Antiques Road Trip

James Braxton and Charles Hanson set off on a road‑trip across Fife and Perthshire, hunting for antiques they can consign to an upcoming auction in Dundee. Their journey takes them from village to village, scouring local dealers and private collections for items with resale potential. Among the finds is a particularly costly Chinese rosewood table, which they earmark as a highlight for the Dundee sale. The pair’s itinerary is driven by the aim of gathering a varied selection of pieces that will attract bidders, with the Scottish regions providing a rich backdrop for their antique‑hunting expedition.

David Harper and Catherine Southon set off on a treasure‑hunt across Kent, tracking down a range of curious artefacts. Among the finds are a whole collection of mechanical animals, each crafted with intricate detail, and an oversized hammer that would make even the most flamboyant auctioneer’s gavel look modest. Their expedition showcases the eclectic nature of the items hidden throughout the county, highlighting both the whimsical and the strikingly practical in equal measure.

Catherine and David set off for Sussex, only to be hit by a sudden rush of nostalgia as they arrive. The change of scenery triggers memories for both of them: David is suddenly taken back to his days playing cricket for his school team, recalling the matches and camaraderie of his youth, while Catherine finds herself craving a collection of aeronautical curiosities, longing to explore the world of flight‑related gadgets. During their brief stay, the pair wander through the rolling hills, letting the nostalgia guide their thoughts. Their journey becomes as much about revisiting the past as it is about the present, with each character drawn to a different facet of their former interests.

David Harper and Catherine Southon set off on a treasure‑hunt across Kent, tracking down a range of curious artefacts. Among the finds are a whole collection of mechanical animals, each crafted with intricate detail, and an oversized hammer that would make even the most flamboyant auctioneer’s gavel look modest. Their expedition showcases the eclectic nature of the items hidden throughout the county, highlighting both the whimsical and the strikingly practical in equal measure.

Catherine and David set off for Sussex, only to be hit by a sudden rush of nostalgia as they arrive. The change of scenery triggers memories for both of them: David is suddenly taken back to his days playing cricket for his school team, recalling the matches and camaraderie of his youth, while Catherine finds herself craving a collection of aeronautical curiosities, longing to explore the world of flight‑related gadgets. During their brief stay, the pair wander through the rolling hills, letting the nostalgia guide their thoughts. Their journey becomes as much about revisiting the past as it is about the present, with each character drawn to a different facet of their former interests.

In this episode, Margie Cooper and Danny Sebastian travel to Yorkshire, where they put together an antiques‑shopping list. Their list features a quirky assortment of items, including pig‑shaped butcher’s signs, various pieces of pewter and a selection of vintage loo rolls. The duo wanders through local markets and antique shops, seeking these particular pieces. Their hunt centres on locating the pig‑shaped signs, the pewter objects and the old‑fashioned toilet‑paper rolls, each item reflecting a distinct slice of British heritage. By the end of their Yorkshire visit, Margie and Danny have compiled a collection that showcases the eclectic charm of the region’s antique offerings.

Antiques specialists James Braxton and Charles Hanson set off from Glasgow, heading southward into the heart of Scotland. Their journey takes them through the rolling countryside of Ayrshire and onward into the historic reaches of Lanarkshire, where they continue to explore and assess a variety of objects of interest during their brief stops. After completing their tour, Braxton and Hanson travel onward to Hamilton, where the collected pieces are brought to an auction. The episode culminates with the pair presenting the items for sale, allowing bids on the finds they have gathered in the surrounding area during their south‑bound excursion.

When their car gives out, James Braxton and Charles Hanson are left with no choice but to continue on foot. The mishap turns a routine trip into a relaxed walk across the Scottish countryside, taking them through the rolling hills of Perthshire and the historic scenery of the Lothians. Along the way they pause to peruse local shops, buying a selection of antiques that catch their eye. Their wandering also provides a chance to delve into the life of the celebrated scientist James Clerk Maxwell, picking up insights into his pioneering work on electromagnetism. The episode tracks their impromptu trek, antique‑hunting stops and the unexpected educational detour.

