladies’ investment club she belongs to, Marge decides to take matters into her own hands. She sets up a small enterprise selling hot pretzels on the street, hoping the venture will give her a fresh start. To get the business off the ground, she enlists the aid of Fat Tony, the neighbourhood mob boss, who offers a helping hand. With his backing, Marge hopes the pretzel stall will prove successful and restore her confidence. The episode follows her attempts to run the new operation while navigating the unexpected complications that arise from working with a criminal figure.

Marge’s twin sisters, Patty and Selma, decide to quit smoking. Their resolve, however, is short‑lived: Selma slips back into the habit almost immediately, lasting only ten minutes before she lights up again. Observing her sister’s quick relapse, Patty chooses to leave her own home. She moves in with the Simpsons, seeking a fresh start away from the smoking environment. The attempt at cessation underscores the difficulty they face, and Patty’s relocation marks a shift in the household dynamics. Both sisters had hoped the change would be permanent, but the temptation proved overwhelming for Selma. Patty’s decision to stay with the Simpsons reflects her desire for support during this challenging period.

In this episode, Bart ingeniously employs a radio transmitter to concoct a false report, persuading the townsfolk of Springfield that a youngster has fallen into a disused, long‑abandoned well. The fabricated broadcast triggers widespread concern throughout the community, as residents scramble to organise a rescue based entirely on Bart’s deception. The community’s frantic response includes hurried phone calls, the formation of search parties, and a palpable sense of urgency. The storyline is complemented by a special guest appearance, with Sting providing a distinctive voice contribution that adds an extra layer of interest to the production. His vocal cameo is the only additional casting detail mentioned for this particular segment.

Marge’s twin sisters, Patty and Selma, decide to quit smoking. Their resolve, however, is short‑lived: Selma slips back into the habit almost immediately, lasting only ten minutes before she lights up again. Observing her sister’s quick relapse, Patty chooses to leave her own home. She moves in with the Simpsons, seeking a fresh start away from the smoking environment. The attempt at cessation underscores the difficulty they face, and Patty’s relocation marks a shift in the household dynamics. Both sisters had hoped the change would be permanent, but the temptation proved overwhelming for Selma. Patty’s decision to stay with the Simpsons reflects her desire for support during this challenging period.

In this episode, Milhouse becomes smitten with a new girl at school, and he promptly devotes virtually all of his free time to her. His sudden preoccupation means he stops hanging out with Bart, leaving his best mate feeling sidelined. Determined not to lose his friend, Bart starts devising a plan to win Milhouse back into his circle. He concocts a scheme aimed at reminding Milhouse of their usual antics and coaxing him away from the new romance, hoping the two will return to their usual partnership. Bart feels a pang of jealousy as his pal's attention drifts, and he can't stand watching their friendship fade. He thinks up various tricks, hoping the new girl won't completely eclipse their bond.

When Homer lands a new job, the Simpsons are compelled to pack their belongings and settle in a neighbourhood that, on the surface, seems idyllic and picture‑perfect. It's presented as a fresh start for the family, with the community offering an apparently flawless environment. Yet the person who offered Homer the position is revealed to be a super‑villain, a figure whose concealed ambition is nothing less than world domination. This hidden agenda turns the seemingly serene setting into a backdrop for the boss's grand, villainous scheme. The revelation that their employer harbours such a massive, destructive plan casts a shadow over the family's hopes for a peaceful new life.

Moe stumbles across the fact that Homer carries a rare genetic anomaly which renders his brain remarkably resistant to trauma. The discovery shocks him, as he realises that Homer's head can endure impacts that would normally cause serious injury, giving the doughnut‑loving father an almost supernatural level of protection and the potential it offers for extraordinary feats. Seeing a lucrative opportunity, Moe resolves to exploit the condition by moulding Homer into a prizefighter. He begins a rigorous training regimen, intent on turning Homer's invulnerable noggin into a selling point in the ring, in the local circuit, hoping the unusual advantage will translate into financial gain for both of them.

When Homer lands a new job, the Simpsons are compelled to pack their belongings and settle in a neighbourhood that, on the surface, seems idyllic and picture‑perfect. It's presented as a fresh start for the family, with the community offering an apparently flawless environment. Yet the person who offered Homer the position is revealed to be a super‑villain, a figure whose concealed ambition is nothing less than world domination. This hidden agenda turns the seemingly serene setting into a backdrop for the boss's grand, villainous scheme. The revelation that their employer harbours such a massive, destructive plan casts a shadow over the family's hopes for a peaceful new life.

