Minder

Arthur is desperate to break into the property market and, driven by his ambition, concocts a scheme to list Terry's flat for sale without Terry having any idea. He believes that pulling off the transaction will give him the foothold he needs, even though he keeps the entire process concealed from his flat‑owner friend, hoping the covert move will go unnoticed. The episode also includes a guest performance by Toyah Willcox, who appears as part of the storyline surrounding Arthur's covert plan. Her brief involvement adds an extra layer to the unfolding events, intersecting with Arthur's attempts. The hidden sale creates tension as Arthur navigates the risky deception.

Terry takes on a new gig as the driver for the notorious criminal known as Micky the Fish. The job seems straightforward at first, but the atmosphere turns uneasy as Terry realises he's become entangled with a dangerous figure. His worries deepen when the gangster’s mistress approaches him, claiming that her valuable jewellery have vanished, suggesting that Terry might be caught up in a serious trouble. The tension builds as he questions whether his position as a chauffeur will keep him safe or expose him to the gang’s wrath. Throughout the episode, the danger feels palpable. The episode stars George Cole.

Terry accepts a temporary position as the driver of a Mercedes, unaware that the car contains a secret stash of diamonds. While he steps away for a brief moment, the vehicle is abruptly taken, leaving him standing beside an empty automobile. Police soon discover the missing jewels and, based on the circumstances, promptly charge Terry with the theft of the concealed diamonds. He finds himself entangled in a criminal investigation, forced to prove his innocence while the stolen car and its valuable cargo remain unaccounted for. The accusation comes swiftly, as authorities link the missing vehicle to the illicit jewellery, leaving Terry with little time to mount a defence.

Terry accepts a temporary position as the driver of a Mercedes, unaware that the car contains a secret stash of diamonds. While he steps away for a brief moment, the vehicle is abruptly taken, leaving him standing beside an empty automobile. Police soon discover the missing jewels and, based on the circumstances, promptly charge Terry with the theft of the concealed diamonds. He finds himself entangled in a criminal investigation, forced to prove his innocence while the stolen car and its valuable cargo remain unaccounted for. The accusation comes swiftly, as authorities link the missing vehicle to the illicit jewellery, leaving Terry with little time to mount a defence.

During the episode, Terry sustains an injury to his hand as he comes to Des's aid, which leaves him sidelined. Meanwhile, the person standing in for Arthur's usual sidekick becomes entangled with a heroin deal, inadvertently pulling Terry into the illegal activity. The story is presented as a vintage comedy drama and includes guest spots by Mike Reid and George Layton. The programme, titled ‘You Need Hands’, is classified as a comedy drama episode, and its plot centres on these intertwined mishaps. Both Mike Reid and George Layton appear in supporting roles, adding their characteristic presence to the storyline overall.

Terry's prints are discovered on the getaway car, meaning he's compelled to appear before the court. The police's forensic analysis confirms the marks, giving the prosecution solid material evidence. Arthur, who knows Terry, is called in as a character witness, but his testimony does little to offset the damning proof. Arthur's testimony is intended to highlight Terry's good character, yet it fails to change the outlook. The likelihood of Terry walking free looks decidedly bleak, as the evidence tying him to the vehicle leaves little room for doubt. Consequently, the case proceeds with little hope of a not‑guilty verdict, and Terry faces a grim prospect of acquittal, with the legal outcome appearing unfavourable.

In this drama, Terry finds himself tasked with looking after three public telephone boxes just as his associate Arthur devises a scheme centred on racing. While Terry is occupied with the boxes, Arthur's plan unfolds, creating a tangled situation for the two men. The episode features performances by George Cole and Dennis Waterman, who bring the characters to life. The storyline revolves around the contrast between Terry's mundane duty and Arthur's illicit ambition, highlighting the tension that arises when ordinary responsibilities intersect with criminal intent. The narrative remains focused on the interplay between the protagonists and the precarious nature of the racing scam.

Terry's prints are discovered on the getaway car, meaning he's compelled to appear before the court. The police's forensic analysis confirms the marks, giving the prosecution solid material evidence. Arthur, who knows Terry, is called in as a character witness, but his testimony does little to offset the damning proof. Arthur's testimony is intended to highlight Terry's good character, yet it fails to change the outlook. The likelihood of Terry walking free looks decidedly bleak, as the evidence tying him to the vehicle leaves little room for doubt. Consequently, the case proceeds with little hope of a not‑guilty verdict, and Terry faces a grim prospect of acquittal, with the legal outcome appearing unfavourable.

