Man About the House

In this comedic episode, Chrissy and Jo find themselves intervening to prevent a confrontation at the Mucky Duck Saloon. The tension arises when Robin clashes with Mick, a boisterous Irishman, and the two women work to stop the impending showdown. The situation unfolds with typical humour, as the pair scramble to defuse the dispute before it escalates. The episode features Richard O'Sullivan in a starring role, adding his characteristic charm to the antics. Throughout, the narrative centres on the effort to keep the saloon from turning into a battleground, maintaining a light‑hearted tone and ensures the evening remains entertaining for all patrons present.

When Chrissy begins seeing an older gentleman, her friends Robin and Jo grow uneasy about the relationship. They worry that the age gap might bring complications they aren’t prepared for. Determined to keep a close eye on the situation, they devise a plan to stay involved. Rather than simply observing from a distance, Robin and Jo decide to become the proverbial gooseberries, inserting themselves into Chrissy’s new romance. Their aim is to monitor the dynamics up close and perhaps influence the course of the budding partnership. Through this meddling, they hope to protect their friend while navigating their own feelings about the age disparity.

In this episode, Chrissy and Jo host a dinner, extending an invitation to a visitor from Germany. As the evening unfolds, their guest, identified only as a German, joins the pair at the table. However, the convivial atmosphere takes a turn when Mr Roper, present at the gathering, makes it’s clear that, in his mind, the hostilities of the Second World War remain unresolved. His remarks suggest that, despite the passage of time, he’s still perceiving the conflict as ongoing. Consequently, the dinner becomes a setting where past wartime tensions surface, highlighting the lingering impact of the war on personal interactions.

In this episode of Two Foot Two, Eyes of Blue, Robin and Chrissy are left to babysit a baby who won’t stop crying. Their night turns chaotic as they try every soothing trick they can think of, yet nothing quiets the wailing infant. To make things harder, the drinks cupboard is locked, cutting off the only beverage that might calm both baby and nerves. The locked cupboard forces them into a series of slap‑stick attempts, fumbling with bottles and furniture as they search for a solution. The ensuing confusion provides the comic backdrop for the episode, which stars Richard O'Sullivan and Paula Wilcox.

The episode follows Robin, who, after not succeeding in his catering examinations, decides to look for work in Southampton. Disappointed by his exam results, he sets his sights on a job opportunity in that coastal city, hoping a change of scenery will improve his prospects. Presented as a comedy, the story balances the mishap of his failed tests with the humour of his job hunt. The programme stars Richard O'Sullivan, who leads the cast in this light‑hearted tale of setbacks and new beginnings. The tone remains upbeat, and the comedic situations arise from Robin's attempts to adapt to a new environment.

In this episode, the three women discover how difficult it is to co‑habit with a single man, and the situation becomes even more chaotic when Robin's mate, Larry, moves in as well. The arrival of Larry essentially doubles the challenges they face, leading to a series of comedic mishaps. The humour stems from the cramped living arrangements and the clashing personalities, all anchored by Richard O'Sullivan's performance. The storyline follows the girls' attempts to manage the escalating domestic friction while maintaining a light‑hearted tone throughout. Each scene highlights the absurdity of their attempts to find personal space, and the humour is amplified by the constant misunderstandings that arise.

Chrissy discovers she has no partner for the company’s annual staff dance, so she turns to Robin for assistance. Determined to make a decent impression, Robin signs up for a few lessons with the seasoned Mrs Roper, hoping the instruction will give him the confidence he needs on the dance floor. The episode unfolds as a flat‑sharing comedy, with the everyday banter and mishaps that arise when housemates live under one roof. The flat‑sharing setting provides the backdrop for the characters’ interactions. The regular cast features Richard O’Sullivan, Paula Wilcox and Brian Murphy, whose performances drive the light‑hearted humour throughout the story.

The episode, part of the series ‘Come into My Parlour’, is presented as a light‑hearted comedy starring Richard O’Sullivan alongside Paula Wilcox. In this instalment, Robin eagerly anticipates a romantic evening, hoping to enjoy a night of intimacy with his girlfriend and to finally have some private time together. His plans, however, go awry the moment Chrissy steps in and decides to supervise his girlfriend’s visit, turning what should have been a private rendezvous into a monitored encounter. The intrusion of Chrissy’s oversight not only derails the intended romance but also provides the comic friction that drives the episode’s humour ultimately.

