Dickinson's Real Deal

In this Southport episode, David Dickinson works alongside residents of Port Sunlight, guiding them as they try to part with prized possessions. He presents each participant with two routes: they can either submit their item for auction, accepting the gamble that the final bid might exceed or fall short of expectations, or they can opt for an immediate cash offer that guarantees payment but may be lower than a potential auction price. Throughout the programme, Dickinson evaluates the worth of each treasure, in a clear and straightforward manner, explains the risks involved, and helps the owners decide which option best suits their needs.

In this episode of St Helens 2, host David Dickinson joins the team of antiques dealers as they travel to the town of St Helens in Merseyside. While there, they turn their attention to two distinct pieces: a print depicting a Le Mans motor‑race and a vintage Batman robot toy from the era of classic action figures. Dickinson and the dealers assess the condition, provenance and market value of each item, offering their expertise on what makes the racing print noteworthy and how the Batman robot fits into collectors’ circles. Their appraisal highlights the unique appeal of both the automotive artwork and the nostalgic toy.

In this episode of Blackpool, the team known as the Real Dealers head to the seaside town with the intention of turning a decent profit. Their plan centres on a particular item – a ceramic plaque depicting a boxer – which they put up for auction. The auction proves highly successful, with the plaque fetching a surprisingly large sum, thereby delivering the lucrative return the dealers had hoped for. The episode captures the anticipation of the team as they await the final bid, and the moment the hammer falls confirms their success. The storyline follows their arrival, their focus on the sale, and the outcome of the auction, highlighting how a single piece of memorabilia can generate substantial earnings.

David Dickinson and his crew have travelled to Stoke‑on‑Trent to evaluate a selection of objects recovered from a recent house clearance. While on site, they’re carefully inspecting each piece, weighing its condition and potential value, and discussing what might appeal to prospective buyers. The team compares notes, debates possible restoration routes and considers how each item could fit into the market. Among the items is a broken toy that’s generated surprising interest; despite its damaged state, bidders are clamouring to purchase it, hoping it might hold hidden worth or simply add to their collections. The enthusiasm is clear as several offers are made, each collector eager to secure the piece before anyone else can.

David Dickinson and his crew have travelled to Stoke‑on‑Trent to evaluate a selection of objects recovered from a recent house clearance. While on site, they’re carefully inspecting each piece, weighing its condition and potential value, and discussing what might appeal to prospective buyers. The team compares notes, debates possible restoration routes and considers how each item could fit into the market. Among the items is a broken toy that’s generated surprising interest; despite its damaged state, bidders are clamouring to purchase it, hoping it might hold hidden worth or simply add to their collections. The enthusiasm is clear as several offers are made, each collector eager to secure the piece before anyone else can.

David Dickinson joins his fellow antiques dealers for a trip to St Helens, a town in Merseyside. The small group sets off with a clear purpose, their curiosity piqued by the prospect of uncovering something special. As they make their way across the region, the anticipation builds, each member looking forward to the discoveries that await in the local setting. At the heart of their excitement lies a particular treasure – a set of autographs signed by the Beatles. The mere thought of handling those historic signatures energises the team, and upon reaching St Helens they're ready to examine the memorabilia with the keen eye that defines their trade.

David Dickinson, accompanied by his team, travel to Wolverhampton to examine a small collection of curiosities that have been sent for assessment. Among the items awaiting scrutiny are a book that recounts the story of the Titanic and a cavalry sword, both of which are set to be evaluated for their worth and background. The pair bring the book and the sword into the studio, where they discuss each piece’s provenance, condition and potential market value. Throughout the segment they walk through the appraisal process, pointing out details of the manuscript’s design and the sword’s construction, and they explain how such factors influence the final valuation.

David Dickinson joins his fellow antiques dealers for a trip to St Helens, a town in Merseyside. The small group sets off with a clear purpose, their curiosity piqued by the prospect of uncovering something special. As they make their way across the region, the anticipation builds, each member looking forward to the discoveries that await in the local setting. At the heart of their excitement lies a particular treasure – a set of autographs signed by the Beatles. The mere thought of handling those historic signatures energises the team, and upon reaching St Helens they're ready to examine the memorabilia with the keen eye that defines their trade.

David Dickinson and his crew head down to Windsor, where they set about negotiating the top bargains for the town’s antique treasures. Throughout the visit they’ve put their haggling skills to the test, trying to secure the best possible prices for the locals’ cherished pieces. At the same time, a collection of prison‑made artworks arrives for auction, and the pieces quickly become the centre of attention in the auction room. The striking nature of the prison art draws the crowd’s focus, turning the usual sale into a lively showcase of these unconventional creations. In short, the episode blends classic antique dealing with the unexpected buzz generated by the prison artworks.

David Dickinson drops into Bradford for an episode of the series, where he puts his antiques expertise to work for local sellers. Throughout the programme he moves from stall to stall, examining a mixed lot of antiques and other valuables, and he guides each owner towards a genuine market price. His advice ranges from assessing the condition of older furniture to valuing high‑end jewellery. One of the standout pieces he handles is an aquamarine and diamond ring, which he helps the seller price accurately so they can secure a fair deal. Dickinson’s aim is simply to ensure everyone walks away satisfied with the real deal.