In this drama, Terry finds himself tasked with looking after three public telephone boxes just as his associate Arthur devises a scheme centred on racing. While Terry is occupied with the boxes, Arthur's plan unfolds, creating a tangled situation for the two men. The episode features performances by George Cole and Dennis Waterman, who bring the characters to life. The storyline revolves around the contrast between Terry's mundane duty and Arthur's illicit ambition, highlighting the tension that arises when ordinary responsibilities intersect with criminal intent. The narrative remains focused on the interplay between the protagonists and the precarious nature of the racing scam.

Terry's prints are discovered on the getaway car, meaning he's compelled to appear before the court. The police's forensic analysis confirms the marks, giving the prosecution solid material evidence. Arthur, who knows Terry, is called in as a character witness, but his testimony does little to offset the damning proof. Arthur's testimony is intended to highlight Terry's good character, yet it fails to change the outlook. The likelihood of Terry walking free looks decidedly bleak, as the evidence tying him to the vehicle leaves little room for doubt. Consequently, the case proceeds with little hope of a not‑guilty verdict, and Terry faces a grim prospect of acquittal, with the legal outcome appearing unfavourable.

Terry's prints are discovered on the getaway car, meaning he's compelled to appear before the court. The police's forensic analysis confirms the marks, giving the prosecution solid material evidence. Arthur, who knows Terry, is called in as a character witness, but his testimony does little to offset the damning proof. Arthur's testimony is intended to highlight Terry's good character, yet it fails to change the outlook. The likelihood of Terry walking free looks decidedly bleak, as the evidence tying him to the vehicle leaves little room for doubt. Consequently, the case proceeds with little hope of a not‑guilty verdict, and Terry faces a grim prospect of acquittal, with the legal outcome appearing unfavourable.

Rembrandt Doesn’t Live Here Any More is an episode‑long programme that tracks the antics of two men as they each pursue a shady venture. Terry, in need of cash, accepts a job behind the bar at a strip club, learning the ropes of the nightlife trade. Meanwhile, Arthur concocts a plan to earn money by producing forged artworks, hoping the counterfeit pieces will fetch a decent price. Their separate endeavours collide, leading to a string of awkward situations as each tries to outwit the other. The episode stars Dennis Waterman and George Cole, who portray the two protagonists throughout the storyline.

Rembrandt Doesn’t Live Here Any More is an episode‑long programme that tracks the antics of two men as they each pursue a shady venture. Terry, in need of cash, accepts a job behind the bar at a strip club, learning the ropes of the nightlife trade. Meanwhile, Arthur concocts a plan to earn money by producing forged artworks, hoping the counterfeit pieces will fetch a decent price. Their separate endeavours collide, leading to a string of awkward situations as each tries to outwit the other. The episode stars Dennis Waterman and George Cole, who portray the two protagonists throughout the storyline.

Arthur and Terry take on a job that seems straightforward – they’re asked to move a bull from one place to another. As they set out, they’re unaware that the assignment is actually a ruse, designed to get them to steal the animal instead. The episode follows their unwitting involvement in the scheme, with the tension building as the truth slowly emerges. The roles of Arthur and Terry are played by George Cole and Dennis Waterman, who bring the characters to life with their usual charm. The story unfolds with a mix of comedy and intrigue, centred on the unlikely task of bull transport.

Arthur and Terry take on a job that seems straightforward – they’re asked to move a bull from one place to another. As they set out, they’re unaware that the assignment is actually a ruse, designed to get them to steal the animal instead. The episode follows their unwitting involvement in the scheme, with the tension building as the truth slowly emerges. The roles of Arthur and Terry are played by George Cole and Dennis Waterman, who bring the characters to life with their usual charm. The story unfolds with a mix of comedy and intrigue, centred on the unlikely task of bull transport.

In this episode, suspicion falls on members of the travelling community after an old friend of Arthur’s arranges for a set of frighteners to be fitted onto him. The plot follows the fallout from that decision, with the community bearing the blame for the unsettling incident. Guest stars Jimmy Nail and June Whitfield appear, adding their familiar presence to the story. The narrative focuses on the tension that arises when the frightened individual discovers the devices and the subsequent accusations directed at the travelling folk, highlighting the uneasy dynamics that emerge from the situation. It also explores how the blame strains relationships within the community.

When a prisoner makes a break for it from Chelmsford jail, Arthur sees an opportunity. He realises he could cash in by handing over the exclusive account of the escape to a Fleet Street newspaper. The plot centres on the fugitive’s flight and Arthur’s scheme to profit from the story. He plans to sell the details, hoping the press will pay a hefty sum for the inside scoop. The tension lies in whether his plan will succeed before the authorities catch the runaway. All the action revolves around the escape and Arthur’s attempt to monetise it. He moves quickly, hoping the story won’t slip away, and keeps the details under wraps until he can strike a deal.