Moe stumbles across the fact that Homer carries a rare genetic anomaly which renders his brain remarkably resistant to trauma. The discovery shocks him, as he realises that Homer's head can endure impacts that would normally cause serious injury, giving the doughnut‑loving father an almost supernatural level of protection and the potential it offers for extraordinary feats. Seeing a lucrative opportunity, Moe resolves to exploit the condition by moulding Homer into a prizefighter. He begins a rigorous training regimen, intent on turning Homer's invulnerable noggin into a selling point in the ring, in the local circuit, hoping the unusual advantage will translate into financial gain for both of them.

Following a disappointing result on a test administered by the National Fatherhood Institute, Homer’s overcome with shame and embarrassment. The failure gnaws at his pride, prompting him to seek a way to redeem himself. He's resolved to make amends by turning his attention to Bart’s latest project – building a go‑kart. He's determined to prove his worth as a dad, so Homer throws himself into the task, offering guidance, labour and encouragement as the two work together on the makeshift vehicle. In doing so, he hopes the hands‑on effort will restore his confidence and demonstrate his commitment to fatherhood, and to rebuild the bond with his son.

During a company‑organised survival outing, Homer Simpson and his boss, Mr Burns, find themselves locked inside a remote mountain cabin alongside the other power‑plant staff. The harsh conditions leave them with no choice but to set aside their usual hierarchy and cooperate on an equal footing to get through the ordeal. As the two men grapple with the same limited resources and the pressing need to survive, the situation forces them to act as partners rather than as employer and employee. Their joint effort becomes the only viable way to endure the isolation of the cabin until help eventually arrives.

Following a disappointing result on a test administered by the National Fatherhood Institute, Homer’s overcome with shame and embarrassment. The failure gnaws at his pride, prompting him to seek a way to redeem himself. He's resolved to make amends by turning his attention to Bart’s latest project – building a go‑kart. He's determined to prove his worth as a dad, so Homer throws himself into the task, offering guidance, labour and encouragement as the two work together on the makeshift vehicle. In doing so, he hopes the hands‑on effort will restore his confidence and demonstrate his commitment to fatherhood, and to rebuild the bond with his son.

Following a medical assessment that confirms Marge is suffering from stress, the Simpson household opts to enlist additional support. They decide to employ a nanny to tend to the children, and the woman they bring in bears a striking likeness to the classic Mary Poppins, complete with the familiar prim attire and whimsical air. The family hopes her presence will ease Marge’s condition and restore a sense of calm to their often chaotic routine. By choosing someone who so closely mirrors the iconic figure, they anticipate that the nanny’s cheerful demeanour and organised approach will provide the relief and stability Marge needs during this difficult period.

Grampa suddenly finds himself the beneficiary of a £100,000 bequest left by a woman he grew close to while both were residing in a care home. Their affection had blossomed in that setting, and her unexpected death leaves him holding a substantial sum he never anticipated receiving. Yet the windfall brings more than relief; it throws him into a state of uncertainty. He's struggling to determine the most appropriate way to handle the newfound wealth, weighing his options and feeling uneasy about how to put the money to use. The dilemma dominates his thoughts as he grapples with the decision.

The Last Man Expanding is the title of an episode programme. It’s listed simply as an episode under the name The Last Man Expanding, and no additional details are supplied. The entry identifies the work solely by its title and categorises it as an episode. This programme, called The Last Man Expanding, is presented as an episode in the source material. No information about cast, director, or production year is included, and the description remains limited to its designation as an episode. In short, the only data provided is the title The Last Man Expanding and its classification as an episode programme.

During a company‑organised survival outing, Homer Simpson and his boss, Mr Burns, find themselves locked inside a remote mountain cabin alongside the other power‑plant staff. The harsh conditions leave them with no choice but to set aside their usual hierarchy and cooperate on an equal footing to get through the ordeal. As the two men grapple with the same limited resources and the pressing need to survive, the situation forces them to act as partners rather than as employer and employee. Their joint effort becomes the only viable way to endure the isolation of the cabin until help eventually arrives.

