Salvage Hunters

In this episode, presenter Drew explores a collection of exciting examples that showcase the work of three pre‑eminent design figures who were instrumental in shaping the classic Georgian‑and‑Victorian aesthetic. The individuals highlighted are Sir John Soane, Augustus Pugin and William Morris, each regarded as a titan of design. Through the material he encounters, Drew illustrates how these three architects and designers contributed to the formation of that enduring style. The segment presents their influence side by side, offering viewers a clear sense of the impact Soane, Pugin and Morris had on the visual language of the period. Their legacy resonates even in contemporary design.

In this instalment, Drew Pritchard makes his way to Cornwall, where he finds himself in a showdown with a dealer who is keen on keeping his stock close at hand. The encounter tests Pritchard’s resolve as he navigates the dealer’s insistence on retaining his inventory. After leaving the Cornish coast, he travels north to Norfolk, where he is treated to a spellbinding tour of a museum devoted entirely to magic. The rugged Cornish coastline frames the initial conflict, while the historic county of Norfolk supplies a quieter, reflective setting for the magical exhibition. The visit offers a fascinating glimpse into the artefacts and curiosities on display, providing a contrasting backdrop to the earlier confrontation in Cornwall.

In the episode, Drew and Al visit a range of heritage sellers and end up acquiring two notable pieces. They pick up a curved oak settle that dates back to 1810, a rare example of early‑nineteenth‑century furniture, and they also secure a set of steel tables that are over a hundred years old, crafted by a blacksmith in Northampton. Both items reflect the kind of historic craftsmanship the programme celebrates, and the duo’s quick decisions highlight their enthusiasm for authentic period pieces. The oak settle’s curved back and sturdy legs illustrate early‑1800s craft, while the steel tables highlight Northampton blacksmithing durability. By selecting these pieces, Drew and Al underline the programme’s aim to preserve tangible links to the past.

In the episode, Drew and Viki set out to source furnishings for Viki's freshly‑opened premises in Edinburgh. While hunting for pieces that suit the new space, they stumble upon a pair of deer antlers rescued from a country house in Cumbria, and they also track down a set of robust industrial tables that once belonged to a former tannery. Both finds promise to add a distinctive character to the shop, blending rustic charm with sturdy, work‑wear aesthetics. The duo evaluates each item, weighing how the antlers' natural elegance might contrast with the tables' gritty industrial vibe. Their aim is to create a cohesive look that reflects both the Scottish setting and the eclectic origins of the pieces.

Drew Pritchard and Tee John share their enthusiasm for the range of objects on display at Italy’s biggest antiques market. The pair explore the stalls, highlighting the variety and character of the merchandise. Both presenters comment on the variety and quality of the pieces, noting the appeal of each find. Their journey then takes them to a scenic Spanish town, where they examine an intriguing collection of items. In Spain, the duo appreciate the setting’s beauty as they're perusing the curated selection, drawing attention to the distinct character of the collection. Throughout, the hosts maintain a lively interest in the pieces they encounter, offering viewers a glimpse of both the bustling market atmosphere and the charm of the Spanish setting.

Drew Pritchard travels across the United Kingdom, hunting through a variety of locations for scrap that could still hold worth and for bits of the past that have been left behind. He combs everything from abandoned yards to forgotten storage spaces, looking for items that might still have a market value or simply represent a piece of history that’s slipped out of sight. By moving from site to site, he aims to uncover these hidden treasures, turning what others see as waste into something potentially valuable. His quest is all about spotting the overlooked and giving forgotten remnants a chance to be recognised again.

Drew Pritchard and Tee John share their enthusiasm for the range of objects on display at Italy’s biggest antiques market. The pair explore the stalls, highlighting the variety and character of the merchandise. Both presenters comment on the variety and quality of the pieces, noting the appeal of each find. Their journey then takes them to a scenic Spanish town, where they examine an intriguing collection of items. In Spain, the duo appreciate the setting’s beauty as they're perusing the curated selection, drawing attention to the distinct character of the collection. Throughout, the hosts maintain a lively interest in the pieces they encounter, offering viewers a glimpse of both the bustling market atmosphere and the charm of the Spanish setting.

