Tales of the Unexpected

In this episode, a desperate man puts his whole future at risk for a cash payout, agreeing to kill a former schoolmate. The promise of a sizable sum pushes him to consider murder, even though the target is someone he once knew. As the deadline draws near, his resolve is tested and the tension mounts, leaving viewers to wonder whether the lure of money will outweigh his conscience. The story follows his perilous gamble and the moral consequences that follow. Performances are delivered by Bryan Marshall, George Sewell and Charles Keating, who bring the characters to life within this compact drama.

The Memory Man is an episode that follows a man endowed with an extraordinary recall. He decides to profit from his ability by proposing to assist a stranger in remembering a locker number, hoping the service will earn him money. The story is brought to life by Bernard Cribbins, Colin Blakely and Judy Geeson, who portray the key characters involved in this modest scheme. Throughout the short narrative, the protagonist’s keen memory becomes the central device, driving the simple plot of a cash‑making venture based on a single, specific recollection. Set in an everyday environment, the episode unfolds with a light‑hearted yet purposeful tone, emphasizing the practicality of the man's gift as he negotiates the terms of his assistance.

The episode follows a hotel proprietor who is teetering on the brink of bankruptcy and becomes obsessed with securing a legacy left by her wealthy aunt. Determined and resourceful, she is prepared to go to extraordinary lengths to claim the inheritance she believes is rightfully hers, hoping it will rescue her failing business. The drama unfolds against the backdrop of the struggling establishment, emphasizing the urgency of her quest. Hayley Mills takes on the role of the desperate owner, with Stuart Wilson and Phyllida Law appearing alongside her in the cast. Stuart Wilson plays a supporting role that brings additional tension to the plot, and Phyllida Law adds further depth to the unfolding drama.

An ordinary man is hit by a sudden, unwelcome revelation when he discovers that his father, who has just died, left a large debt. The shock of learning his recently deceased parent was financially insolvent turns his world upside‑down, leaving him to confront the unexpected burden of a large sum owed. The narrative centres on his attempts to reconcile the memory of his father with the harsh reality of the debt, highlighting the emotional strain such a discovery can cause. Throughout the episode, the ensemble cast delivers performances that underscore the tension and uncertainty inherent in the situation. Evelyn Laye, Richard Pearson, Hugh Fraser and David Webb each appear, lending gravitas to the tense family drama.

In this episode of Heir Presumptuous, the local sheriff's tasked with solving a murder. While pursuing leads, he learns that the chief suspect is one of a pair of identical twins, a revelation that throws the case into disarray. Because the brothers look exactly alike, the sheriff struggles to secure dependable testimony and must sift through misleading clues to decide which sibling committed the crime. Throughout the investigation, the sheriff's determined to uncover the truth. The identical appearance creates constant uncertainty, forcing the lawman's to double‑check alibis and question every piece of evidence. The drama is carried by the performances of David Cassidy and Darren McGavin.

The Memory Man is an episode that follows a man endowed with an extraordinary recall. He decides to profit from his ability by proposing to assist a stranger in remembering a locker number, hoping the service will earn him money. The story is brought to life by Bernard Cribbins, Colin Blakely and Judy Geeson, who portray the key characters involved in this modest scheme. Throughout the short narrative, the protagonist’s keen memory becomes the central device, driving the simple plot of a cash‑making venture based on a single, specific recollection. Set in an everyday environment, the episode unfolds with a light‑hearted yet purposeful tone, emphasizing the practicality of the man's gift as he negotiates the terms of his assistance.

The episode follows a hotel proprietor who is teetering on the brink of bankruptcy and becomes obsessed with securing a legacy left by her wealthy aunt. Determined and resourceful, she is prepared to go to extraordinary lengths to claim the inheritance she believes is rightfully hers, hoping it will rescue her failing business. The drama unfolds against the backdrop of the struggling establishment, emphasizing the urgency of her quest. Hayley Mills takes on the role of the desperate owner, with Stuart Wilson and Phyllida Law appearing alongside her in the cast. Stuart Wilson plays a supporting role that brings additional tension to the plot, and Phyllida Law adds further depth to the unfolding drama.

