Find It, Fix It, Flog It

Henry Cole takes on a project to revamp four bar stools, giving each a vivid, eye‑catching finish. He applies a bright makeover, turning the ordinary seating into something lively and colourful. The makeover involves applying bold hues and sleek finishes, ensuring the stools are focal points in any setting. Meanwhile, Simon O’Brien works with two former sheep‑shearer seats, repurposing them into a single bench. He transforms the aged pieces into an extraordinary bench that stands out as a unique piece of furniture. The conversion retains the original wood’s texture, yet arranges the seats side‑by‑side to form a cohesive bench; it’s a standout piece.

Henry Cole and Simon O'Brien travel to the Scottish region of Dumfries and Galloway, where they step inside a series of barns that are packed to the rafters with assorted junk. Amid the clutter they stumble upon two particularly unusual pieces: an electric organ, its keys still intact despite the surrounding mess, and a vintage oil dispenser, its brass fittings glinting among the debris. Dust hangs in the air, and the sheer volume of discarded items creates a maze‑like environment that forces the duo to navigate carefully. The pair move from one crowded loft to the next, each space brimming with forgotten objects, yet those two items stand out as the most striking finds in the otherwise chaotic storage.

Henry Cole and Simon O'Brien travel to Leicestershire, where they've met Bernadette. She tells them that her uncle Jim has turned the whole house into a kind of personal museum, cramming every room with motorbikes, cycles and a variety of other objects. The pair wander from the living‑room, where a vintage motorbike leans against the wall, to the kitchen, where a row of bicycles is propped beside the cabinets, and even into the bedroom, where smaller scooters share space with assorted memorabilia. Throughout the visit, Bernadette explains how Jim's passion for two‑wheelers has filled each space, and Henry and Simon note the sheer volume of machines, each room seeming to tell its own story about his lifelong hobby.

Henry Cole and Simon O'Brien travel to Leicestershire, where they've met Bernadette. She tells them that her uncle Jim has turned the whole house into a kind of personal museum, cramming every room with motorbikes, cycles and a variety of other objects. The pair wander from the living‑room, where a vintage motorbike leans against the wall, to the kitchen, where a row of bicycles is propped beside the cabinets, and even into the bedroom, where smaller scooters share space with assorted memorabilia. Throughout the visit, Bernadette explains how Jim's passion for two‑wheelers has filled each space, and Henry and Simon note the sheer volume of machines, each room seeming to tell its own story about his lifelong hobby.

Simon O'Brien sketches a plan to turn a stack of old slate into a one‑of‑a‑kind lamp, hoping to give the weathered stone a fresh purpose. At the same time, Henry Cole becomes fascinated by the idea of upcycling the seat from an old pony and trap, intending to breathe new life into the vintage piece. Both men concentrate on reimagining discarded materials, each pursuing a DIY project that showcases their creative approach to repurposing. The lamp they envision is designed to stand out, its form reflecting the raw texture of the slate while serving a functional role in a contemporary setting. The upcycled seat is imagined as a quirky addition, its historic charm contrasting with modern décor.

Henry Cole and Simon O'Brien set off for Dumfries and Galloway, a spot they describe as a sort of memorabilia heaven. They arrive eager to explore the local stalls and warehouses. While exploring the area, Simon’s eye is caught by a neglected corner unit sitting in a charity depot. He immediately decides that the piece has potential and intends to give it a new lease of life by up‑cycling it. The pair’s trip therefore combines a love of vintage collectibles with a hands‑on project, turning an overlooked item into something useful again. Their adventure highlights both the region’s treasure‑trove of nostalgic objects and the possibilities of creative reuse.

Henry Cole and Simon O'Brien set off for Dumfries and Galloway, a spot they describe as a sort of memorabilia heaven. They arrive eager to explore the local stalls and warehouses. While exploring the area, Simon’s eye is caught by a neglected corner unit sitting in a charity depot. He immediately decides that the piece has potential and intends to give it a new lease of life by up‑cycling it. The pair’s trip therefore combines a love of vintage collectibles with a hands‑on project, turning an overlooked item into something useful again. Their adventure highlights both the region’s treasure‑trove of nostalgic objects and the possibilities of creative reuse.

In this episode, Henry Cole and Simon O'Brien travel to Norfolk to examine a pair of unusual objects. One of the items they showcase is a vintage pedal bicycle that has been modified by attaching a small two‑stroke engine, giving the old machine a quirky motorised twist. The other piece is a side table fashioned from a former military shell case, turning wartime material into a piece of domestic furniture. Both examples illustrate the programme’s focus on creative repurposing, and the presenters walk the viewer through the history and construction of each artefact in detail while roaming the Norfolk countryside throughout the region.

In this episode, Henry Cole and Simon O'Brien travel to Norfolk to examine a pair of unusual objects. One of the items they showcase is a vintage pedal bicycle that has been modified by attaching a small two‑stroke engine, giving the old machine a quirky motorised twist. The other piece is a side table fashioned from a former military shell case, turning wartime material into a piece of domestic furniture. Both examples illustrate the programme’s focus on creative repurposing, and the presenters walk the viewer through the history and construction of each artefact in detail while roaming the Norfolk countryside throughout the region.