The household takes pride in being the most adorned residence on the street for Halloween, spending weeks preparing elaborate displays and decorations that outshine every neighbour's effort. Their windows are draped with spooky silhouettes, and the garden is strewn with glowing jack‑o‑lanterns that cast eerie shadows across the lane. However, Lisa finds herself shaken after the frightening experience at Krustyland Horror Night, leaving her feeling unable to cope with the festivities any longer. The terror she endured during the night at Krustyland has left a dread, making the celebration feel overwhelming and beyond her capacity to enjoy. She questions whether she can ever regain the enthusiasm she once felt for the holiday, fearing the joy has been replaced by anxiety.

Marge opts to welcome a new phase of her existence by deliberately letting her hair turn grey, seeing it as a sign of living fully. She views the greying process as a liberating gesture, shedding the pressure to maintain a youthful façade. At the same time, Homer sets about giving his friend Moe a hand with his love life, trying various schemes to lift Moe’s romantic fortunes. His efforts involve organising dates and offering advice, though his enthusiasm often leads to comical mishaps. Both storylines run side by side, with Marge’s acceptance of ageing contrasted against Homer’s well‑meaning but often chaotic attempts to improve Moe’s chances with the opposite sex.

The Last Man Expanding is the title of an episode programme. It’s listed simply as an episode under the name The Last Man Expanding, and no additional details are supplied. The entry identifies the work solely by its title and categorises it as an episode. This programme, called The Last Man Expanding, is presented as an episode in the source material. No information about cast, director, or production year is included, and the description remains limited to its designation as an episode. In short, the only data provided is the title The Last Man Expanding and its classification as an episode programme.

Grampa suddenly finds himself the beneficiary of a £100,000 bequest left by a woman he grew close to while both were residing in a care home. Their affection had blossomed in that setting, and her unexpected death leaves him holding a substantial sum he never anticipated receiving. Yet the windfall brings more than relief; it throws him into a state of uncertainty. He's struggling to determine the most appropriate way to handle the newfound wealth, weighing his options and feeling uneasy about how to put the money to use. The dilemma dominates his thoughts as he grapples with the decision.

Marge opts to welcome a new phase of her existence by deliberately letting her hair turn grey, seeing it as a sign of living fully. She views the greying process as a liberating gesture, shedding the pressure to maintain a youthful façade. At the same time, Homer sets about giving his friend Moe a hand with his love life, trying various schemes to lift Moe’s romantic fortunes. His efforts involve organising dates and offering advice, though his enthusiasm often leads to comical mishaps. Both storylines run side by side, with Marge’s acceptance of ageing contrasted against Homer’s well‑meaning but often chaotic attempts to improve Moe’s chances with the opposite sex.

The household takes pride in being the most adorned residence on the street for Halloween, spending weeks preparing elaborate displays and decorations that outshine every neighbour's effort. Their windows are draped with spooky silhouettes, and the garden is strewn with glowing jack‑o‑lanterns that cast eerie shadows across the lane. However, Lisa finds herself shaken after the frightening experience at Krustyland Horror Night, leaving her feeling unable to cope with the festivities any longer. The terror she endured during the night at Krustyland has left a dread, making the celebration feel overwhelming and beyond her capacity to enjoy. She questions whether she can ever regain the enthusiasm she once felt for the holiday, fearing the joy has been replaced by anxiety.

After years of absence, Mr Burns' estranged son turns up again, immediately setting a scheme in motion. He pretends to have been abducted, hoping the ruse will coerce his notoriously cruel father into confessing affection for him. By feigning a kidnapping, the son aims to force Burns to admit he cares, using the staged crisis as leverage. He hopes the staged crisis will crack the billionaire's notoriously hard‑hearted façade, forcing him to acknowledge any lingering paternal feeling. The ruse tests whether love can surface beneath his usual cruelty. Throughout the episode, the tension builds as the plan unfolds, highlighting the desperate attempt to break through his father's icy exterior.

Bart lands a position at a burlesque theatre and soon finds himself a favourite with the patrons, his performances drawing cheers and applause. His newfound popularity, however, soon attracts trouble when Marge shows up, leading an angry mob that’s determined to bring the establishment down. The clash between Bart’s success on stage and Marge’s fury drives the episode’s central conflict, as the theatre becomes the focus of a heated showdown between the delighted audience and those seeking its demolition. Throughout the episode, Bart’s antics keep the crowd entertained, while Marge’s resolve hardens as she rallies the townsfolk, insisting the venue is a blight.