Chrissy discovers she has no partner for the company’s annual staff dance, so she turns to Robin for assistance. Determined to make a decent impression, Robin signs up for a few lessons with the seasoned Mrs Roper, hoping the instruction will give him the confidence he needs on the dance floor. The episode unfolds as a flat‑sharing comedy, with the everyday banter and mishaps that arise when housemates live under one roof. The flat‑sharing setting provides the backdrop for the characters’ interactions. The regular cast features Richard O’Sullivan, Paula Wilcox and Brian Murphy, whose performances drive the light‑hearted humour throughout the story.

In this episode, the three women discover how difficult it is to co‑habit with a single man, and the situation becomes even more chaotic when Robin's mate, Larry, moves in as well. The arrival of Larry essentially doubles the challenges they face, leading to a series of comedic mishaps. The humour stems from the cramped living arrangements and the clashing personalities, all anchored by Richard O'Sullivan's performance. The storyline follows the girls' attempts to manage the escalating domestic friction while maintaining a light‑hearted tone throughout. Each scene highlights the absurdity of their attempts to find personal space, and the humour is amplified by the constant misunderstandings that arise.

In this episode of the comedy series While the Cat's Away, a shortage of affordable housing leaves a group of flatmates with little choice but to negotiate an uneasy truce with their landlord, who is far from pleased with their situation. The tension between the tenants and the disapproving landlord drives the plot, forcing both parties to find a middle ground despite their differences. Richard O'Sullivan leads the cast, delivering the humour that underpins the story's light‑hearted take on the cramped living conditions and the compromises it forces. Even with the landlord's objections, the humour shines through, keeping the tone upbeat and the situation amusing.

In this episode of the comedy series While the Cat's Away, a shortage of affordable housing leaves a group of flatmates with little choice but to negotiate an uneasy truce with their landlord, who is far from pleased with their situation. The tension between the tenants and the disapproving landlord drives the plot, forcing both parties to find a middle ground despite their differences. Richard O'Sullivan leads the cast, delivering the humour that underpins the story's light‑hearted take on the cramped living conditions and the compromises it forces. Even with the landlord's objections, the humour shines through, keeping the tone upbeat and the situation amusing.

Because of a minor false statement on his income tax return, Mr Roper is forced to find a son quickly. This premise fuels the comedy, with the programme starring Brian Murphy and Richard O'Sullivan. Roper's frantic attempts to meet the fabricated requirement lead to humorous misunderstandings and quick thinking. The cast brings the farcical scenario to life, offering a light‑hearted look at the lengths one might go to cover up a small lie. The episode stays a brief slice of British humour, with the tone breezy as the characters scramble to keep the ruse. Viewers get rapid dialogue and situational gags as the two leads deal with the absurdity.

In this comedic instalment, Robin claims there’s a mouse wandering about as a pretext for staying the night in Chrissy’s bedroom. He leverages the imagined threat of the roving rodent to justify his presence, turning a simple excuse into the episode’s central gag. The humour stems from his desperate attempt to remain in the room under the guise of protecting the occupants from the supposed pest. The series, a comedy, also features Richard O'Sullivan, adding his familiar style to the light‑hearted scenario. The plot revolves solely around Robin’s mouse ruse and the resulting bedroom overnight stay. The situation escalates as both characters navigate the absurdity of the claim.

Chrissy discovers she has no partner for the company’s annual staff dance, so she turns to Robin for assistance. Determined to make a decent impression, Robin signs up for a few lessons with the seasoned Mrs Roper, hoping the instruction will give him the confidence he needs on the dance floor. The episode unfolds as a flat‑sharing comedy, with the everyday banter and mishaps that arise when housemates live under one roof. The flat‑sharing setting provides the backdrop for the characters’ interactions. The regular cast features Richard O’Sullivan, Paula Wilcox and Brian Murphy, whose performances drive the light‑hearted humour throughout the story.

