The Yorkshire Auction House

Angus empties two homes that are packed to the rafters with exquisite antiques, intriguing curios and long‑forgotten bottles of whisky. In doing so, he clears every item from the densely filled interiors and rooms, leaving the properties completely entirely empty.

The series Whisky and Watercolours presents a single episode that follows a distinctive premise, blending the worlds of fine spirits and visual art. It is catalogued as a programme rather than a full‑length series, and its genre is listed simply as an episode, indicating a self‑contained narrative within the broader title. In this instalment, the central figure, Angus, takes on the task of clearing out two separate residences. Both houses are described as being “packed to the rafters,” suggesting they are overflowing with items of interest. Angus’s mission involves removing a varied assortment of objects that have accumulated over time within these cramped spaces. Among the possessions he extracts are a range of exquisite antiques, each implying a level of craftsmanship and historical value. Alongside these, he discovers intriguing curios – objects that pique curiosity because of their unusual nature or origin. The episode also reveals long‑forgotten bottles of whisky, hinting at a hidden collection of aged spirits that have lain undisturbed for years. The combined effect of these elements – the densely filled homes, the refined antiques, the mysterious curios, and the aged whisky – forms the core of the episode’s content. By focusing on Angus’s systematic emptying of the two over‑stocked houses, the programme offers viewers a glimpse into a world where material heritage and forgotten libations intersect, all contained within the brief runtime of a single episode.