An ordinary man is hit by a sudden, unwelcome revelation when he discovers that his father, who has just died, left a large debt. The shock of learning his recently deceased parent was financially insolvent turns his world upside‑down, leaving him to confront the unexpected burden of a large sum owed. The narrative centres on his attempts to reconcile the memory of his father with the harsh reality of the debt, highlighting the emotional strain such a discovery can cause. Throughout the episode, the ensemble cast delivers performances that underscore the tension and uncertainty inherent in the situation. Evelyn Laye, Richard Pearson, Hugh Fraser and David Webb each appear, lending gravitas to the tense family drama.

In this episode of Heir Presumptuous, the local sheriff's tasked with solving a murder. While pursuing leads, he learns that the chief suspect is one of a pair of identical twins, a revelation that throws the case into disarray. Because the brothers look exactly alike, the sheriff struggles to secure dependable testimony and must sift through misleading clues to decide which sibling committed the crime. Throughout the investigation, the sheriff's determined to uncover the truth. The identical appearance creates constant uncertainty, forcing the lawman's to double‑check alibis and question every piece of evidence. The drama is carried by the performances of David Cassidy and Darren McGavin.

The episode centres on an American airman who journeys back to England hoping for a nostalgic reunion with the country he once served in. Yet, once he arrives, his expectations quickly unravel and his plans go awry. The story is brought to life by a small ensemble, featuring Van Johnson as the visiting airman, with Geoffrey Bayldon, Margaraet Courtenay and Anne Carroll filling out the English cast. Their interactions highlight the contrast between the airman's fond memories and the reality he confronts, turning what should have been a pleasant homecoming into a series of unforeseen complications. The programme balances humour with a touch of melancholy, underscoring how past glories can clash with present circumstances.

In this drama, an aged aristocrat looks back on a duel he fought in Germany during the 1920s. As he reflects on the confrontation, he gradually unveils a startling secret that has remained hidden for decades. The narrative unfolds through his memories, intertwining the atmosphere of post‑war Europe with the personal weight of his confession. Peter Cushing appears as the central figure, delivering the story with a measured, introspective tone. The programme builds tension by focusing on the aristocrat’s recollection and the revelation, offering a compact yet compelling glimpse into a bygone era and the hidden truths it can conceal.

An ordinary man is hit by a sudden, unwelcome revelation when he discovers that his father, who has just died, left a large debt. The shock of learning his recently deceased parent was financially insolvent turns his world upside‑down, leaving him to confront the unexpected burden of a large sum owed. The narrative centres on his attempts to reconcile the memory of his father with the harsh reality of the debt, highlighting the emotional strain such a discovery can cause. Throughout the episode, the ensemble cast delivers performances that underscore the tension and uncertainty inherent in the situation. Evelyn Laye, Richard Pearson, Hugh Fraser and David Webb each appear, lending gravitas to the tense family drama.

In this episode of Heir Presumptuous, the local sheriff's tasked with solving a murder. While pursuing leads, he learns that the chief suspect is one of a pair of identical twins, a revelation that throws the case into disarray. Because the brothers look exactly alike, the sheriff struggles to secure dependable testimony and must sift through misleading clues to decide which sibling committed the crime. Throughout the investigation, the sheriff's determined to uncover the truth. The identical appearance creates constant uncertainty, forcing the lawman's to double‑check alibis and question every piece of evidence. The drama is carried by the performances of David Cassidy and Darren McGavin.

The episode centres on an American airman who journeys back to England hoping for a nostalgic reunion with the country he once served in. Yet, once he arrives, his expectations quickly unravel and his plans go awry. The story is brought to life by a small ensemble, featuring Van Johnson as the visiting airman, with Geoffrey Bayldon, Margaraet Courtenay and Anne Carroll filling out the English cast. Their interactions highlight the contrast between the airman's fond memories and the reality he confronts, turning what should have been a pleasant homecoming into a series of unforeseen complications. The programme balances humour with a touch of melancholy, underscoring how past glories can clash with present circumstances.