Catherine and David travel to the Isle of Wight together. During their visit, David comes across a selection of items: a set of Dutch dishes, a canister of Chinese origin, and a lamp that hails from South India. Meanwhile, Catherine discovers a jar made by the Scottish manufacturer Wemyss Ware, which she finds particularly satisfying. Both explorers appreciate the variety of cultural artefacts they encounter on the island, each drawn to different pieces that reflect distinct regional craftsmanship. Their day on the Isle of Wight is marked by these small, tangible encounters with international design.

David Harper and Catherine Southon head to the south‑west of England in this instalment, where they set about examining a handful of unusual finds. Their attention is drawn to a modestly sized ceramic cat, its glaze still bright despite its age, and to an old‑fashioned clothes‑rail that proves robust enough to suspend a notably large pair of Victorian‑era trousers. Both objects illustrate the quirky nature of the items they encounter, and the presenters discuss each piece’s peculiarities as they move through the location. They comment on the craftsmanship of the ceramic feline, noting its detailing, and they test the strength of the rail by draping the Victorian trousers over it, observing how the antique structure holds up under the weight.

Catherine and David travel to the Isle of Wight together. During their visit, David comes across a selection of items: a set of Dutch dishes, a canister of Chinese origin, and a lamp that hails from South India. Meanwhile, Catherine discovers a jar made by the Scottish manufacturer Wemyss Ware, which she finds particularly satisfying. Both explorers appreciate the variety of cultural artefacts they encounter on the island, each drawn to different pieces that reflect distinct regional craftsmanship. Their day on the Isle of Wight is marked by these small, tangible encounters with international design.

David Harper and Catherine Southon head to the south‑west of England in this instalment, where they set about examining a handful of unusual finds. Their attention is drawn to a modestly sized ceramic cat, its glaze still bright despite its age, and to an old‑fashioned clothes‑rail that proves robust enough to suspend a notably large pair of Victorian‑era trousers. Both objects illustrate the quirky nature of the items they encounter, and the presenters discuss each piece’s peculiarities as they move through the location. They comment on the craftsmanship of the ceramic feline, noting its detailing, and they test the strength of the rail by draping the Victorian trousers over it, observing how the antique structure holds up under the weight.

James Braxton and Charles Hanson head south, crossing the Scottish border as they travel toward England. Their route brings them to the historic town of Berwick‑upon‑Tweed, where they will deliver the last items they have bought for the upcoming sale. The journey marks the final leg of their current collecting trip, and they're keen to see the pieces find new owners. Their final acquisitions are set for auction in Northumberland, with Berwick‑upon‑Tweed serving as the venue for the event. This auction will conclude their present expedition, sealing the deal on the items they have gathered. Both men look forward to the results of the sale.

Antiques experts Philip Serrell and Catherine Southon begin the episode in Birmingham, combing the city’s shops and markets for objects that could prove valuable, while discussing their potential appeal to collectors. Their search then moves on to Stratford‑upon‑Avon, where they continue to track down further pieces, assessing each find as they go. Having gathered a selection of items, the duo travel south to Salisbury, where the pieces are entered into an auction. The programme follows their route from the initial hunt in the Midlands to the final sale subsequently in the south, highlighting the regional journey they undertake in pursuit of antiques.

Set against the backdrop of Devon, the episode tracks the contrasting choices of two participants. Catherine Southon decides to go with items that are more conventional and steeped in tradition, favouring objects that reflect a classic approach. By contrast, David Harper reaches for an eel spear and a fetish doll, selecting pieces that are decidedly more eccentric and hoping that their unusual nature will bring him luck. The pairing of Catherine’s traditional selections with David’s out‑of‑the‑ordinary purchases underscores the differing strategies the two adopt when choosing objects, one leaning toward the familiar and the other toward the unconventional. Both characters pursue their own ideas of what might bring success, highlighting the personal nature of their selections.

Dealers Irita Marriot and Mark Hill, both seasoned in their respective markets, set off on their inaugural trip together, marking the first occasion they travel side by side in pursuit of new acquisitions. The journey, planned as a joint venture, allows the two professionals to combine their expertise while exploring fresh opportunities. During the expedition, Irita secures an exceptionally rare tea‑set, adding a coveted piece to her collection, while Mark directs his investment towards a range of mid‑century Italian ceramics, reinforcing his focus on that particular niche. Both transactions reflect their individual specialisms and illustrate how the pair capitalise on the diverse market segments they each serve.