In this comedic instalment, Robin claims there’s a mouse wandering about as a pretext for staying the night in Chrissy’s bedroom. He leverages the imagined threat of the roving rodent to justify his presence, turning a simple excuse into the episode’s central gag. The humour stems from his desperate attempt to remain in the room under the guise of protecting the occupants from the supposed pest. The series, a comedy, also features Richard O'Sullivan, adding his familiar style to the light‑hearted scenario. The plot revolves solely around Robin’s mouse ruse and the resulting bedroom overnight stay. The situation escalates as both characters navigate the absurdity of the claim.

The episode, part of the series ‘Come into My Parlour’, is presented as a light‑hearted comedy starring Richard O’Sullivan alongside Paula Wilcox. In this instalment, Robin eagerly anticipates a romantic evening, hoping to enjoy a night of intimacy with his girlfriend and to finally have some private time together. His plans, however, go awry the moment Chrissy steps in and decides to supervise his girlfriend’s visit, turning what should have been a private rendezvous into a monitored encounter. The intrusion of Chrissy’s oversight not only derails the intended romance but also provides the comic friction that drives the episode’s humour ultimately.

In this comedic episode, Chrissy and Jo find themselves intervening to prevent a confrontation at the Mucky Duck Saloon. The tension arises when Robin clashes with Mick, a boisterous Irishman, and the two women work to stop the impending showdown. The situation unfolds with typical humour, as the pair scramble to defuse the dispute before it escalates. The episode features Richard O'Sullivan in a starring role, adding his characteristic charm to the antics. Throughout, the narrative centres on the effort to keep the saloon from turning into a battleground, maintaining a light‑hearted tone and ensures the evening remains entertaining for all patrons present.

In this comedic episode, Chrissy and Jo find themselves intervening to prevent a confrontation at the Mucky Duck Saloon. The tension arises when Robin clashes with Mick, a boisterous Irishman, and the two women work to stop the impending showdown. The situation unfolds with typical humour, as the pair scramble to defuse the dispute before it escalates. The episode features Richard O'Sullivan in a starring role, adding his characteristic charm to the antics. Throughout, the narrative centres on the effort to keep the saloon from turning into a battleground, maintaining a light‑hearted tone and ensures the evening remains entertaining for all patrons present.

The episode follows two characters as they queue up to take part in a home‑video project being organised by a third individual. While they’re preparing for their roles, a fourth character shows a clear preference for a completely different sort of film, creating a humorous clash of interests. The situation is played for laughs, with the contrast between the home‑video endeavour and the alternative cinematic desire providing the central comic premise. The humour stems from the characters’ mismatched expectations and the light‑hearted way the scenario unfolds, positioning the story firmly within a comedic framework.

The episode follows two characters as they queue up to take part in a home‑video project being organised by a third individual. While they’re preparing for their roles, a fourth character shows a clear preference for a completely different sort of film, creating a humorous clash of interests. The situation is played for laughs, with the contrast between the home‑video endeavour and the alternative cinematic desire providing the central comic premise. The humour stems from the characters’ mismatched expectations and the light‑hearted way the scenario unfolds, positioning the story firmly within a comedic framework.

In this episode, Chrissy comes to the realisation that she has an admirer – someone who has taken a liking to her and is showing interest. At the same time, Mr Roper becomes convinced that his wife may be involved with another person, leading him to suspect an affair. The storyline juxtaposes Chrissy’s pleasant surprise with Mr Roper’s growing unease, creating a comic contrast between the two situations. The humour stems from the misunderstandings and the characters’ reactions, highlighting everyday mishaps that drive the comic tone. Both situations unfold side by side, allowing the audience to enjoy the contrasting emotions. The programme is presented as a comedy series and features the performances of Richard O’Sullivan and Brian Murphy.

In this comedic instalment, Robin claims there’s a mouse wandering about as a pretext for staying the night in Chrissy’s bedroom. He leverages the imagined threat of the roving rodent to justify his presence, turning a simple excuse into the episode’s central gag. The humour stems from his desperate attempt to remain in the room under the guise of protecting the occupants from the supposed pest. The series, a comedy, also features Richard O'Sullivan, adding his familiar style to the light‑hearted scenario. The plot revolves solely around Robin’s mouse ruse and the resulting bedroom overnight stay. The situation escalates as both characters navigate the absurdity of the claim.