David Dickinson drops into Bradford for an episode of the series, where he puts his antiques expertise to work for local sellers. Throughout the programme he moves from stall to stall, examining a mixed lot of antiques and other valuables, and he guides each owner towards a genuine market price. His advice ranges from assessing the condition of older furniture to valuing high‑end jewellery. One of the standout pieces he handles is an aquamarine and diamond ring, which he helps the seller price accurately so they can secure a fair deal. Dickinson’s aim is simply to ensure everyone walks away satisfied with the real deal.

In the St Helens 4 episode, veteran presenter David Dickinson heads out with his crew of antique dealers to the Lancashire town of St Helens. The team arrives ready to assess a handful of curiosities that have been sent in for appraisal, bringing their expertise to bear on each find. Among the pieces they examine are a Coronation‑era doll, a work by the celebrated artist L.S. Lowry, and an ancient dagger. Each item is laid out for Dickinson and his colleagues to evaluate, offering a glimpse into the varied history that can be hidden in everyday objects. The episode follows their careful inspection and discussion as they try to determine each object's provenance and worth.

In this episode, David Dickinson joins his usual crew for a day out in Wolverhampton. While exploring the city’s collections, they draw particular attention to a striking Ruskin vase, a set of Royal Worcester plates and a selection of jewellery, each standing out for its visual appeal. The team examines these pieces, highlighting their distinctive features and the way they capture the eye. The visit offers a glimpse into the variety of notable objects on display in Wolverhampton, with the vase, plates and jewellery serving as the most eye‑catching examples among the items surveyed, and provides a brief insight into the local heritage of the area.

In the St Helens 4 episode, veteran presenter David Dickinson heads out with his crew of antique dealers to the Lancashire town of St Helens. The team arrives ready to assess a handful of curiosities that have been sent in for appraisal, bringing their expertise to bear on each find. Among the pieces they examine are a Coronation‑era doll, a work by the celebrated artist L.S. Lowry, and an ancient dagger. Each item is laid out for Dickinson and his colleagues to evaluate, offering a glimpse into the varied history that can be hidden in everyday objects. The episode follows their careful inspection and discussion as they try to determine each object's provenance and worth.

In Edgbaston, a Ruskin vase is placed on the block for auction. The event draws three local dealers—Simon Schneider, Ian Towning and David Hakeney—who compete to purchase the piece, hoping to profit from the assorted valuables that residents have supplied. As the bidding intensifies, each dealer aims to secure the vase and other items contributed by the community, turning the auction into a contest of who can best capitalise on the treasures that locals have brought forward. Atmosphere in the hall is with anticipation as bidders assess the historical significance of the vase, while the community watches, curious about which dealer will walk away with the artefact. The auction gives dealers a chance to turn sourced collectibles into profit.

In this instalment, David Dickinson joins his team of antiques dealers for a day out in Ilkeston, a town situated in Derbyshire. The group arrives to explore the local market and to seek out items of interest, keeping the programme’s emphasis on discovery and appraisal. The visit allows the team to compare regional styles and discuss the historical context of pieces they encounter. While in Ilkeston, they are joined by Alison Chapman, who examines an illustration from the classic novel Treasure Island. Her assessment forms the segment’s focus, highlighting the artwork’s condition and relevance to collectors. She considers the piece’s provenance, the quality of the engraving and its potential market value, giving viewers insight into how such items are judged.

David Dickinson joins his team as they explore the antique market in Chesterfield, Derbyshire. Throughout the episode they turn their focus to a variety of historic pieces, paying particular attention to a collection of silver fob watches and a hand‑painted cupboard. The setting provides a backdrop of the town’s traditional charm, allowing the group to assess the condition and appeal of each item. By examining the watches and the painted cupboard, they illustrate how such objects contribute to the broader appreciation of regional heritage. Throughout their visit they comment on the design details and the care needed to maintain such items.

In this instalment, David Dickinson joins his team of antiques dealers for a day out in Ilkeston, a town situated in Derbyshire. The group arrives to explore the local market and to seek out items of interest, keeping the programme’s emphasis on discovery and appraisal. The visit allows the team to compare regional styles and discuss the historical context of pieces they encounter. While in Ilkeston, they are joined by Alison Chapman, who examines an illustration from the classic novel Treasure Island. Her assessment forms the segment’s focus, highlighting the artwork’s condition and relevance to collectors. She considers the piece’s provenance, the quality of the engraving and its potential market value, giving viewers insight into how such items are judged.

In this episode of Weymouth, David Dickinson joins his crew to lend a hand to residents of the seaside town as they sift through unwanted belongings, separating potential valuables from everyday junk. The team offers advice on how to spot items that might hold worth, guiding participants through the decluttering process while keeping an eye out for hidden gems. They also demonstrate simple techniques for cleaning and presenting the objects to maximise their appeal. One standout find is a Japanese photo album discovered among the discarded items. Recognising its rarity, the team arranges for it to be auctioned, where it ultimately brings in a sum of money for its owner.