Set against the backdrop of Devon, the episode tracks the contrasting choices of two participants. Catherine Southon decides to go with items that are more conventional and steeped in tradition, favouring objects that reflect a classic approach. By contrast, David Harper reaches for an eel spear and a fetish doll, selecting pieces that are decidedly more eccentric and hoping that their unusual nature will bring him luck. The pairing of Catherine’s traditional selections with David’s out‑of‑the‑ordinary purchases underscores the differing strategies the two adopt when choosing objects, one leaning toward the familiar and the other toward the unconventional. Both characters pursue their own ideas of what might bring success, highlighting the personal nature of their selections.

Dealers Irita Marriot and Mark Hill, both seasoned in their respective markets, set off on their inaugural trip together, marking the first occasion they travel side by side in pursuit of new acquisitions. The journey, planned as a joint venture, allows the two professionals to combine their expertise while exploring fresh opportunities. During the expedition, Irita secures an exceptionally rare tea‑set, adding a coveted piece to her collection, while Mark directs his investment towards a range of mid‑century Italian ceramics, reinforcing his focus on that particular niche. Both transactions reflect their individual specialisms and illustrate how the pair capitalise on the diverse market segments they each serve.

In this episode, Catherine Southon teams up with Philip Serrell as they hunt for affordable finds they can later consign to auction. Their search is centred on the coastal town of Christchurch in Dorset, where they aim to uncover items that will attract bidders while keeping costs low. Their goal is to source budget‑friendly, appealing pieces that will generate interest at the auction. Among the pieces they locate are a classic croquet set and an unusual novelty biscuit tin dating back to the 1930s. Both objects are highlighted as examples of the kind of quirky, yet potentially valuable, merchandise the duo hopes to present to auction‑goers.

Antiques specialists Philip Serrell and Catherine Southon set off across the West Country in search of objects that might hold a story or a price tag. While Phil engages a local fisherman in a lively round of questions about the catch‑and‑sell trade, Catherine adjusts her approach, opting for a different tactic to uncover hidden gems. Together they comb the coastal towns and countryside, each relying on their own expertise to spot items that could prove noteworthy. Their contrasting methods – Phil’s inquisitive style and Catherine’s strategic shift – drive the episode’s quest for intriguing finds throughout the region.

Continuing their road‑trip across Bedford, Irita and Mark are still on the hunt for forgotten antiques. As they wander the town’s backstreets and markets, Irita becomes especially thrilled when she comes across a Regency‑era ornament that dates back roughly two centuries. Meanwhile, Mark’s attention is drawn to a set of Victorian‑period anatomy moulds, which he adds to their growing collection of curiosities. Both items spark a shared sense of excitement, reinforcing their determination to uncover more relics as the journey rolls on. The pair spends the afternoon comparing notes, noting the fine craftsmanship and the stories each piece might tell. Their enthusiasm keeps the engine humming as they plan the next stop.

Irita and Mark set off for East Anglia with the intention of hunting for antiques. The pair travel together, eager to explore the region's antique markets and shops, hoping to uncover hidden gems among the assorted vintage items on offer. Their shared enthusiasm for collecting drives them to scour the stalls, comparing pieces and discussing potential finds as they move from one vendor to another. During their search, Irita comes across a collection of overlooked Hungarian porcelain that proves to be both rare and noteworthy, while Mark indulges his penchant for mid‑century design, examining pieces that reflect that particular aesthetic.

Continuing their road‑trip across Bedford, Irita and Mark are still on the hunt for forgotten antiques. As they wander the town’s backstreets and markets, Irita becomes especially thrilled when she comes across a Regency‑era ornament that dates back roughly two centuries. Meanwhile, Mark’s attention is drawn to a set of Victorian‑period anatomy moulds, which he adds to their growing collection of curiosities. Both items spark a shared sense of excitement, reinforcing their determination to uncover more relics as the journey rolls on. The pair spends the afternoon comparing notes, noting the fine craftsmanship and the stories each piece might tell. Their enthusiasm keeps the engine humming as they plan the next stop.