Henry Cole and Simon O'Brien set off for Dumfries and Galloway, a spot they describe as a sort of memorabilia heaven. They arrive eager to explore the local stalls and warehouses. While exploring the area, Simon’s eye is caught by a neglected corner unit sitting in a charity depot. He immediately decides that the piece has potential and intends to give it a new lease of life by up‑cycling it. The pair’s trip therefore combines a love of vintage collectibles with a hands‑on project, turning an overlooked item into something useful again. Their adventure highlights both the region’s treasure‑trove of nostalgic objects and the possibilities of creative reuse.

In this episode, Henry Cole and Simon O’Brien travel to Pembrokeshire to visit a local cattle breeder. While touring his barns they spot a pair of discarded horns displayed among the livestock facilities, the horns adding an unexpected decorative touch to the otherwise functional structures. They also meet a camper‑van fan in the area, who proudly displays a vintage pedal car. The classic model, restored from decades past, sits beside his van as a testament to his love of retro transport, adding a quirky contrast to the rural setting. Throughout their visit they note the horns and the pedal car as distinct features of the local landscape.

In this episode, Henry Cole and Simon O’Brien travel to Pembrokeshire to visit a local cattle breeder. While touring his barns they spot a pair of discarded horns displayed among the livestock facilities, the horns adding an unexpected decorative touch to the otherwise functional structures. They also meet a camper‑van fan in the area, who proudly displays a vintage pedal car. The classic model, restored from decades past, sits beside his van as a testament to his love of retro transport, adding a quirky contrast to the rural setting. Throughout their visit they note the horns and the pedal car as distinct features of the local landscape.

Simon O'Brien and Henry Cole head up to north Wales where they rendezvous with Emma, the daughter of a man who once operated a haulage and motor‑repair firm. The pair’s purpose is simple: to walk through the family’s workshop and pinpoint the neglected pieces that could be given a new lease of life. Together they assess the forgotten tools, battered parts and other overlooked items, deciding which ones are worth restoring. Their aim is to breathe fresh purpose into objects that have long sat idle, turning what was once discarded into something usable again. They spend the day rummaging through crates and sheds, hoping to uncover hidden gems among the clutter.

Simon O'Brien and Henry Cole head up to north Wales where they rendezvous with Emma, the daughter of a man who once operated a haulage and motor‑repair firm. The pair’s purpose is simple: to walk through the family’s workshop and pinpoint the neglected pieces that could be given a new lease of life. Together they assess the forgotten tools, battered parts and other overlooked items, deciding which ones are worth restoring. Their aim is to breathe fresh purpose into objects that have long sat idle, turning what was once discarded into something usable again. They spend the day rummaging through crates and sheds, hoping to uncover hidden gems among the clutter.

In this episode, Henry Cole and Simon O’Brien travel to Pembrokeshire to visit a local cattle breeder. While touring his barns they spot a pair of discarded horns displayed among the livestock facilities, the horns adding an unexpected decorative touch to the otherwise functional structures. They also meet a camper‑van fan in the area, who proudly displays a vintage pedal car. The classic model, restored from decades past, sits beside his van as a testament to his love of retro transport, adding a quirky contrast to the rural setting. Throughout their visit they note the horns and the pedal car as distinct features of the local landscape.

Gemma takes an ageing television cabinet and transforms it into a luxurious bed for her dog, giving the piece a fresh, upscale purpose. She works the old wood and fittings into a comfortable, stylish sleeping spot that looks far more lavish than a typical pet bed. She keeps the original character of the cabinet while adding plush cushions. Meanwhile, Henry sets aside his lifelong fascination with mechanical gadgets, opting instead to up‑cycle wooden furniture. He trades the world of gears and engines for carpentry, reworking timber into new pieces that showcase his newfound focus on repurposing rather than repairing machinery. He applies his hands‑on skills to sand, stain and reassemble the wood, turning each item into a functional piece.

Gemma takes an ageing television cabinet and transforms it into a luxurious bed for her dog, giving the piece a fresh, upscale purpose. She works the old wood and fittings into a comfortable, stylish sleeping spot that looks far more lavish than a typical pet bed. She keeps the original character of the cabinet while adding plush cushions. Meanwhile, Henry sets aside his lifelong fascination with mechanical gadgets, opting instead to up‑cycle wooden furniture. He trades the world of gears and engines for carpentry, reworking timber into new pieces that showcase his newfound focus on repurposing rather than repairing machinery. He applies his hands‑on skills to sand, stain and reassemble the wood, turning each item into a functional piece.

Simon O'Brien and Henry Cole travel to Buckinghamshire to meet Hugh, the owner of a local repair and up‑cycling shop. The duo arrive with the aim of offering a hand, as Hugh has indicated he could use a bit of assistance with his business. Both are keen to see how the workshop operates. The pair, known for their hands‑on approach, head out of their usual surroundings and make their way to the countryside, eager to see how they might lend support. Upon arrival, they find Hugh busy amid a range of restored items, his workshop filled with tools and reclaimed materials, and he explains that a little extra help would go a long way.