After years of absence, Mr Burns' estranged son turns up again, immediately setting a scheme in motion. He pretends to have been abducted, hoping the ruse will coerce his notoriously cruel father into confessing affection for him. By feigning a kidnapping, the son aims to force Burns to admit he cares, using the staged crisis as leverage. He hopes the staged crisis will crack the billionaire's notoriously hard‑hearted façade, forcing him to acknowledge any lingering paternal feeling. The ruse tests whether love can surface beneath his usual cruelty. Throughout the episode, the tension builds as the plan unfolds, highlighting the desperate attempt to break through his father's icy exterior.

Bart lands a position at a burlesque theatre and soon finds himself a favourite with the patrons, his performances drawing cheers and applause. His newfound popularity, however, soon attracts trouble when Marge shows up, leading an angry mob that’s determined to bring the establishment down. The clash between Bart’s success on stage and Marge’s fury drives the episode’s central conflict, as the theatre becomes the focus of a heated showdown between the delighted audience and those seeking its demolition. Throughout the episode, Bart’s antics keep the crowd entertained, while Marge’s resolve hardens as she rallies the townsfolk, insisting the venue is a blight.

Moe, ever eager to turn his failing pub around, decides to appropriate Homer's freshly imagined cocktail recipe. He markets the drink as his own, and the novelty draws a wave of patrons, giving the once‑languishing establishment a short‑lived boost. The scheme is meant as a quick fix for the bar’s flagging fortunes, but the triumph is short‑lived at home: the Simpson family, aware of Homer's contribution, takes umbrage at Moe's theft, and the tension it creates overshadows the brief commercial success. While the new concoction momentarily steadies the tavern, the Simpsons' displeasure shows how the act of borrowing the idea does not go down well in the household.

Moe, ever eager to turn his failing pub around, decides to appropriate Homer's freshly imagined cocktail recipe. He markets the drink as his own, and the novelty draws a wave of patrons, giving the once‑languishing establishment a short‑lived boost. The scheme is meant as a quick fix for the bar’s flagging fortunes, but the triumph is short‑lived at home: the Simpson family, aware of Homer's contribution, takes umbrage at Moe's theft, and the tension it creates overshadows the brief commercial success. While the new concoction momentarily steadies the tavern, the Simpsons' displeasure shows how the act of borrowing the idea does not go down well in the household.

Homer is tapped to provide the voice for a freshly created dog character, a move designed to give the long‑running children’s favourite, The Itchy & Scratchy Show, a lift in its audience figures. The producers have introduced the canine specifically as a ratings‑driving gimmick, hoping the novelty will draw more young viewers. By assigning Homer to the role, the show links his familiar, often‑sarcastic persona with the new four‑legged addition, hoping the blend of his voice and the character’s fresh appeal will spark a bump in ratings. The plan hinges entirely on the belief that a new canine sidekick can reinvigorate the programme’s popularity among it’s child audience.

In this instalment, a gay antiques dealer begins to mingle with the Simpson family, gradually becoming part of their everyday interactions. His presence brings a fresh perspective to the household, yet Homer's discomfort with the dealer's sexuality quickly turns the lighthearted exchanges into awkward confrontations. As he tries to fit in, Homer's deep‑seated homophobia emerges, putting the nascent friendship under strain and threatening to break the connection the dealer has started to forge. The episode also features a guest vocal appearance by cult filmmaker John Waters, who lends his distinctive voice to one of the characters. His cameo adds a quirky touch to the episode's tone.

"P.S. I Hate You" is an episode programme. The title alone identifies the work, with no further details provided.

Homer is tapped to provide the voice for a freshly created dog character, a move designed to give the long‑running children’s favourite, The Itchy & Scratchy Show, a lift in its audience figures. The producers have introduced the canine specifically as a ratings‑driving gimmick, hoping the novelty will draw more young viewers. By assigning Homer to the role, the show links his familiar, often‑sarcastic persona with the new four‑legged addition, hoping the blend of his voice and the character’s fresh appeal will spark a bump in ratings. The plan hinges entirely on the belief that a new canine sidekick can reinvigorate the programme’s popularity among it’s child audience.