Drew Pritchard travels across the United Kingdom, hunting through a variety of locations for scrap that could still hold worth and for bits of the past that have been left behind. He combs everything from abandoned yards to forgotten storage spaces, looking for items that might still have a market value or simply represent a piece of history that’s slipped out of sight. By moving from site to site, he aims to uncover these hidden treasures, turning what others see as waste into something potentially valuable. His quest is all about spotting the overlooked and giving forgotten remnants a chance to be recognised again.

The episode follows Drew and Viki as they set off for several one‑stop‑shop venues across the city. Their aim's to acquire furnishings, and they've succeeded in obtaining a pair of chairs crafted by Ford Maddox Brown. The chairs, designed by the noted maker, showcase a classic aesthetic that fits their taste. In addition, they purchase a recliner that originally came from a Victorian‑era ocean liner, a piece that retains its historic charm. Both items are added to their collection. The scene highlights their focus on sourcing distinctive pieces from specialised retailers. Throughout, the duo moves from one location to another, each serving as a comprehensive shopping destination.

In this episode of Fresh Starts, Drew and Viki set out to investigate fresh opportunities within the antiques world. Their quest leads them to a range of unexpected items, prompting them to assess the potential of each find. Among the discoveries are a traditional Scottish jewellery packing case, noted for its distinctive design, and a delicate match‑stick model crafted by an artist who was serving time in prison. Both pieces illustrate the diverse origins and stories that can surface when one digs into the market for curiosities. They examine the case's historic Scottish motifs and the match‑stick sculpture's intricate detail, noting how both pieces raise questions of provenance and unconventional creation.

In this episode, Drew and Al turn their attention to businesses that are in the midst of change, buying whatever they can from these transitioning firms. As they make their purchases, they uncover a number of noteworthy pieces. Among the items they acquire is a striking Windsor chair, distinguished by its design, an anatomical model that offers a detailed representation of the human form, and a selection of artefacts that once belonged to a former mill. These finds illustrate the variety of objects that can surface when enterprises evolve, and they form the core of the duo’s latest collection today indeed.

The programme follows Drew as he travels to a disused fuel shed located on the site of a former air force base in Suffolk. Inside the empty structure, he finds two unusual objects: vases that have been carved directly from cow bones, and a stone face corbel whose design gives it a haunting quality. The visit highlights the contrast between the industrial setting of the old fuel depot and the unexpected bone‑carved and stone‑carved artefacts he uncovers. By the end of his inspection, the peculiar nature of the bone vases and the haunting stone corbel are the only notable discoveries recorded from the Suffolk shed.

In this episode, Drew and Tee travel to Newark, a town celebrated for its strong links to the world of antiques. The pair explore the historic streets, soaking up the atmosphere of a place where old‑world craftsmanship is still highly prized. During their visit, Drew uncovers a remarkable find – a set of Regency‑era bed steps together with an authentic, extremely rare eighteenth‑century mirror, both exemplifying the unique heritage that Newark is known for. The Regency bed steps, with their elegant turned balusters and polished wood, reflect the design trends of 19th‑century British furniture. Likewise, the eighteenth‑century mirror, with its crafted frame and clear glass, stands out as a scarce example of glasswork, underscoring the town’s reputation as a haven for collectors.

Drew Pritchard sets off for a steam museum in Norfolk with the aim of uncovering items that have been overlooked or discarded. While in Hereford, he receives special permission to explore a particular collection, granting him a behind‑the‑scenes look at objects that might otherwise remain unseen. His curiosity drives him to locate these unwanted pieces, and the exclusive access he is given in Hereford offers a rare opportunity to view artefacts that are normally off‑limits. The programme follows his attempts to bring such neglected items to light. He hopes that by examining these hidden objects he can reveal aspects that have been left behind, shedding light on the forgotten side of the museum’s holdings.