In this episode of Cirencester 2, presenter David Dickinson joins a group of dealers as they head to the market town of Cirencester in Gloucestershire. Their mission centres on a tiny, intricately crafted bookcase that has come up for sale, and they hope it could prove valuable today. The focus of the deal is not merely the item itself but the potential benefit it could bring to a local dog charity. If the miniature bookcase fetches a good price, the proceeds may make a significant contribution to the organisation’s work, turning a generously small object into a big charitable return.

In this episode of Cirencester 2, presenter David Dickinson joins a group of dealers as they head to the market town of Cirencester in Gloucestershire. Their mission centres on a tiny, intricately crafted bookcase that has come up for sale, and they hope it could prove valuable today. The focus of the deal is not merely the item itself but the potential benefit it could bring to a local dog charity. If the miniature bookcase fetches a good price, the proceeds may make a significant contribution to the organisation’s work, turning a generously small object into a big charitable return.

In the Ilkeston 2 episode, presenter David Dickinson and his crew travel to the town of Ilkeston in Derbyshire. While exploring the area, they meet a remarkable woman in her nineties who still possesses a 1920s motorbike helmet. The elderly lady’s enthusiasm and knowledge about the piece catch the attention of antiques specialist Tony Geering. She manages to win him over with the story behind the helmet, prompting a lively discussion about its provenance. The interaction highlights the unexpected connections that can arise when historical objects are examined up close. The encounter forms part of the episode’s narrative, illustrating how personal histories can enrich the study of antiques.

In this instalment of the series, David Dickinson teams up with a group of antiques dealers for a day out in Chesterfield, Derbyshire. The crew sets out to explore the town’s historic market and soon focus their attention on two particularly intriguing pieces. First, they handle an unusual snuff box, noting its distinctive design and trying to uncover its origins. Their attention then turns to a pair of antique pistols, which they examine closely, discussing the craftsmanship, period markings and potential worth. Throughout the visit, Dickinson and the dealers share observations, compare notes and consider the stories behind each artefact.

In the Ilkeston 2 episode, presenter David Dickinson and his crew travel to the town of Ilkeston in Derbyshire. While exploring the area, they meet a remarkable woman in her nineties who still possesses a 1920s motorbike helmet. The elderly lady’s enthusiasm and knowledge about the piece catch the attention of antiques specialist Tony Geering. She manages to win him over with the story behind the helmet, prompting a lively discussion about its provenance. The interaction highlights the unexpected connections that can arise when historical objects are examined up close. The encounter forms part of the episode’s narrative, illustrating how personal histories can enrich the study of antiques.

In this Stockport episode, antiques specialist David Dickinson lends his expertise to members of the public, guiding them as they separate genuine treasures from everyday rubbish. He works closely with locals, examining each item and offering advice on what might be worth keeping or selling. One highlight of the show sees a collection of Manchester United memorabilia being prepared for auction, where it attracts strong bids and achieves a successful sale. The programme shows Dickinson’s knack for spotting value and illustrates how seemingly modest items can turn into coveted collectibles when the right audience discovers them. Throughout the episode, the blend of local stories and expert insight keeps the pace lively.

David Dickinson and his crew are inside the National Motorcycle Museum in Solihull, West Midlands, meeting a group of sellers ready to spend the money they receive. The sellers intend to use the cash for a variety of purchases, from buying new homes to acquiring a simple lawnmower, while Dickinson’s team assesses the items and discusses how the funds might be allocated. Throughout the episode, the team evaluates the potential of each item and considers the practicality of the proposed expenditures. Their conversation highlights the contrast between large‑scale investments such as property and modest, everyday purchases like gardening equipment in.

David Dickinson and his crew are inside the National Motorcycle Museum in Solihull, West Midlands, meeting a group of sellers ready to spend the money they receive. The sellers intend to use the cash for a variety of purchases, from buying new homes to acquiring a simple lawnmower, while Dickinson’s team assesses the items and discusses how the funds might be allocated. Throughout the episode, the team evaluates the potential of each item and considers the practicality of the proposed expenditures. Their conversation highlights the contrast between large‑scale investments such as property and modest, everyday purchases like gardening equipment in.

David Dickinson and his team head down to Ilkeston in Derbyshire, where they’re drawn to an art‑deco clock that seems to stir something poetic in Tony Geering. The clock’s design and ticking provide a quiet backdrop as Tony reflects in a more lyrical way than usual, and he comments that the clock’s art‑deco style seems to unlock a more lyrical side of him. At the same time, Karen Dalmeny opens up about a long‑standing habit of collecting youthful postcards, confessing that the pastime still holds a special place for her. She also mentions that the habit has stuck with her since her younger days, giving a glimpse into the personal quirks of the group during their Ilkeston visit.