The IT Crowd

In this episode, Jen finds herself coping with Douglas’s inappropriate overtures after he promotes her to the role of his personal assistant. She must navigate his unwanted attentions while trying to fulfil the duties of her new post. At the same time, Moss and Roy are left to manage their responsibilities without any guidance, forced to look after themselves. The narrative follows Jen’s attempts to maintain professionalism amid Douglas’s advances, and the parallel struggle of Moss and Roy as they fend for themselves in the absence of support. Both storylines highlight the challenges of working under difficult circumstances, with Jen striving to keep her composure and Moss and Roy learning to rely on each other.

In this episode, Jen finds herself coping with a builder who proves particularly hard to manage, testing her patience and problem‑solving skills. The builder's obstinate behaviour creates a series of comic setbacks for her. Meanwhile, Roy experiences a small financial setback when he misplaces or loses twenty pounds, adding a dash of mischief to his day and prompting a light‑hearted scramble. At the same time, Moss discovers the importance of asserting himself, learning to speak up and defend his own interests, which marks a modest boost to his confidence. The storyline is delivered as a comedy, featuring performances by Chris O'Dowd and Richard Ayoade.

In this instalment, Roy and Moss experience a surge of confidence after they discover a brand‑new football website, which leads them to bask in a heightened sense of masculinity. Their newfound swagger is buoyed by the site’s fresh content, yet the high‑spirited illusion they create quickly unravels, leaving them to confront the fleeting nature of their bravado. At the same time, Jen embarks on a new romance, dating a man whose appearance bears an uncanny resemblance to that of a magician, a detail that adds an off‑beat flavour to her personal life. The episode juxtaposes the brief triumph of Roy and Moss’s macho posturing with Jen’s quirky courting adventure.

The three friends' lives take separate paths after a sexual harassment lawsuit ends in a disappointing settlement. The episode follows their attempts to cope, blending humour with the awkward aftermath. Chris O'Dowd and Richard Ayoade lead the cast, delivering the comedic tone. The storyline tracks how each character reacts to the unresolved tension, showing their diverging trajectories while maintaining a light‑hearted approach. Each of the trio finds themselves pulled towards distinct personal and professional avenues, reflecting the impact of the case's outcome. The narrative underscores how the unresolved nature of the settlement influences their relationships, nudging them onto separate courses. Despite the serious backdrop, the script leans into wit, ensuring the episode remains light despite the underlying tension.

Jen introduces the lads to a fresh social‑networking site, hoping to get them online, yet she quickly discovers that a handful of the people she encounters there are better left in the past, as old connections prove unhelpful. At the same time, Roy ends up locked in a gritty battle with the Joker, each trying to outwit the other, it’s a tense showdown. Meanwhile, Moss spends the episode determined to prove his masculinity, pushing himself to act tougher and more assertive than usual. The three strands run side by side, delivering a mix of digital discovery, comic‑book style confrontation and a personal confidence test.

In a new comedy episode titled Calendar Geeks, Reynholm Industries reveals its inaugural sexy nude calendar. The programme features Chris O'Dowd, Katherine Parkinson and Richard Ayoade, who bring their wit to the absurd premise. The show plays on the company's unexpected foray into risqué promotional material, with the trio navigating the humorous fallout. It's billed as a light‑hearted take on corporate marketing gone awry, with the cast delivering the series' signature banter. The storyline centres on the company's bold decision, providing ample opportunities for the actors' humour and quick repartee. Viewers can expect a blend of situational comedy and witty dialogue that the trio is known for.

Jen puts herself forward for a fresh position, only to stumble across a troubling aspect of Douglas’s business links. Realising the implications could be serious, she finds herself compelled to turn to Moss and Roy for assistance, hoping their involvement will help her navigate the unexpected complication. The episode follows her as she balances the ambition of a new role with the need to confront the hidden side of Douglas’s connections, and it shows how she leans on her colleagues for support. Katherine Parkinson leads the cast, portraying Jen throughout the unfolding situation. The storyline highlights the pressures she faces while trying to secure the role.

After his triumph on a televised quiz, Moss finds himself thrust into the public eye, his newfound fame turning him into a household name. Meanwhile, Jen grows increasingly wary of Douglas, whose clandestine gatherings with a host of women—each clad in dressing gowns—raise her suspicions. She questions the nature of these secret meetings, wondering what lies behind the seemingly innocent attire. The contrast between Moss's celebratory rise and Jen's uneasy doubts about Douglas's behaviour drives the episode's tension, highlighting how quickly fortunes can change and how hidden motives can stir mistrust. The storyline weaves these parallel developments, showing how public acclaim and private intrigue can coexist.

In this episode, Jen finds herself drawn into the world of a rock group, becoming part of their musical circle. Meanwhile, Douglas embarks on a new career path, training as a spaceologist and delving into the study of outer‑space phenomena. At the same time, Roy experiences a dramatic shift in his everyday routine after he suffers a back injury, an event that forces him to reevaluate his life. Each character’s storyline unfolds as they confront these unexpected developments, highlighting how a single incident can set off a chain of personal change. The narrative links these threads, showing how the characters’ decisions intersect.