The episode follows Drew and Viki as they set off for several one‑stop‑shop venues across the city. Their aim's to acquire furnishings, and they've succeeded in obtaining a pair of chairs crafted by Ford Maddox Brown. The chairs, designed by the noted maker, showcase a classic aesthetic that fits their taste. In addition, they purchase a recliner that originally came from a Victorian‑era ocean liner, a piece that retains its historic charm. Both items are added to their collection. The scene highlights their focus on sourcing distinctive pieces from specialised retailers. Throughout, the duo moves from one location to another, each serving as a comprehensive shopping destination.

In this episode of Fresh Starts, Drew and Viki set out to investigate fresh opportunities within the antiques world. Their quest leads them to a range of unexpected items, prompting them to assess the potential of each find. Among the discoveries are a traditional Scottish jewellery packing case, noted for its distinctive design, and a delicate match‑stick model crafted by an artist who was serving time in prison. Both pieces illustrate the diverse origins and stories that can surface when one digs into the market for curiosities. They examine the case's historic Scottish motifs and the match‑stick sculpture's intricate detail, noting how both pieces raise questions of provenance and unconventional creation.

In the English county of Gloucestershire, presenter Drew Pritchard comes across an unexpected find: a marble table lamp, its smooth stone surface contrasting sharply with the surrounding décor, alongside an oddly specific painting of a mackerel, its silver scales rendered with surprising detail. The lamp's marble base gleams, while the fish painting adds a quirky touch. Later in the programme he travels to Bedfordshire, where he is given the chance to wander through a grand stately home, and his enthusiasm is evident as he explores the historic rooms and corridors, clearly thrilled by the atmosphere and the sense of stepping back in time. He notes the high ceilings and ornate plasterwork throughout in each room.

Drew Pritchard and Tee John receive an invitation to visit a private motor museum situated in Denbighshire. Inside, the duo explores a collection that includes a steel‑plate Castrol sign and a delightful pedal car, both of which highlight the museum’s niche appeal. The setting offers them a close‑up look at these particular pieces, allowing the pair to appreciate the modest yet intriguing assortment on display. Their visit centres on the simple pleasure of seeing the sign and the pedal‑car up close, underscoring the museum’s focus on specialised automotive memorabilia. The invitation is presented as a chance to see items rarely open to the public, making the experience feel exclusive.

In the English county of Gloucestershire, presenter Drew Pritchard comes across an unexpected find: a marble table lamp, its smooth stone surface contrasting sharply with the surrounding décor, alongside an oddly specific painting of a mackerel, its silver scales rendered with surprising detail. The lamp's marble base gleams, while the fish painting adds a quirky touch. Later in the programme he travels to Bedfordshire, where he is given the chance to wander through a grand stately home, and his enthusiasm is evident as he explores the historic rooms and corridors, clearly thrilled by the atmosphere and the sense of stepping back in time. He notes the high ceilings and ornate plasterwork throughout in each room.

Drew Pritchard and Tee John receive an invitation to visit a private motor museum situated in Denbighshire. Inside, the duo explores a collection that includes a steel‑plate Castrol sign and a delightful pedal car, both of which highlight the museum’s niche appeal. The setting offers them a close‑up look at these particular pieces, allowing the pair to appreciate the modest yet intriguing assortment on display. Their visit centres on the simple pleasure of seeing the sign and the pedal‑car up close, underscoring the museum’s focus on specialised automotive memorabilia. The invitation is presented as a chance to see items rarely open to the public, making the experience feel exclusive.

Viki, eager to get her new shop ready, spends a day on the road with Drew, loading the van with the items she’ll need for the opening. As they drive, the pair pick up a selection of French advertising artwork, adding a touch of continental style to the shop’s décor, and they also acquire a small, intricately crafted dolls‑house cabinet that they plan to display as a focal piece. The journey is a practical mission, with Viki and Drew efficiently gathering the last of the stock that will fill the shelves and walls of her freshly launched store. By the time they return, the van is packed, signalling that the shop is nearly ready for customers.