In this drama, an aged aristocrat looks back on a duel he fought in Germany during the 1920s. As he reflects on the confrontation, he gradually unveils a startling secret that has remained hidden for decades. The narrative unfolds through his memories, intertwining the atmosphere of post‑war Europe with the personal weight of his confession. Peter Cushing appears as the central figure, delivering the story with a measured, introspective tone. The programme builds tension by focusing on the aristocrat’s recollection and the revelation, offering a compact yet compelling glimpse into a bygone era and the hidden truths it can conceal.

The story follows a businessman who receives some sensible counsel, but he dismisses it, convinced his own instincts are sufficient. Determined to act on his own terms, he invites a woman up to his hotel suite, believing the situation will be straightforward. He's convinced his professional success will shield him from any complications, and he sees the invitation as a simple extension of his lifestyle. However, once they are alone, events take a turn for the worse, and the businessman ends up in a difficult spot, the very trouble the ignored advice had warned him about. The ensuing complications quickly expose how his disregard for the warning has back‑fired, and he's left scrambling to manage the unforeseen consequences.

In this short drama, a determined woman manages to coax a naïve writer into paying for her midday meal, arranging that the lunch be taken at the restaurant owned by her own fiancé. The plot centres on her subtle manipulation and the writer doesn’t realise his unwitting compliance, set against the backdrop of the family‑run eatery. The piece features Gayle Hunnicutt in the role of the persuasive woman and Bosco Hogan as the unsuspecting writer, delivering a concise yet engaging encounter that hinges on a simple favour turned into a modest scheme. The episode unfolds with a straightforward premise; it’s focused on the brief interaction between the two characters.

The episode centres on an American airman who journeys back to England hoping for a nostalgic reunion with the country he once served in. Yet, once he arrives, his expectations quickly unravel and his plans go awry. The story is brought to life by a small ensemble, featuring Van Johnson as the visiting airman, with Geoffrey Bayldon, Margaraet Courtenay and Anne Carroll filling out the English cast. Their interactions highlight the contrast between the airman's fond memories and the reality he confronts, turning what should have been a pleasant homecoming into a series of unforeseen complications. The programme balances humour with a touch of melancholy, underscoring how past glories can clash with present circumstances.

In this drama, an aged aristocrat looks back on a duel he fought in Germany during the 1920s. As he reflects on the confrontation, he gradually unveils a startling secret that has remained hidden for decades. The narrative unfolds through his memories, intertwining the atmosphere of post‑war Europe with the personal weight of his confession. Peter Cushing appears as the central figure, delivering the story with a measured, introspective tone. The programme builds tension by focusing on the aristocrat’s recollection and the revelation, offering a compact yet compelling glimpse into a bygone era and the hidden truths it can conceal.

The story follows a businessman who receives some sensible counsel, but he dismisses it, convinced his own instincts are sufficient. Determined to act on his own terms, he invites a woman up to his hotel suite, believing the situation will be straightforward. He's convinced his professional success will shield him from any complications, and he sees the invitation as a simple extension of his lifestyle. However, once they are alone, events take a turn for the worse, and the businessman ends up in a difficult spot, the very trouble the ignored advice had warned him about. The ensuing complications quickly expose how his disregard for the warning has back‑fired, and he's left scrambling to manage the unforeseen consequences.

In this short drama, a determined woman manages to coax a naïve writer into paying for her midday meal, arranging that the lunch be taken at the restaurant owned by her own fiancé. The plot centres on her subtle manipulation and the writer doesn’t realise his unwitting compliance, set against the backdrop of the family‑run eatery. The piece features Gayle Hunnicutt in the role of the persuasive woman and Bosco Hogan as the unsuspecting writer, delivering a concise yet engaging encounter that hinges on a simple favour turned into a modest scheme. The episode unfolds with a straightforward premise; it’s focused on the brief interaction between the two characters.