Terry is tasked with looking after the house belonging to a rock star while the musician is away playing gigs in Las Vegas. During his stint as caretaker, Terry keeps an eye on the property, ensuring everything stays in order. However, his watch is interrupted when bailiffs arrive at the doorstep, intent on repossessing the star’s belongings. The unexpected visit forces Terry to deal with the sudden intrusion and the looming loss of the rock star’s possessions. The episode follows Terry’s attempts to manage the situation while the bailiffs move in to take control of the items left behind, once and for all.

During the episode, Terry sustains an injury to his hand as he comes to Des's aid, which leaves him sidelined. Meanwhile, the person standing in for Arthur's usual sidekick becomes entangled with a heroin deal, inadvertently pulling Terry into the illegal activity. The story is presented as a vintage comedy drama and includes guest spots by Mike Reid and George Layton. The programme, titled ‘You Need Hands’, is classified as a comedy drama episode, and its plot centres on these intertwined mishaps. Both Mike Reid and George Layton appear in supporting roles, adding their characteristic presence to the storyline overall.

During the episode, Terry sustains an injury to his hand as he comes to Des's aid, which leaves him sidelined. Meanwhile, the person standing in for Arthur's usual sidekick becomes entangled with a heroin deal, inadvertently pulling Terry into the illegal activity. The story is presented as a vintage comedy drama and includes guest spots by Mike Reid and George Layton. The programme, titled ‘You Need Hands’, is classified as a comedy drama episode, and its plot centres on these intertwined mishaps. Both Mike Reid and George Layton appear in supporting roles, adding their characteristic presence to the storyline overall.

In the episode, Arthur comes into possession of a previously unheard track that belongs to a recently deceased, much‑mourned pop singer. Recognising the commercial potential of the hidden recording, he resolves to set up his own venture in the music industry, aiming to capitalise on the song’s rarity. He believes the exclusive nature of the track could attract attention from record labels and fans alike, and he sets about organising its release while navigating the challenges of a competitive market. Throughout the narrative, his entrepreneurial drive is contrasted with the lingering memory of the singer, whose career ended abruptly. George Cole features as a supporting character who interacts with Arthur during his venture.

During the episode, Terry sustains an injury to his hand as he comes to Des's aid, which leaves him sidelined. Meanwhile, the person standing in for Arthur's usual sidekick becomes entangled with a heroin deal, inadvertently pulling Terry into the illegal activity. The story is presented as a vintage comedy drama and includes guest spots by Mike Reid and George Layton. The programme, titled ‘You Need Hands’, is classified as a comedy drama episode, and its plot centres on these intertwined mishaps. Both Mike Reid and George Layton appear in supporting roles, adding their characteristic presence to the storyline overall.

During the episode, Terry sustains an injury to his hand as he comes to Des's aid, which leaves him sidelined. Meanwhile, the person standing in for Arthur's usual sidekick becomes entangled with a heroin deal, inadvertently pulling Terry into the illegal activity. The story is presented as a vintage comedy drama and includes guest spots by Mike Reid and George Layton. The programme, titled ‘You Need Hands’, is classified as a comedy drama episode, and its plot centres on these intertwined mishaps. Both Mike Reid and George Layton appear in supporting roles, adding their characteristic presence to the storyline overall.

The episode, part of the programme “Another Bride, Another Groom”, centres on Arthur as his niece’s wedding draws near. He’s been asked to supply the limousine for the ceremony, yet he also intends to use that same vehicle to ferry a consignment of pornographic magazines, creating a comical clash of responsibilities. The situation promises a series of humorous mishaps as the two purposes collide. George Cole stars as Arthur, depicting a man who must juggle his family obligation with the covert transport. As he attempts to keep the wedding service and the illicit shipment distinct, the episode follows his uneasy balancing act, all within the brief runtime of the programme.

In this episode, Arthur experiences a notable rise in his standing when he is asked to address the members of his local Rotary Club. The invitation provides him with a public platform that elevates his reputation within the community, suggesting a boost to his personal prestige. The narrative centres on his preparation for the speech and the subtle ways the engagement influences his relationships with fellow club members. The production features performances by George Cole and Dennis Waterman, who bring the characters to life as they navigate the modest yet significant event. George Cole and Dennis Waterman appear alongside Arthur, contributing to the storyline as they respond to his address.