Drew walks Al through the process of buying from suppliers that rival companies can't access. He explains how tapping into these off‑limits channels gives them a competitive edge, stressing the need for discretion, timing and careful negotiation. By keeping the sources hidden, they avoid being undercut and can secure better deals. Putting the lesson into action, they manage to obtain a collection of crucibles and accompanying patterns from a foundry in Lancashire. The pair act swiftly, securing the haul before any rival firm becomes aware of the opportunity, and they walk away with the items that were previously out of reach.

In this installment of Firsts for Viki, Drew leads Viki onto three distinct hunting grounds that have long been the backbone of his trade. Each is visited in turn, highlighting the variety of terrain and techniques employed, and each location showcases a different facet of the pursuits that underpin his business, giving viewers a clear sense of how his operations function. Along the way, the pair stumble upon, and ultimately secure, a rare Anglepoise lamp; the lamp, prized for its design, proves a noteworthy addition to their haul, adding an unexpected find to their day out. The episode stays focused on the practical side‑by‑side exploration of these established sites and the acquisition of the unusual lighting piece.

Drew and Tee head to the Insect Circus in Suffolk, where they spend the day exploring the quirky attractions on offer. While wandering around, they come across an enormous pair of stage shoes dating back to the twentieth century, their size and vintage design standing out amid the circus’s eclectic décor. In addition, they find a collection of hand‑crafted, scratch‑made models that replicate classic fairground rides, each piece showing meticulous detail despite its modest construction. The duo’s visit highlights the unusual blend of historic theatrical footwear and lovingly assembled miniature rides that give the Insect Circus its distinctive charm.

In this episode, Drew and Tee set off to investigate three fresh locations. Their journey leads them to an odd collection of stained‑glass windows, a lamp dating back to the 1840s, and a vintage Japanese toy police figure, each of which catches Drew’s curiosity. The duo examines each find, with Drew particularly drawn to the unusual glasswork, the historic lighting piece, and the retro toy, while Tee accompanies him throughout the exploration. The stained‑glass windows, with their intricate patterns and faded colours, stand out as a striking example of forgotten craftsmanship. The 1840s lamp, with its brass fittings and amber glow, hints at a bygone era of domestic lighting.

In this episode, Drew Pritchard turns his attention to a Victorian wool mill in Bradford, intent on uncovering anything that might hold value. He methodically searches the old factory, looking for scrap items that could prove worthwhile and for bits that have simply been left behind. The focus remains on his hunt through the mill’s forgotten corners, aiming to spot both potentially valuable pieces of material and the overlooked remnants of its industrial past. He works with a careful eye, weighing each find against its possible worth. By the end, the programme highlights the range of items he manages to locate within the historic building.

Viki, eager to get her new shop ready, spends a day on the road with Drew, loading the van with the items she’ll need for the opening. As they drive, the pair pick up a selection of French advertising artwork, adding a touch of continental style to the shop’s décor, and they also acquire a small, intricately crafted dolls‑house cabinet that they plan to display as a focal piece. The journey is a practical mission, with Viki and Drew efficiently gathering the last of the stock that will fill the shelves and walls of her freshly launched store. By the time they return, the van is packed, signalling that the shop is nearly ready for customers.

Drew walks Al through the process of buying from suppliers that rival companies can't access. He explains how tapping into these off‑limits channels gives them a competitive edge, stressing the need for discretion, timing and careful negotiation. By keeping the sources hidden, they avoid being undercut and can secure better deals. Putting the lesson into action, they manage to obtain a collection of crucibles and accompanying patterns from a foundry in Lancashire. The pair act swiftly, securing the haul before any rival firm becomes aware of the opportunity, and they walk away with the items that were previously out of reach.