In this episode, Chrissy comes to the realisation that she has an admirer – someone who has taken a liking to her and is showing interest. At the same time, Mr Roper becomes convinced that his wife may be involved with another person, leading him to suspect an affair. The storyline juxtaposes Chrissy’s pleasant surprise with Mr Roper’s growing unease, creating a comic contrast between the two situations. The humour stems from the misunderstandings and the characters’ reactions, highlighting everyday mishaps that drive the comic tone. Both situations unfold side by side, allowing the audience to enjoy the contrasting emotions. The programme is presented as a comedy series and features the performances of Richard O’Sullivan and Brian Murphy.

Chrissy discovers she has no partner for the company’s annual staff dance, so she turns to Robin for assistance. Determined to make a decent impression, Robin signs up for a few lessons with the seasoned Mrs Roper, hoping the instruction will give him the confidence he needs on the dance floor. The episode unfolds as a flat‑sharing comedy, with the everyday banter and mishaps that arise when housemates live under one roof. The flat‑sharing setting provides the backdrop for the characters’ interactions. The regular cast features Richard O’Sullivan, Paula Wilcox and Brian Murphy, whose performances drive the light‑hearted humour throughout the story.

When Chrissy begins seeing an older gentleman, her friends Robin and Jo grow uneasy about the relationship. They worry that the age gap might bring complications they aren’t prepared for. Determined to keep a close eye on the situation, they devise a plan to stay involved. Rather than simply observing from a distance, Robin and Jo decide to become the proverbial gooseberries, inserting themselves into Chrissy’s new romance. Their aim is to monitor the dynamics up close and perhaps influence the course of the budding partnership. Through this meddling, they hope to protect their friend while navigating their own feelings about the age disparity.

In this episode of the comedy series Right Said George, the character Robin becomes increasingly obsessed with learning the guitar, a hobby that soon tests the patience of his housemates. As his musical ambitions grow, the tension in the flat rises, leading to a series of humorous confrontations. The episode stars Richard O'Sullivan, who delivers the comic situations that arise from Robin's guitar playing. The storyline centres on how Robin's enthusiasm for the instrument irritates his flatmates, providing a light‑hearted look at flat‑share dynamics. Their attempts to compromise only heighten the absurdity, as each character reacts in their own way. The episode balances slapstick moments with witty dialogue, showcasing the series' typical humour.

In this episode, Chrissy comes to the realisation that she has an admirer – someone who has taken a liking to her and is showing interest. At the same time, Mr Roper becomes convinced that his wife may be involved with another person, leading him to suspect an affair. The storyline juxtaposes Chrissy’s pleasant surprise with Mr Roper’s growing unease, creating a comic contrast between the two situations. The humour stems from the misunderstandings and the characters’ reactions, highlighting everyday mishaps that drive the comic tone. Both situations unfold side by side, allowing the audience to enjoy the contrasting emotions. The programme is presented as a comedy series and features the performances of Richard O’Sullivan and Brian Murphy.

In this comedic instalment, Robin claims there’s a mouse wandering about as a pretext for staying the night in Chrissy’s bedroom. He leverages the imagined threat of the roving rodent to justify his presence, turning a simple excuse into the episode’s central gag. The humour stems from his desperate attempt to remain in the room under the guise of protecting the occupants from the supposed pest. The series, a comedy, also features Richard O'Sullivan, adding his familiar style to the light‑hearted scenario. The plot revolves solely around Robin’s mouse ruse and the resulting bedroom overnight stay. The situation escalates as both characters navigate the absurdity of the claim.

In this episode, Chrissy and Jo host a dinner, extending an invitation to a visitor from Germany. As the evening unfolds, their guest, identified only as a German, joins the pair at the table. However, the convivial atmosphere takes a turn when Mr Roper, present at the gathering, makes it’s clear that, in his mind, the hostilities of the Second World War remain unresolved. His remarks suggest that, despite the passage of time, he’s still perceiving the conflict as ongoing. Consequently, the dinner becomes a setting where past wartime tensions surface, highlighting the lingering impact of the war on personal interactions.

In this comedic episode, Robin finds himself unable to make ends meet on his modest student grant. Faced with mounting bills, he turns to the female friends around him for assistance. Together they devise a scheme that allows him to bring in some much‑needed cash, turning his precarious situation into a series of humorous mishaps. The story balances the pressures of student life with light‑hearted attempts at quick earnings, all delivered with a distinctly British sense of humour. The programme stars Richard O’Sullivan, whose performance anchors the antics and adds a familiar charm to the escapade. The dialogue crackles with witty banter, and the situations they encounter highlight the everyday challenges faced by students.