Following the death of a long‑standing servant who had tended the households of three aristocratic women, the ladies find themselves drawn back together. In honour of the departed, they arrange a luncheon and extend an invitation to her niece, assuming the visit will be a simple, perhaps quiet, affair. However, when the niece arrives, her presence proves far from ordinary, catching the hosts off guard with an unexpected turn in her demeanor and a lively spirit. The gathering, intended as a modest tribute, quickly becomes marked by the surprising nature of their guest for the first time, reshaping the afternoon in ways none of the women anticipated.

In this episode, a physician is left deeply unsettled after his wife vanishes without explanation. As he grapples with her sudden disappearance, he gradually discovers that circumstances can take unforeseen turns, offering him unexpected developments. The narrative follows his attempts to make sense of the loss, highlighting the tension between his clinical training and the personal turmoil he endures. Throughout the hour, the unfolding events challenge his expectations, reminding him that even a rational mind can be caught off guard by life's unpredictable nature. The story is brought to life by performances from John Duttine, Susan Penhaligon and Brenda Blethyn.

The story follows a businessman who receives some sensible counsel, but he dismisses it, convinced his own instincts are sufficient. Determined to act on his own terms, he invites a woman up to his hotel suite, believing the situation will be straightforward. He's convinced his professional success will shield him from any complications, and he sees the invitation as a simple extension of his lifestyle. However, once they are alone, events take a turn for the worse, and the businessman ends up in a difficult spot, the very trouble the ignored advice had warned him about. The ensuing complications quickly expose how his disregard for the warning has back‑fired, and he's left scrambling to manage the unforeseen consequences.

In this short drama, a determined woman manages to coax a naïve writer into paying for her midday meal, arranging that the lunch be taken at the restaurant owned by her own fiancé. The plot centres on her subtle manipulation and the writer doesn’t realise his unwitting compliance, set against the backdrop of the family‑run eatery. The piece features Gayle Hunnicutt in the role of the persuasive woman and Bosco Hogan as the unsuspecting writer, delivering a concise yet engaging encounter that hinges on a simple favour turned into a modest scheme. The episode unfolds with a straightforward premise; it’s focused on the brief interaction between the two characters.

Following the death of a long‑standing servant who had tended the households of three aristocratic women, the ladies find themselves drawn back together. In honour of the departed, they arrange a luncheon and extend an invitation to her niece, assuming the visit will be a simple, perhaps quiet, affair. However, when the niece arrives, her presence proves far from ordinary, catching the hosts off guard with an unexpected turn in her demeanor and a lively spirit. The gathering, intended as a modest tribute, quickly becomes marked by the surprising nature of their guest for the first time, reshaping the afternoon in ways none of the women anticipated.

In this episode, a physician is left deeply unsettled after his wife vanishes without explanation. As he grapples with her sudden disappearance, he gradually discovers that circumstances can take unforeseen turns, offering him unexpected developments. The narrative follows his attempts to make sense of the loss, highlighting the tension between his clinical training and the personal turmoil he endures. Throughout the hour, the unfolding events challenge his expectations, reminding him that even a rational mind can be caught off guard by life's unpredictable nature. The story is brought to life by performances from John Duttine, Susan Penhaligon and Brenda Blethyn.

In this drama, three close friends stumble upon an elixir that promises to restore youth. However, the supply's limited, enough for just two of them, forcing a difficult choice. The story follows the tension and decisions that arise from this situation. Their performances drive the emotional core of the episode, highlighting the strain on their friendship as they're grappling with the prospect of eternal youth. The narrative explores the moral conflict when only two can benefit, examining loyalty, desire and the cost of choosing one's future over another's. Dick Smothers and Sharon Gless bring depth to their roles, portraying the anguish and hope that accompany such a life‑changing discovery.

In this episode of The Turn of the Tide, a man takes the life of his friend, only to discover that the elements themselves turn against him. As the murder unfolds, nature seems to conspire, creating an unsettling backdrop to his crime. Richard Basehart leads the cast, portraying the central figure caught in this grim turn of events. The story follows his desperate attempts to cope with the relentless pressure exerted by the surrounding environment; the wind howls, the sea churns, and the sky darkens, amplifying the sense of inevitability. It highlights how even a calculated act can be undone by forces beyond human control.