In this episode, presenters Drew Pritchard and Tee John explore a privately‑owned collection situated in Boreham Wood, Hertfordshire. They walk through the assorted items on display, noting that every piece is being offered for purchase. Among the assorted objects are a carved stone saint, which stands out for its detailed workmanship, and a pair of marble fireplace supports that add a touch of elegance to the setting. The duo examines each item, highlighting the range of materials and styles present throughout the collection, while reminding viewers that the entire assortment is available on the market. Everything is up for sale, from the carved stone saint to the marble fireplace supports.

Drew Pritchard and John Tee travel to Coniston, a village in Cumbria, to explore a copper mine that dates back five centuries. The pair step into the historic workings, keen to see how the ancient site has been used over the years. The mine, which has stood for roughly five hundred years, still bears the marks of its long‑lasting operation. During their visit they come across a slipware dairy bowl, a set of pattern wheels and even a retail counter, all hidden within the mine’s depths. Finding the slipware bowl highlights the domestic side of life, while the pattern wheels suggest artisanal work, and the retail counter points to a commercial aspect within the underground setting.

In this episode, presenters Drew Pritchard and Tee John explore a privately‑owned collection situated in Boreham Wood, Hertfordshire. They walk through the assorted items on display, noting that every piece is being offered for purchase. Among the assorted objects are a carved stone saint, which stands out for its detailed workmanship, and a pair of marble fireplace supports that add a touch of elegance to the setting. The duo examines each item, highlighting the range of materials and styles present throughout the collection, while reminding viewers that the entire assortment is available on the market. Everything is up for sale, from the carved stone saint to the marble fireplace supports.

Drew Pritchard and John Tee travel to Coniston, a village in Cumbria, to explore a copper mine that dates back five centuries. The pair step into the historic workings, keen to see how the ancient site has been used over the years. The mine, which has stood for roughly five hundred years, still bears the marks of its long‑lasting operation. During their visit they come across a slipware dairy bowl, a set of pattern wheels and even a retail counter, all hidden within the mine’s depths. Finding the slipware bowl highlights the domestic side of life, while the pattern wheels suggest artisanal work, and the retail counter points to a commercial aspect within the underground setting.

In this instalment of Forgotten Treasures, presenter Drew makes a swift purchase of a rare pair of console tables while exploring the market in Sherborne. He then heads north to visit the United Kingdom’s only surviving drop‑hammer forge, a historic workshop where traditional tool‑making is still carried out by hand. After observing the forge’s operations, Drew continues his journey southward into the Cotswolds, where he selects further pieces for his collection. The episode strings together these distinct locations, highlighting both the rarity of the furniture he acquires and the still unique craftsmanship on display at the country’s last drop‑hammer facility today.

In this episode, Drew escorts Viki to the spots he loves most for hunting treasure. Their day begins in a dusty, neglected shed where they sift through forgotten items, hunting for anything of value. Next they head to a well‑run auction, moving among the stalls and examining the lot for hidden gems. The final stop is a picturesque country house, its rooms offering a chance to uncover beautiful pieces amid the elegant surroundings. They compare notes on each find and discuss the history behind the pieces they uncover. Throughout, the pair share their enthusiasm for the search, moving from one location to the next in pursuit of unexpected finds.

In this installment, presenters Drew and Al turn their attention to the possessions of a travelling fairground family, meticulously sorting through the assorted equipment, memorabilia and curiosities that the mobile entertainers have gathered over time. Their inspection reveals the eclectic nature of a life spent moving from site to site, and they take the opportunity to discuss the significance of each item as they handle it. Following this close‑up look at the fairground’s collection, the duo receive an invitation to another traditional enterprise: a wood‑turning business that has operated using age‑old techniques. There, they are welcomed into the workshop to observe the craft of shaping timber on a lathe, gaining insight into a long‑standing trade.