In this episode of the series Three of a Kind, Chrissy is forced to take charge of Robin’s poker night after he is suddenly rushed to hospital. Unfamiliar with the game’s regulations, she struggles to keep the session running smoothly, leading to a series of humorous mishaps. The comedy hinges on her attempts to bluff and manage the table despite her lack of knowledge. The programme features performances by Paula Wilcox and Richard O’Sullivan, whose interactions add to the light‑hearted chaos. The situation showcases classic British humour as Chrissy navigates the unfamiliar territory of poker rules. The episode maintains a brisk pace, keeping viewers entertained throughout.

In this episode of We Shall Not Be Moved, Mr Roper sets his sights on re‑configuring the existing flats into a series of smaller, more marketable units. His plans, however, run straight into a snag when he realises that Robin, Chrissy and Jo already hold a three‑year lease on the property, leaving him with little room to manoeuvre. The ensuing clash between Roper’s redevelopment ambitions and the tenants’ secured tenancy provides the comic backbone of the story, with Richard O'Sullivan fronting the cast as the situation spirals into a series of humorous confrontations.

In this episode of the series Three of a Kind, Chrissy is forced to take charge of Robin’s poker night after he is suddenly rushed to hospital. Unfamiliar with the game’s regulations, she struggles to keep the session running smoothly, leading to a series of humorous mishaps. The comedy hinges on her attempts to bluff and manage the table despite her lack of knowledge. The programme features performances by Paula Wilcox and Richard O’Sullivan, whose interactions add to the light‑hearted chaos. The situation showcases classic British humour as Chrissy navigates the unfamiliar territory of poker rules. The episode maintains a brisk pace, keeping viewers entertained throughout.

In this episode, Chrissy comes to the realisation that she has an admirer – someone who has taken a liking to her and is showing interest. At the same time, Mr Roper becomes convinced that his wife may be involved with another person, leading him to suspect an affair. The storyline juxtaposes Chrissy’s pleasant surprise with Mr Roper’s growing unease, creating a comic contrast between the two situations. The humour stems from the misunderstandings and the characters’ reactions, highlighting everyday mishaps that drive the comic tone. Both situations unfold side by side, allowing the audience to enjoy the contrasting emotions. The programme is presented as a comedy series and features the performances of Richard O’Sullivan and Brian Murphy.

In this episode of Two Foot Two, Eyes of Blue, Robin and Chrissy are left to babysit a baby who won’t stop crying. Their night turns chaotic as they try every soothing trick they can think of, yet nothing quiets the wailing infant. To make things harder, the drinks cupboard is locked, cutting off the only beverage that might calm both baby and nerves. The locked cupboard forces them into a series of slap‑stick attempts, fumbling with bottles and furniture as they search for a solution. The ensuing confusion provides the comic backdrop for the episode, which stars Richard O'Sullivan and Paula Wilcox.

In this episode of “Love and Let Love”, the flatmates decide to implement a fresh guideline aimed at protecting the privacy of their budding romances. Under the new system, anyone wishing to pursue a romantic encounter must give a full day’s notice before the activity can take place, allowing the others to plan around it and maintain discretion. The premise revolves around the humorous complications that arise from this 24‑hour notice requirement, with the comedy driven by the situations the characters find themselves in. The show stars Richard O’Sullivan, whose performance anchors the light‑hearted narrative. Overall, the storyline highlights how a simple rule can spark a series of amusing misunderstandings among the housemates, keeping the tone breezy and distinctly British.

In this episode of the series Three of a Kind, Chrissy is forced to take charge of Robin’s poker night after he is suddenly rushed to hospital. Unfamiliar with the game’s regulations, she struggles to keep the session running smoothly, leading to a series of humorous mishaps. The comedy hinges on her attempts to bluff and manage the table despite her lack of knowledge. The programme features performances by Paula Wilcox and Richard O’Sullivan, whose interactions add to the light‑hearted chaos. The situation showcases classic British humour as Chrissy navigates the unfamiliar territory of poker rules. The episode maintains a brisk pace, keeping viewers entertained throughout.