What the Killer Did Next

A woman is discovered dead in a hotel, prompting police to investigate what appears to be a suicide. Their investigation quickly shows the death is not self‑inflicted, sparking a manhunt that extends across national borders and involves multiple jurisdictions in Europe.

The series titled Nadine Aubras is presented as a programme in the form of an episode. It falls within the episode genre and follows a concise, self‑contained narrative structure. As a standalone installment, it sets up a scenario that unfolds over its runtime, focusing on a particular incident that drives the storyline forward. The format allows the audience to engage with a single, tightly plotted case. The central event revolves around the discovery of a woman's body inside a hotel room. Initially, law enforcement treats the scene as a possible suicide, interpreting the circumstances as self‑inflicted. However, as the investigation progresses, officers begin to suspect that the death does not align with a straightforward suicide narrative. This realisation prompts them to reconsider the initial assessment and look deeper into the surrounding facts. The suspicion that the woman's death is not a suicide sets off a wider pursuit. Police launch a manhunt that extends beyond the local jurisdiction, crossing national boundaries in search of those responsible. The investigation therefore transforms into an international chase, with authorities tracking leads across borders. This development underscores the shift from a seemingly isolated incident to a broader, trans‑national operation aimed at apprehending the perpetrators. The chase proceeds across borders, turning the investigation into an operation that stretches far beyond the hotel scene and involves authorities in each country, making it a transnational effort.