In the picturesque Cotswolds, Drew is granted sole access to a collection of twelve shipping containers that have been brought onto the estate. While exploring the compact spaces, he carefully examines the contents and ultimately selects three pieces that catch his eye. Among the chosen items is a striking 19th‑century glazed bookcase, notable for its period glass panels and elegant construction. The brief visit allows Drew to showcase his eye for distinctive objects, highlighting how even a modest selection can reveal the character of the hidden stock within the containers. The surrounding countryside provides a quiet backdrop, underscoring the intimate nature of the find.

In this episode, Drew and Tee head off to Portugal, a country that’s often overlooked but holds a surprisingly rich antiques market. While exploring the local scene, the pair stumble upon a collection of architectural pieces that had been salvaged from an eighteenth‑century church. These recovered elements showcase the craftsmanship of the period and give a glimpse into the religious building’s former splendour. By the end of their visit, the duo have highlighted how Portugal’s hidden treasures can enrich the wider world of antique collecting. The episode also points to Portugal’s standing as a hidden gem in the antiques world, where even small locales can yield striking finds.

Drew Pritchard travels to Bamburgh Castle, perched on the rugged Northumberland coastline, to explore its historic interiors. While wandering the ancient stone halls and surrounding grounds, he comes across a selection of artefacts that shed light on the site’s past. The items he discovers are presented as intriguing pieces of history, offering a glimpse into the castle’s long‑standing heritage. Throughout the episode, Pritchard’s investigation remains focused on uncovering these noteworthy objects, highlighting the enduring allure of Bamburgh’s storied walls.

In this instalment of Forgotten Treasures, presenter Drew makes a swift purchase of a rare pair of console tables while exploring the market in Sherborne. He then heads north to visit the United Kingdom’s only surviving drop‑hammer forge, a historic workshop where traditional tool‑making is still carried out by hand. After observing the forge’s operations, Drew continues his journey southward into the Cotswolds, where he selects further pieces for his collection. The episode strings together these distinct locations, highlighting both the rarity of the furniture he acquires and the still unique craftsmanship on display at the country’s last drop‑hammer facility today.

In this episode, Drew escorts Viki to the spots he loves most for hunting treasure. Their day begins in a dusty, neglected shed where they sift through forgotten items, hunting for anything of value. Next they head to a well‑run auction, moving among the stalls and examining the lot for hidden gems. The final stop is a picturesque country house, its rooms offering a chance to uncover beautiful pieces amid the elegant surroundings. They compare notes on each find and discuss the history behind the pieces they uncover. Throughout, the pair share their enthusiasm for the search, moving from one location to the next in pursuit of unexpected finds.

In this episode, presenter Drew Pritchard travels to the countryside of Somerset, where he spends time searching a local salvage yard. While there, he looks for a range of distinctive pieces, aiming to purchase an industrial‑style ceiling light, a marble column plinth and an antique signage. He examines the stock, negotiates with the yard’s owners and assesses each item's condition and potential use. The segment follows his efforts to secure these particular items, showcasing the variety of objects that can be found in a rural salvage operation and highlighting his eye for unique, functional décor. He also considers how each piece might fit into a broader interior scheme, weighing aesthetics against practicality.

In the episode, the investigation at the Somerset railway museum leads Drew Pritchard and Tee John to uncover two rare 1920s signs, a find that underscores the museum's rich collection. Both signs are preserved in good condition, offering a glimpse into early twentieth‑century railway branding. The segment later shifts focus as Drew comes across a set of shoe lasts that were originally produced for Paul McCartney, adding another noteworthy artifact to the day's haul. The shoe lasts, crafted from traditional materials, illustrate the bespoke footwear once supplied to famous musicians. Their teamwork highlights the museum's role in uncovering hidden pieces of cultural history.

In this episode, presenter Drew Pritchard travels to the countryside of Somerset, where he spends time searching a local salvage yard. While there, he looks for a range of distinctive pieces, aiming to purchase an industrial‑style ceiling light, a marble column plinth and an antique signage. He examines the stock, negotiates with the yard’s owners and assesses each item's condition and potential use. The segment follows his efforts to secure these particular items, showcasing the variety of objects that can be found in a rural salvage operation and highlighting his eye for unique, functional décor. He also considers how each piece might fit into a broader interior scheme, weighing aesthetics against practicality.