Simon O'Brien and Henry Cole travel to Buckinghamshire to meet Hugh, the owner of a local repair and up‑cycling shop. The duo arrive with the aim of offering a hand, as Hugh has indicated he could use a bit of assistance with his business. Both are keen to see how the workshop operates. The pair, known for their hands‑on approach, head out of their usual surroundings and make their way to the countryside, eager to see how they might lend support. Upon arrival, they find Hugh busy amid a range of restored items, his workshop filled with tools and reclaimed materials, and he explains that a little extra help would go a long way.

Gemma takes an ageing television cabinet and transforms it into a luxurious bed for her dog, giving the piece a fresh, upscale purpose. She works the old wood and fittings into a comfortable, stylish sleeping spot that looks far more lavish than a typical pet bed. She keeps the original character of the cabinet while adding plush cushions. Meanwhile, Henry sets aside his lifelong fascination with mechanical gadgets, opting instead to up‑cycle wooden furniture. He trades the world of gears and engines for carpentry, reworking timber into new pieces that showcase his newfound focus on repurposing rather than repairing machinery. He applies his hands‑on skills to sand, stain and reassemble the wood, turning each item into a functional piece.

Henry Cole and Simon O'Brien travel to Oxford to investigate a pair of curious artefacts. While wandering the historic city they come across an old servant’s call bell, a small device once used to summon staff. Their exploration also uncovers a puzzling pedal‑powered tool whose purpose is unclear. Simon, keen on mechanical puzzles, shows a particular eagerness to get the contraption working again, while Henry offers context and background. Together they examine the items, discuss their possible origins and consider how best to restore the mysterious apparatus to its former condition. The city’s scholarly ambience provides a fitting backdrop for their search, and the duo’s curiosity drives the investigation forward.

Henry Cole and Simon O'Brien travel to Oxford to investigate a pair of curious artefacts. While wandering the historic city they come across an old servant’s call bell, a small device once used to summon staff. Their exploration also uncovers a puzzling pedal‑powered tool whose purpose is unclear. Simon, keen on mechanical puzzles, shows a particular eagerness to get the contraption working again, while Henry offers context and background. Together they examine the items, discuss their possible origins and consider how best to restore the mysterious apparatus to its former condition. The city’s scholarly ambience provides a fitting backdrop for their search, and the duo’s curiosity drives the investigation forward.

In this episode, presenters Simon O'Brien and Henry Cole wander through a garden dotted with an assortment of curious artefacts. As they explore, Henry uncovers an antique sack barrow, pulling it free from the surrounding foliage. Meanwhile, Simon discovers a shepherd’s stove, concealed beneath the tangled undergrowth. The pair examine each find, highlighting the garden’s eclectic collection of objects that hint at a bygone era. Their brief investigation offers a glimpse into the hidden treasures scattered across the space, with the vintage barrow and the rustic stove serving as focal points for their short but intriguing visit. The overgrown yet charming garden provides a perfect backdrop for their discovery.

In this episode, presenters Simon O'Brien and Henry Cole wander through a garden dotted with an assortment of curious artefacts. As they explore, Henry uncovers an antique sack barrow, pulling it free from the surrounding foliage. Meanwhile, Simon discovers a shepherd’s stove, concealed beneath the tangled undergrowth. The pair examine each find, highlighting the garden’s eclectic collection of objects that hint at a bygone era. Their brief investigation offers a glimpse into the hidden treasures scattered across the space, with the vintage barrow and the rustic stove serving as focal points for their short but intriguing visit. The overgrown yet charming garden provides a perfect backdrop for their discovery.

Henry Cole and Simon O'Brien travel to Oxford to investigate a pair of curious artefacts. While wandering the historic city they come across an old servant’s call bell, a small device once used to summon staff. Their exploration also uncovers a puzzling pedal‑powered tool whose purpose is unclear. Simon, keen on mechanical puzzles, shows a particular eagerness to get the contraption working again, while Henry offers context and background. Together they examine the items, discuss their possible origins and consider how best to restore the mysterious apparatus to its former condition. The city’s scholarly ambience provides a fitting backdrop for their search, and the duo’s curiosity drives the investigation forward.

Henry and Simon travel to Pembrokeshire to visit a local mechanic called James. James welcomes them to his family's property, where a number of sheds are tightly packed with a range of vintage vehicles. Inside, the collection includes classic cars, motorbikes and tractors, all stored side by side. One of the highlights is a 1928 Model A Ford, sitting among the other historic machines. Each aisle is narrow, forcing the visitors to move carefully as they've got to admire the polished bodies and rust‑kissed metalwork that tell stories of bygone eras.

Henry and Simon travel to Pembrokeshire to visit a local mechanic called James. James welcomes them to his family's property, where a number of sheds are tightly packed with a range of vintage vehicles. Inside, the collection includes classic cars, motorbikes and tractors, all stored side by side. One of the highlights is a 1928 Model A Ford, sitting among the other historic machines. Each aisle is narrow, forcing the visitors to move carefully as they've got to admire the polished bodies and rust‑kissed metalwork that tell stories of bygone eras.