Irita and Mark set off for East Anglia with the intention of hunting for antiques. The pair travel together, eager to explore the region's antique markets and shops, hoping to uncover hidden gems among the assorted vintage items on offer. Their shared enthusiasm for collecting drives them to scour the stalls, comparing pieces and discussing potential finds as they move from one vendor to another. During their search, Irita comes across a collection of overlooked Hungarian porcelain that proves to be both rare and noteworthy, while Mark indulges his penchant for mid‑century design, examining pieces that reflect that particular aesthetic.

Philip Serrell hops aboard a replica steam vehicle with Catherine Southon for a coastal jaunt along Cornwall’s shoreline. They navigate the historic conveyance past cliffs and beaches, enjoying the nostalgic ride together. The steam engine, faithfully reproduced, chugs along the narrow roads, its whistle echoing over the sea‑sprayed cliffs, while the duo chat about potential finds. Their journey isn’t just for scenery; they’re hunting for antique bargains, scouring local markets and shops for hidden treasures. The duo’s expertise drives the search, making the steam‑powered excursion as much about discovery as the ride itself. They discuss provenance and price points, swapping stories about each item they hope to acquire, turning the ride into a mobile appraisal session.

Catherine Southon and Philip Serrell travel to Somerset for the final auction of the series. This final auction takes place in Somerset, concluding their auction journey. The final auction marks the end of their series of sales, and it is set against the picturesque countryside of Somerset. In a separate segment, Catherine learns about Sir Isaac Newton’s reforms to the coinage, which were intended to make counterfeiting more difficult. Newton’s reforms introduced new safeguards that made copying the coins far more challenging. These safeguards were part of a broader effort to protect the nation’s money supply from fraudulent activity. The episode therefore combines the culmination of the auction storyline with a historical look at monetary security.

Irita Marriott and Mark Hill set off on a treasure‑hunting expedition across the flat, watery landscape of the Fens. While combing the marshy ground, the duo uncovers a seemingly ordinary collectable, only to learn that it carries a disturbingly grisly and gruesome past. The find forces them to confront the dark history attached to the object, highlighting the stark contrast between the tranquil fen surroundings and the macabre tale behind the artefact. Their adventure blends the thrill of the hunt with an unsettling revelation about the item’s sinister provenance. The collectable, though small, proves to be a focal point for the unsettling narrative that surrounds it.

In this episode, Mark Hill purchases a vintage motorbike from the 1970s and also picks up a stereoscopic viewer, delving into the appeal of these retro items. At the same time, Irita Marriott travels to a historic farm, where she investigates the reasons music became such a vital tool for spreading the Salvation Army’s message. Both segments explore personal curiosity and the broader cultural impact of seemingly ordinary objects and practices, linking a classic two‑wheeler and an old‑style viewer with the power of song in a religious outreach context. Their journeys highlight how personal interests can uncover hidden histories and illustrate the enduring relevance of past technologies and melodies.

Irita Marriott and Mark Hill set off on a treasure‑hunting expedition across the flat, watery landscape of the Fens. While combing the marshy ground, the duo uncovers a seemingly ordinary collectable, only to learn that it carries a disturbingly grisly and gruesome past. The find forces them to confront the dark history attached to the object, highlighting the stark contrast between the tranquil fen surroundings and the macabre tale behind the artefact. Their adventure blends the thrill of the hunt with an unsettling revelation about the item’s sinister provenance. The collectable, though small, proves to be a focal point for the unsettling narrative that surrounds it.

In this episode, Mark Hill purchases a vintage motorbike from the 1970s and also picks up a stereoscopic viewer, delving into the appeal of these retro items. At the same time, Irita Marriott travels to a historic farm, where she investigates the reasons music became such a vital tool for spreading the Salvation Army’s message. Both segments explore personal curiosity and the broader cultural impact of seemingly ordinary objects and practices, linking a classic two‑wheeler and an old‑style viewer with the power of song in a religious outreach context. Their journeys highlight how personal interests can uncover hidden histories and illustrate the enduring relevance of past technologies and melodies.