When the family’s television suddenly stops working, the household is left without its usual distraction. Rather than let the silence linger, Marge decides to occupy the moment by sharing a personal story with Bart and Lisa, recounting the way she first met Homer. Their curiosity is piqued as Marge describes the quirky circumstances that brought the couple together, adding a touch of nostalgia to the otherwise idle afternoon. The anecdote provides a brief diversion while the repair issue remains unresolved. The episode also features a guest appearance by Jon Lovitz, who lends his voice to a character within the tale, keeping the family entertained until the set can be fixed.

In this instalment, Homer spots an opportunity to upgrade his lifestyle after Lisa befriends a new pupil whose father is a billionaire. The episode follows Homer's reaction to the prospect of a more comfortable existence that the wealthy family might bring. Lisa's new companion, mentioned only in relation to her father's riches, becomes the catalyst for Homer's hopes. He imagines the possibilities that could arise from being linked to such affluence, hoping the connection might bring perks for his family. Meanwhile, Lisa's enthusiasm for her friend highlights the contrast between ordinary school life and extreme wealth. Guest star Kristen Bell provides a voice in the episode.

The Valentine’s Day‑themed instalment of I’m with Cupid centres on the holiday’s customary celebrations of love. Throughout the episode, Apu goes to great lengths to present his wife with an array of gifts, a generosity that inevitably casts the other Springfield gentlemen in a less flattering light. The narrative is accompanied by the unmistakable voice of Elton John, whose contribution lends a recognisable tone to the proceedings. The episode maintains a light‑hearted tone while highlighting the disparity between Apu’s devotion and the comparatively modest efforts of his fellow townsfolk. By focusing on Apu’s extravagant gestures, the story underscores how his actions set him apart from his peers, while the musical‑inflected narration maintains the episode’s distinct atmosphere.

In this instalment, a gay antiques dealer begins to mingle with the Simpson family, gradually becoming part of their everyday interactions. His presence brings a fresh perspective to the household, yet Homer's discomfort with the dealer's sexuality quickly turns the lighthearted exchanges into awkward confrontations. As he tries to fit in, Homer's deep‑seated homophobia emerges, putting the nascent friendship under strain and threatening to break the connection the dealer has started to forge. The episode also features a guest vocal appearance by cult filmmaker John Waters, who lends his distinctive voice to one of the characters. His cameo adds a quirky touch to the episode's tone.

"P.S. I Hate You" is an episode programme. The title alone identifies the work, with no further details provided.

When the family’s television suddenly stops working, the household is left without its usual distraction. Rather than let the silence linger, Marge decides to occupy the moment by sharing a personal story with Bart and Lisa, recounting the way she first met Homer. Their curiosity is piqued as Marge describes the quirky circumstances that brought the couple together, adding a touch of nostalgia to the otherwise idle afternoon. The anecdote provides a brief diversion while the repair issue remains unresolved. The episode also features a guest appearance by Jon Lovitz, who lends his voice to a character within the tale, keeping the family entertained until the set can be fixed.

The Valentine’s Day‑themed instalment of I’m with Cupid centres on the holiday’s customary celebrations of love. Throughout the episode, Apu goes to great lengths to present his wife with an array of gifts, a generosity that inevitably casts the other Springfield gentlemen in a less flattering light. The narrative is accompanied by the unmistakable voice of Elton John, whose contribution lends a recognisable tone to the proceedings. The episode maintains a light‑hearted tone while highlighting the disparity between Apu’s devotion and the comparatively modest efforts of his fellow townsfolk. By focusing on Apu’s extravagant gestures, the story underscores how his actions set him apart from his peers, while the musical‑inflected narration maintains the episode’s distinct atmosphere.

In this instalment, Homer spots an opportunity to upgrade his lifestyle after Lisa befriends a new pupil whose father is a billionaire. The episode follows Homer's reaction to the prospect of a more comfortable existence that the wealthy family might bring. Lisa's new companion, mentioned only in relation to her father's riches, becomes the catalyst for Homer's hopes. He imagines the possibilities that could arise from being linked to such affluence, hoping the connection might bring perks for his family. Meanwhile, Lisa's enthusiasm for her friend highlights the contrast between ordinary school life and extreme wealth. Guest star Kristen Bell provides a voice in the episode.