In the first part of the programme, Drew and Viki arrive in Yorkshire and confront a Blacksmith who is keen to haggle over every item he offers. The pair spend time weighing his demands against the value of the goods, trying to secure a fair deal while navigating his stubborn insistence on higher charges. After wrapping up the negotiation, they're heading north to Scotland’s southern coastline, where they step inside a 19th‑century country mansion. Inside, they examine the period architecture, move through the grand rooms and take in the surrounding scenery, gaining a sense of the estate’s historic character. They also note the mansion’s position overlooking the coast, which adds to its atmospheric appeal.

In the episode, the investigation at the Somerset railway museum leads Drew Pritchard and Tee John to uncover two rare 1920s signs, a find that underscores the museum's rich collection. Both signs are preserved in good condition, offering a glimpse into early twentieth‑century railway branding. The segment later shifts focus as Drew comes across a set of shoe lasts that were originally produced for Paul McCartney, adding another noteworthy artifact to the day's haul. The shoe lasts, crafted from traditional materials, illustrate the bespoke footwear once supplied to famous musicians. Their teamwork highlights the museum's role in uncovering hidden pieces of cultural history.

In the county of Yorkshire, presenters Drew and Al spend time sifting through a considerable collection of antiques that belong to a dealer held in high esteem within the trade. They handle each object with care, noting the craftsmanship and the possible histories behind them, while reflecting on the dealer’s reputation for quality. After carefully examining the assorted pieces, the duo travel onward to meet a metalsmith who represents the fourth generation of his family’s craft. The visit offers a glimpse into a workshop that has been passed down through four generations, showcasing techniques that have endured over decades, and giving them insight into his specialised work.

In this episode of the series Industrial Heartlands, presenters Drew and Viki set off to explore the Midlands. Their journey takes them to a historic shoemaking workshop that’s been run by the same family for a century and a half. They also spend time with an enthusiast who specialises in collecting lighting fixtures from the twentieth century. They’re given a close look at the craftsmanship behind the shoes and the stories behind the vintage lamps. Throughout the visit they highlight how these traditional skills and niche collections contribute to the region’s industrial heritage. The episode showcases the enduring legacy of family‑run manufacturing and the passion of collectors who preserve design history. Viewers get insight into how such enterprises keep the area’s industrial character alive.

In each episode, Drew steps into the unknown, never quite sure what he’ll stumble upon, which individuals he’ll cross paths with, or the lessons that await him. The series follows his spontaneous approach to learning, highlighting his curiosity as he navigates each fresh encounter without any preset expectations. During this particular installment, he pays a visit to an outsider artist whose work has just been assembled into a newly curated collection. The focus remains on Drew’s interaction with the artist and the freshly displayed pieces, offering a glimpse into the unique perspective and creations that the artist brings to the exhibition.

In this episode of Different Visions, Drew spends time with a number of dealers who each have their own distinct approach to viewing antiques. As he moves from one showroom to the next, he discovers an intricately carved lion whose origins are shrouded in an enigmatic history, prompting him to probe its background. The segment also highlights a set of four chairs designed by the architect and designer he admires most, Pugin, showcasing the pieces that have inspired him throughout his career. Throughout the visit, Drew’s interactions reveal how personal taste and professional reverence shape the way these objects are interpreted and valued.

In this episode, presenter Drew Pritchard heads to a historic hop farm in Kent, where he stumbles upon a series of unexpected discoveries. While wandering the aged fields and old buildings, he uncovers details that surprise him and shed new light on the site’s past. Later, the programme shifts tone as Drew is given a glimpse of Hollywood glamour, experiencing the sparkle and style associated with the film industry. The contrast between the rustic Kentish setting and the glitzy Hollywood atmosphere highlights the varied experiences he enjoys throughout the show, providing a unique juxtaposition of countryside heritage and cinematic flair.